Bovie Movie

Wes Craven produces this remake of his 1977 classic of the same name, about the Carters, an idyllic American family travelling through the great American southwest. But their trip takes a detour into an area closed off from the public, but more importantly from society. An area originally used by the U.S. Government for nuclear testing that was intended to be empty…or so they thought? When the Carter’s car breaks down at the old site, they’re stranded…or are they? As the Carters may soon realize that what seemed like a car casually breaking down, might actually be a trap. This trap might be perpetrated by the inhabitants of the site who aren’t pulling a prank, but are out to set up a gruesome massacre.

A documentary about the closure of General Motors’ plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

After squaring off in 1995 with competing movie biographies of frontier lawman Wyatt Earp, actors Kurt Russell and Kevin Costner co-star in this action crime caper as former cronies engaged in a series of double-crosses over some stolen loot. Michael Zane (Russell) and Thomas Murphy (Costner) are the leaders of a gang of ex-convict thieves using an Elvis Presley impersonator convention to pull off a daring heist in a Las Vegas casino. The gang also includes Gus (David Arquette), Hanson (Bokeem Woodbine), and Franklin (Christian Slater). Although they manage to retrieve the money, the crooks turn on each other in bloody fashion and Murphy (who believes he’s actually the illegitimate son of Elvis) makes off with the illegal funds. In hot pursuit are the police and Michael, who’s encumbered by his girlfriend Cybil (Courtney Cox-Arquette) and her young son Jesse James. Written and directed by music video creator Demian Lichtenstein, 3000 Miles to Graceland also stars Kevin Pollak, Ice-T, and Howie Long.

From writer/director David Koepp (Stir of Echoes) comes this filmed adaptation of Stephen King’s novella Secret Window, Secret Garden, one of four stories in the collection Four Past Midnight. Johnny Depp stars as Mort Rainey, a recently divorced author who decides to take some time off at his cottage. Unfortunately for Rainey, John Shooter (John Turturro), an unbalanced wannabe writer, tracks him down, claiming that Rainey plagiarized his work. Also starring Maria Bello, Charles S. Dutton, and Timothy Hutton, Secret Window is the second story from Four Past Midnight to be adapted as a film, the first being 1995’s made-for-television The Langoliers.

One of the only survivors of a man-made plague joins forces with a team of private warriors in a bid to save what’s left of the Earth in this sequel to Resident Evil, the big-screen adaptation of the popular video game. Picking up where the first film left off, Resident Evil: Apocalypse finds Alice (Milla Jovovich) still battling the living dead who are overtaking Raccoon City, inoculated with an anti-virus by the nefarious and all-powerful Umbrella Corporation (in addition to the virus itself). Alice encounters Jill Valentine (Sienna Guillory), a former member of Umbrella’s internal defense team. Forming an alliance with mercenary-for-hire Carlos Olivera (Oded Fehr) and his cohorts, this tiny band of survivors seeks out Dr. Charles Ashford (Jared Harris), Umbrella’s top scientist and one of the only men with the know-how to find a solution to the zombie menace; however, they discover that Ashford’s cooperation comes with a price — the scientist’s daughter Angie (Sophie Vavasseur) is missing, and he’ll help Alice and her partners only if Angie is returned to him safe and sound. Resident Evil: Apocalypse was the first solo directorial credit for Alexander Witt, who previously distinguished himself as a cinematographer and second-unit director.

Great Britain, 2007. A deadly plague, known as the “Reaper Virus,” has broken out, killing hundreds of thousands in its wake. In desperation, the British Government evacuates as many survivors as it can out of the infected area, and then builds a wall, preventing the remainder from escaping. Thirty years later, with the wall still up and the victims all but forgotten, the virus breaks out again. The Government decides to send a crack team of operatives, led by Major Eden Sinclair, into the hot zone to investigate the possibility of a cure.

“For God’s sake, GET OUT!” was the ad campaign for the 1979 shocker The Amityville Horror. The film was based on the allegedly true story of the luckless Lutz family, who move lock, stock, and barrel into a new home, only to find that it is possessed by the demonic spirits of its previous owners. Variations of the Seven Deadly Plagues emanate from virtually every household fixture, while other forms of otherworldly mischief are suffered by the Lutz children. Enter kindly Father Delaney (Rod Steiger), who does his utmost to exorcise the house. The Amityville Horror was frequently greeted with laughs from its first-run audiences, especially after it was discovered that the “actual” events depicted in the film (based on a book by Jay Anson) were complete fabrications.

Follows the cross-country adventures of the pot-smoking duo as they try to outrun authorities who suspect them of being terrorists when they try to sneak a bong on board their flight to Amsterdam.

In this exploration of our violent society and how depictions of violence reflect and shape our culture, a middle-class housewife Anna tells the story of how she and her husband George and their 10-year-old son Georgie submitted both physically and mentally to the torture, violence, and death foisted upon them by two young, unexpected, white-gloved visitors at their weekend vacation retreat near a lake.

Satan’s son has arrived on Earth and He’s not about to let human parents get in the way. When his wife Katherine’s (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer’s son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn’s fears escalate when photographer Jennings (David Warner) shows him pictures from Damien’s party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien’s identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon.