Bovie Movie

A Christmas themed, three-part anthology-style video. The first part, “Donald Duck: Stuck on Christmas”, is essentially a retelling of _Groundhog Day (1993)_ (qv), with Huey, Dewey, and Louie reliving Christmas ad infinitum. Next is “A Very Goofy Christmas”, in which Goofy tries to overcome his son’s skepticism about Santa Claus. Finally, “Mickey & Minnie’s Gift Of The Magi” recreate the classic tale of ironic Christmas selflessness. The stories are linked together by narration by ‘Kelsey Grammer’ (qv).

There are five new tales of horror and suspense in this follow-up to George A. Romero & Stephen King’s 1982 horror anthology classic. In “Alice”, a snotty teenage girl gets her just desserts in the form of a demonic universal television remote. In “The Radio”, a security guard is driven to the very brink of madness and eventually murder thanks to a possessed radio. Next up, in “Call Girl” a murdering, cold-blooded prostitute accidentally hooks up with a vampire client. In “The Professor’s Wife”, a demented professor with a taste for pranks tricks his two best students into believing he’s getting married. But there’s something rather sinister about his new bride-to-be. Lastly, in “Haunted Dog”, a cruel miserly doctor kills a homeless man by purposely giving him a contaminated hotdog - a tale of savage revenge from beyond the grave.

Three more stories told from a comic book are presented by the Creep. The first is about a dime-store Native American that seeks vengeance on those who killed the store’s owners. The second is about a carnivorous mass of pond scum that attacks four people on a raft. The final tale is about a rich woman who accidentally kills a hitchhiker while speeding home from an affair with a male prostitute.

The Eisner Award-winning comic series Sin City comes to life in this live-action feature adaptation from director Robert Rodriguez and creator Frank Miller. Interweaving multiple storylines from the series’ history, this violent crime noir paints the picture of the ultimate town without pity through the eyes of its roughest characters. There’s the street thug Marv (Mickey Rourke), whose desperate quest to find the killer of a prostitute named Goldie (Jaime King) will lead him to the foulest edges of town. Inhabiting many of those areas is Dwight (Clive Owen), a photographer in league with the sordid ladies of Sin City, headed by Gail (Rosario Dawson), who opens up a mess of trouble after tangling with a corrupt cop by the name of Jackie Boy (Benicio Del Toro). Finally, there’s Hartigan (Bruce Willis), an ex-cop with a heart problem who’s hell-bent on protecting a stripper named Nancy (Jessica Alba). Featuring a who’s who supporting cast that includes Elijah Wood, Brittany Murphy, Devon Aoki, and Nick Stahl, Sin City promises to be one of the most direct translations from page to screen of a comic series, with shots and dialogue adapted straight from the original comic’s panels. Rodriguez quit the Director’s Guild when they refused to let Frank Miller co-direct the film, a deal hashed out after the two collaborators developed and shot the opening scene utilizing a green-screen process to harness the stark, black-and-white look of the books as a litmus test for the rest of the production. Quentin Tarantino was brought in and reportedly paid one dollar to direct an extended scene between Del Toro and Owen that amounts to one issue of The Big Fat Kill miniseries.

Seven strangers on a Hollywood movie studio tour are trapped inside an infamous House of Horror and forced to tell their most terrifying stories to get out alive.

In this update of Disney’s masterpiece film mixture of animation and music, new interpretations of great works of music are presented. It begins with an abstract battle of light and darkness set to the music of Beethoveen’s Fifth Symphony. Then we see the adventures of a Humpback Whale calf and his pod set to “The Pines of Rome.” Next is the humourous story of several lives in 1930’s New York City, scored with “Rhapsody in Blue.” Following is a musical telling of the fairy tale, “The Steadfast Tin Soldier” set to Dmitri Shostakovich’s Piano Concerto No. 2. Then a goofy Flamingo causes havoc in his flock with his yo-yo to the tune of the finale of “Carnival of the Animals.” This is followed by the classic sequence from the original film, “The Sorcerer’s Apprentice” starring Mickey Mouse and followed by “Pomp and Circumstance” starring Donald Duck as a harried assistant to Noah on his Ark. Finally, we see the awesome tale of the life, death and renewal of a forest in a sequence featuring the composition, “The Firebird.”

Cult classic anthology from two of horrors big wigs, Romero and Stephen King, the film contains 5 sections, held together with 50’s style comic images. A murdered man returns from the grave demanding his Father’s Day cake and death ensues, a meteor’s space ooze causes anything and anyone that comes in contact with it to grow (special appearance by Stephen King himself), a scheming vengeful husband buries his wife and her lover in sand to await death at high tide, a professor selects his nagging negative wife to become a tasty snack for a strange crated creature, and finally, a mean ole millionaire with an intense insect phobia becomes the prey of an army of cockroaches.

Four of the most celebrated directors in the independent film community pooled their talents for this episodic comedy. Ted (Tim Roth) is the new bellboy at a beautiful but decaying luxury hotel; he is not having a good time of it on New Year’s Eve, his first night on the job. In one room, a coven of witches are trying to summon the spirit of the goddess Diana; each of the witches must bring a different bodily fluid for their spell to work, but Eva (Ione Skye), who was supposed to bring semen, managed to lose her supplies, and needs Ted’s help for a last-minute replacement. Another room, where Ted was supposed to deliver some ice, turns out to house an angry husband (David Proval), who is holding his bound-and-gagged wife (Jennifer Beals) at gunpoint. A third room is taken by a tough-talking gangster (Antonio Banderas), his doormat wife (Tamlyn Tomita), and their two children; the gangster demands that Ted watch over the kids, who turn out to be mischievous terrors beyond Ted’s wildest imagination. And room number four is where an arrogant film actor (Quentin Tarantino) is holding a party. One of his guests makes a bet that he can get a Zippo lighter to light ten times in a row, with his finger at stake if he loses. Allison Anders directed the first segment, which also featured Madonna, Valeria Golino, and Lili Taylor. The second segment was directed by Alexandre Rockwell, husband of his frequent leading lady Jennifer Beals. Robert Rodriguez directed the third story, while the finale was directed by its star, Quentin Tarantino; the final segment also features Bruce Willis, who appeared unbilled.

Ten stories, each inspired by one of the ten commandments.

In Death Proof — director Tarantino’s take on such peddle-to-the-metal shockers as White Line Fever — Kurt Russell stars as an engine-revving psychopath who prefers to take out his beautiful victims at 200 mph. Originally released into theaters on a double bill with Robert Rodriguez’s Planet Terror under the Grindhouse banner, Death Proof finds a group of ladies out on the town pitted against a mysterious figured named Stuntman Mike (Russell), whose vintage Dodge Charger has been partially modified to withstand even the most extreme auto collision. Though the maniacal driver himself always comes out relatively unscathed, the same certainly can’t be said for the poor young lass in his passenger seat — or anyone unfortunate enough to be on the road when the urge to kill strikes for that matter. With a list of potential road-kill candidates that includes Rose McGowan, Jordan Ladd, Rosario Dawson, and Vanessa Ferlito, Death Proof takes viewers on an adrenaline-infused drive that’s as sexy as it is shocking.