Bovie Movie

The DVD of Goodfellas has got to be one of the very first DVDs ever released by Warner Brothers because they make a critical error in the release. While many films offer widescreen on one side and full screen on the other, this film offers only one version — a widescreen film broken into two sides. Viewers have to flip the DVD over to watch the second half of the film; 19 chapters are on side A and the last 15 chapters are on side B. Goodfellas is a classic film, and the DVD offers a great video transfer and excellent Dolby Digital 5:1 Surround, but no DVD fan will accept the two-sided format. In terms of extras, there are very few, limited only to theatrical trailers, production notes, and cast bios. For many, this Martin Scorsese classic is a must-have for any collection, but those who can wait for a future, corrected release of this film are better off watching the widescreen VHS tape. Language option in English and French and subtitles in English, French, and Spanish.

James Cox directs the sleazy Hollywood murder tale Wonderland, starring Val Kilmer as legendary porn star John Holmes. Using a non-linear plot structure, the film explores different perspectives of the quadruple homicide that occurred on July 1, 1981, in the Hollywood Hills. At the lowest point of his career and the height of his drug addiction, Holmes was implicated in the murders of the Wonderland gang: Ron Launius (Josh Lucas), Billy Deverell (Tim Blake Nelson), Barbara Richardson (Natasha Gregson Wagner), and Joy Miller (Janeane Garofalo). Launius’ wife, Susan (Christina Applegate), was the only survivor. Led by Detective Sam Nico (Ted Levine), the police investigation reveals a dark criminal underworld surrounding Holmes, his disapproving wife, Sharon (Lisa Kudrow), and his innocent teenage girlfriend, Dawn Schiller (Kate Bosworth). Eric Bogosian stars as notorious Hollywood nightclub owner Eddie Nash. Wonderland premiered at the 2003 Toronto Film Festival.

After directing the first two movies in the Harry Potter franchise, Chris Columbus opted to serve as producer for Harry Potter and the Prisoner of Azkaban, and passed the baton to Y Tu Mamá También director Alfonso Cuarón. Though “immensely popular” is an understatement when it comes to Harry Potter, Azkaban is somewhat of a departure from its predecessors, and particularly beloved among fans for its surprise ending. Prisoner of Azkaban also marks the introduction of Sirius Black (Gary Oldman), who has escaped from the title prison after 12 years of incarceration. Believed to have been the right-hand-man of the dark wizard Voldemort, whom Harry (Daniel Radcliffe) mysteriously rendered powerless during his infancy, some of those closest to Harry suspect Black has returned to exact revenge on the boy who defeated his master. Upon his return to school, however, Harry is relatively unconcerned with Black. Run by Albus Dumbledore (Michael Gambon) — who is widely regarded as the most powerful wizard of the age — Hogwarts is renowned for its safety. Harry’s nonchalance eventually turns to blind rage after accidentally learning the first of Black’s many secrets during a field trip to a neighboring village. Of course, a loose serial killer is only one of the problems plaguing the bespectacled wizard’s third year back at school — the soul-sucking guards of Azkaban prison have been employed at Hogwarts to protect the students, but their mere presence sends Harry into crippling fainting spells. With the help of his friends Ron (Rupert Grint) and Hermione (Emma Watson), and Defense Against the Dark Arts professor Remus Lupin (David Thewlis), Harry struggles to thwart the Dementors, find Sirius Black, and uncover the mysteries of the night that left him orphaned.

Writer/director Nicole Kassell makes her feature film debut with the drama The Woodsman. Co-written by Steven Fechter, the original script won first place at the Slamdance Screenplay Competition in 2001. Kevin Bacon plays Walter, a child molester who gets out of prison after serving a 12-year sentence. He returns to his old town and tries to start over by working at a woodyard. Fortunately, his brother-in-law (Benjamin Bratt) helps him get a place to live. He even strikes up a relationship with local gal Vickie (Bacon’s real-life wife, Kyra Sedgwick). However, Walter still struggles with his past and the suspicions of co-worker Mary-Kay (Eve) and Detective Lucas (Mos Def). The Woodsman premiered at the Sundance Film Festival in 2004 as part of the dramatic competition.

Somewhere in L.A., Peter (Kenneth Branagh), a washed-up British playwright, struggles to duplicate his past glory as he surfs a foul-smelling tide of disenchantment. His wife, Melanie (Robin Wright Penn), manages to maintain an optimistic outlook even as she longs for the baby that her husband is hesitant to help her conceive. When Peter befriends Amy (Suzi Hofrichter), a neighborhood girl who has mild cerebral palsy, their friendship softens him to the idea of fatherhood and propels Melanie’s maternal yearnings into hyperdrive. As if baby fever weren’t enough, Peter is plagued by a seemingly benevolent stalker (Jared Harris), his neighbors’ incessantly noisy dog, and the flighty cast and crew of his latest play.

Completed in mid-1930, Scarface, based on Armitage Trail’s novel of the same name, might have been the first of the great talkie gangster flicks, but it was held up for release until after that honor was jointly usurped by Little Caesar and Public Enemy. Paul Muni stars as prohibition-era mobster Tony Camonte, a character obviously patterned on Al Capone (whose nickname was “Scarface”). The homicidal Camonte ruthlessly wrests control of the bootlegging racket from his boss, Johnny Lovo (Osgood Perkins), and claims Lovo’s mistress, Poppy (Karen Morley), in the bargain. But while Poppy satisfies him sexually, Tony has a soft spot in his heart only for his sister Cesca (Ann Dvorak). The film’s finale is one of the longest and bloodiest of the 1930s, maintaining suspense and concern for the characters involved even though Muni has deliberately done nothing to make Tony likeable to audience. The grimness of Scarface is leavened by a few choice moments of black humor. Forced to leave a stage production of Rain in order to commit a murder, Tony returns to his theater seat and anxiously asks his buddies how the play came out. Some of the film’s funniest moments belong to Vince Barnett as the mentally deficient, illiterate gangster secretary, who at one juncture gets so mad at a caller on the phone that he shoots the receiver. Scarface features a famous “‘X’ Marks The Spot” logo, inspired by news photos of gangland murders: whenever a character is killed, the letter “X” appears on screen in one form or another. Example: When a rival gangster (played by Boris Karloff) is killed at a bowling alley, the camera cuts to his bowling ball knocking down all the pins — a strike, denoted, of course, by an “X.” Producer Howard R. Hughes couldn’t release Scarface until he toned down some of the violence, reshot certain scenes to avoid libel suits, added the subtitle “The Shame of the Nation” to the opening credits, and shoehorned in new scenes showing upright Italian-Americans banding together to wipe out gangsterism. After its first run, Scarface was completely withdrawn from distribution on Hughes’ orders; the film would not be seen again on a widespread basis until it was reissued by Universal in 1979, shorn of 8 of its original 99 minutes.

In the same year that a hit cable television series, The Sopranos, successfully mined the same premise, this comedy about a mobster seeking advice from a psychiatrist was a box office winner for director Harold Ramis. Billy Crystal stars as Dr. Ben Sobel, a New York shrink who’s becoming a little bored with his upscale but neurotic clientele. Into Sobel’s practice comes a guy with legitimate problems, Mafia kingpin Paul Viti (Robert DeNiro), a godfather who is being reduced to tears and panic attacks by stress and his guilt over his beloved father’s assassination. Intimidated but also fascinated by Viti, Dr. Sobel becomes frustrated when his mob boss patient becomes a full-time occupation, as Viti summons the psychiatrist for his professional help at all hours and in all places, even including the doctor’s Florida wedding to TV reporter Laura MacNamara (Lisa Kudrow). In the meantime, a power struggle is brewing with Viti’s long-time rival Primo Sidone (Chazz Palminteri), but Viti begins employing the feel-good self-help jargon and techniques he’s learned from Dr. Sobel to keep his enemy off balance. Just as the therapist and his powerful patient are making breakthroughs, the FBI attempts to persuade Sobel that Viti is going to have him murdered, leading to a nearly lethal misunderstanding.

The true story of a man who, on February 22, 1974, was thwarted from an ambitious plan for political assassination provides the basis for this striking psychological drama. Sam Bicke (Sean Penn) is a salesman for an office-supply company whose life is slowly beginning to unravel. Bicke’s job is going nowhere, his wife, Marie (Naomi Watts), has left him, and his boss (Jack Thompson) keeps pushing self-help books on him that make a mockery of his state of mind. One of Bicke’s few friends is Bonny Simmons (Don Cheadle), an auto mechanic, and together they come up with an idea for a tire shop on wheels; while neither has the money to finance the project, Bicke has learned of a program for small-business loans instituted by President Richard Nixon, which he’s certain will come through for him. But Bicke is denied his loan, which dovetails with his increasing suspicion of the president’s Vietnam policies and a sudden interest in the “by any means necessary” political activism of the Black Panther Party. Desperate to seem important in some way, Bicke becomes increasingly obsessed with the duplicity of Richard Nixon, until he chooses to take it upon himself to stop the president once and for all. The Assassination of Richard Nixon was the first feature film from director Niels Mueller.

The inner-workings of a corrupt Las Vegas casino are exposed in Martin Scorsese’s story of crime and punishment. The film chronicles the lives and times of three characters: “Ace” Rothstein (Robert De Niro), a bookmaking wizard; Nicky Santoro (Joe Pesci), a Mafia underboss and longtime best friend to Ace; and Ginger McKenna (Sharon Stone, in a role she was born to play), a leggy ex-prostitute with a fondness for jewelry and a penchant for playing the field. Ace plays by the rules (albeit Vegas rules, which, as he reminds the audience in voiceover, would make him a criminal in any other state), while Nicky and Ginger lie, cheat, and steal their respective ways to the top. The film’s first hour and a half details their rise to power, while the second half follows their downfall as the FBI, corrupt government officials, and angry mob bosses pick apart their Camelot piece by piece.

They’ve kept television viewers laughing for nearly 20 years, and now the most popular animated family on the small screen makes the leap into theaters as Homer, Marge, Lisa, Bart, ad Maggie embark on their first-ever feature-length adventure. Directed by David Silverman and written by a whole host of Simpsons veterans including Matt Groening and James L. Brooks, The Simpsons Movie also features special guest appearances by Albert Brooks among others.