Bovie Movie

Perhaps the most highly anticipated film of 2003, Kill Bill Vol. 1 marked the return of renowned filmmaker Quentin Tarantino after a six-year hiatus. Re-teaming the director with Uma Thurman for the first time since 1994’s Pulp Fiction, the film was originally the first half of what was to be a three-hour-plus movie before being split into two films. Thurman stars as The Bride, one-fifth of a team of assassins called DiVAS. When The Bride opts to leave the outfit for a life of marital bliss, it doesn’t sit well with her boss, Bill (David Carradine), so he has her former cohorts, played by Lucy Liu, Vivica A. Fox, Daryl Hannah, and Michael Madsen, show up at the nuptials, leaving behind a blood bath. Miraculously, The Bride survives a bullet to the head and, four years later, she sets out for revenge against her four assassins and their employer. The story is concluded in Kill Bill Vol. 2, released six months later.

Douglas McGrath’s Infamous represents the second major biopic about the avant-garde belletrist Truman Capote to be released within a year. It thus tells roughly the same story as Bennett Miller’s earlier Capote, recounting the events that belied the writer’s six-year authorship of the seminal “nonfiction novel” In Cold Blood. The story opens with Capote (Toby Jones) visiting the site of the 1959 Clutter family homicide, on a Kansas research trip, accompanied by his close friend and colleague, author Harper Lee (Sandra Bullock). As Capote settles into the community, McGrath uses the preponderance of screen time to explore the emotional tapestry of Capote’s increasingly risky emotional attachment to one of the two murderers, Perry Edward Smith (Daniel Craig), with whom he senses more than a few common bonds. McGrath weaves a decidedly bittersweet tale, contrasting the optimism and devil-may-care, “conquer all” attitude of Capote in his early years with a seemingly endless string of poor choices in the writer’s later years, from addictions to drink and pills, to a failure to maintain healthy output as a writer, to poorly chosen romantic and sexual entanglements. Most significantly, however, McGrath reveals how the relationship with Smith virtually destroyed Capote as an artist and a human being, by inducing him to sell out on all levels to satisfy his lust for accomplishment and notoriety.

Two guys find out the hard way that sneaking into the wrong party can cause serious problems in this comedy. Jeremy Klein (Vince Vaughn) and John Beckwith (Owen Wilson) are a pair of longtime friends who work for a law firm, helping contentious couples mediate their divorces. Their job has given them a cynical attitude about marriage, and as a hobby each weekend the two make a point of crashing weddings reception, where they load up on free food and booze and try their luck at seducing the bridesmaids. When William Cleary (Christopher Walken), the nation’s Secretary of the Treasury and a possible candidate for the Presidency, announces his daughter is to wed, the nuptials are billed as the social event of the year, and Jeremy and John decide they must attend the reception. However, John makes the mistake of falling head over heels for Claire (Rachel McAdams), the bride’s sister, while Jeremy attracts the attentions of a woman he’d prefer not to be involved with, and soon their romantic peccadilloes get them in very hot water.

Based on the novel of the same name by Maori writer Witi Ihimaera, Whale Rider is a unique family drama directed Niki Caro. On the eastern coast of New Zealand, the Whangara people believe their ancestor Paikea was saved from drowning by riding home on the back of a whale. The tribal group has since granted leadership positions to the first-born males, believing them to be descendants of Paikea. This tradition is challenged when a young mother dies in childbirth along with her newborn male son. His twin sister manages to survive and the father (Cliff Curtis) runs off, overwhelmed with grief. The little girl, Pai (Keisha Castle-Hughes), is brought up by stubborn grandfather Koro (Rawiri Paratene) and gentle grandmother Nanny (Vicky Haughton). Koro, the chief of their tribe, is disappointed because Pai’s twin brother was supposed to be the next leader. Trying to find the proper successor, he attempts to organize a leadership group amongst the local boys while Pai enlists the help of her has-been uncle Rawiri (Grant Roa) to teach herself the art of chiefdom. She appears to possess a natural leadership ability and adventurous spirit that draws her to the proliferation of her faltering tribe. Whale Rider premiered at the 2002 Toronto International Film Festival and won the World Cinema Audience Award.

Nicolas Cage and Laura Dern play a pair of lovers on the run in David Lynch’s surrealist road movie Wild at Heart. Cage’s Sailor Ripley is a violent ex-convict with an Elvis Presley fixation who falls in love with Dern’s Lula Pace Fortune, the daughter of a rich, but mentally unstable, Southern belle named Marietta (Diane Ladd, Dern’s real-life mother). Just after Sailor is released from prison, where he was jailed for brutally killing one of Marietta’s thugs, he and Lula take off on a wild cross-country trip, pursued by his parole officer, her mother, criminals, bounty hunters, and detectives. Along the way, Sailor and Lula have a lot of sex, share their pasts, share their respective obsessions for Elvis and The Wizard of Oz, and meet a lot of bizarre characters, including a seedy ex-marine (Willem Dafoe) who persuades Sailor to participate in a bank robbery.

Robert Redford directed this adaptation of a novel by Steven Pressfield that uses golf as a metaphor for one man’s spiritual and philosophical journeys. Rannulph Junuh (Matt Damon) was a gifted amateur golfer from Savannah, GA, until traumatic experiences during World War I shattered his confidence and sent him into a spiral of alcoholism. In 1931, Adele Invergordon (Charlize Theron), a beautiful heiress who once loved Junuh, inherits a spectacular but financially ailing golf course after the suicide of her father. To attract customers, she proposed a high-stakes match between the two most famous golfers of the day, Bobby Jones (Joel Gretsch) and Walter Hagen (Bruce McGill). Local businessmen sponsoring the match insist that a local golfer be added to the card, and Junuh is drafted for the position, but it soon becomes obvious that his game is just a shadow of its former glory. When things seem hopeless, a mysterious gentleman named Bagger Vance (Will Smith) volunteers to serve as Junuh’s caddy and coach, using a mixture of ancient wisdom and past-life knowledge to help Junah “remember” the swing he’s lost. Jack Lemmon narrates the story, and J. Michael Moncrief plays Lemmon’s character as a boy.

Self-centered, avaricious Californian Charlie Babbitt (Tom Cruise) is informed that his long-estranged father has died. Expecting at least a portion of the elder Babbitt’s $3 million estate, Charlie learns that all he’s inherited is his dad’s prize roses and a 1949 Buick Roadmaster. Discovering that the $3 million is being held in trust for an unidentified party, Charlie heads to his home town of Cincinnati to ascertain who that party is. It turns out that the beneficiary is Raymond Babbitt (Dustin Hoffman), the autistic-savant older brother that Charlie never knew he had. Able to memorize reams of trivia and add, subtract, multiply, and divide without a second’s hesitation, Raymond is otherwise incapable of functioning as a normal human being. Aghast that Raymond is to receive his father’s entire legacy, Charlie tries to cut a deal with Raymond’s guardian. When this fails, Charlie “borrows” Raymond from the institution where he lives, hoping to use his brother as leverage to claim half the fortune. During their subsequent cross-country odyssey, Charlie is forced to accommodate Raymond’s various autistic idiosyncracies, not the least of which is his insistence on adhering to a rigid daily schedule: he must, for example, watch People’s Court and Jeopardy every day at the same time, no matter what. On hitting Las Vegas, Charlie hopes to harness Raymond’s finely-honed mathematical skills to win big at the gaming tables; but this exploitation of his brother’s affliction compels Charlie to reassess his own values, or lack thereof. A longtime pet project of star Dustin Hoffman, Rain Man was turned down by several high-profile directors before Barry Levinson took on the challenge of bringing Ronald Bass’ screenplay to fruition (Levinson also appears in the film as a psychiatrist). All three men won Oscars, and the movie won Best Picture.

In Death Proof — director Tarantino’s take on such peddle-to-the-metal shockers as White Line Fever — Kurt Russell stars as an engine-revving psychopath who prefers to take out his beautiful victims at 200 mph. Originally released into theaters on a double bill with Robert Rodriguez’s Planet Terror under the Grindhouse banner, Death Proof finds a group of ladies out on the town pitted against a mysterious figured named Stuntman Mike (Russell), whose vintage Dodge Charger has been partially modified to withstand even the most extreme auto collision. Though the maniacal driver himself always comes out relatively unscathed, the same certainly can’t be said for the poor young lass in his passenger seat — or anyone unfortunate enough to be on the road when the urge to kill strikes for that matter. With a list of potential road-kill candidates that includes Rose McGowan, Jordan Ladd, Rosario Dawson, and Vanessa Ferlito, Death Proof takes viewers on an adrenaline-infused drive that’s as sexy as it is shocking.

Three kids have an unexpected adventure as they try to protect some rare birds in this comedy drama based on a book for young adults by Carl Hiaasen. Roy Eberhardt (Logan Lerman) is a 14-year-old boy whose family has moved so often he’s literally lost count of the number of times he’s changed schools in the last ten years. Roy ought to be used to being the new kid at school by now, but making the switch from the big sky of Montana to the Gulf Coast of Florida proves to be a major challenge. While Roy quickly becomes the target of school bully Dana Matherson (Eric Phillips), he’s befriended by Beatrice Leep (Brie Larson), a spunky girl with enough nerve to stand up to Dana, and her brother Mullet Fingers (Cody Linley). Beatrice and Mullet share their big secret with Roy — they have a hidden hideaway where they look after a flock of wild owls. The owls in question are on the endangered species list, but that’s of little concern to Chuck Muckle (Clark Gregg), a top executive from the Mother Paula’s All-American Pancake House chain, who is planning to build a new restaurant in the hollow where the owls nest. Roy, Beatrice, and Mullet are determined to find a way to save the owls, but Muckle and his right-hand man, Curly Brannitt (Tim Blake Nelson), are less interested in saving the birds than in turning a profit. The kids have a plan, however, and they uncover some evidence of interest to David Delinko (Luke Wilson), a well-meaning but slow-witted policeman investigating some dirty doings tied in to the pancake house. Hoot features a handful of new recordings from popular Florida musician Jimmy Buffett, who also helped produce the film.

John Hughes and Chris Columbus repeat their best-selling formula from the first Home Alone film with this sequel. Once again Kevin McCallister’s (Macaulay Culkin) family leave him behind, only now he gets on a flight to New York instead of going with his family to Miami. Kevin manages to hail a cab and is delivered to the doorsteps of the Plaza Hotel, where, using his father’s credit card, he rents out a suite and has the time of his life — although a smarmy hotel clerk (Tim Curry) and bellboy (Rob Schneider) eye him with suspicion. But ingenious Kevin keeps them at bay, using the same tomfoolery he applied to his uncle in the first picture. He takes time out from his consumer debauch to chat with a friendly old toy-store magnate (Eddie Bracken) and pontificate to a homeless Pigeon Lady (Brenda Fricker) on the meaning of Christmas. But then he runs into his old enemies Harry (Joe Pesci) and Marv (Daniel Stern).When he finds out that they plan on robbing the old man’s toy store on Christmas Eve, he mans the battle stations once again, complete with electric prods, flames of fire, and sundry blunt instruments.