Bovie Movie

Catherine The Great had been portrayed by Mae West, Elizabeth Bergner, Marlene Dietrich, and Pola Negri. She lived to be 67 years old. Amazing, if we are to believe her amorous ways. Lubitsch was to have directed this, but he became ill and the reins were handed to Preminger, with Ernst looking over his shoulder and making sure that Otto’s customary heavy hand was somewhat lightened. The ancient Biro/Lengyel play “Czarina,” which had been used as the basis for other movies about the Russian queen, was adapted this time by Mayer and Frank, veteran screenwriters who knew what they were doing. To Bankhead’s St. Petersburg castle comes Eythe, a young cavalry officer who has ridden for days to tell her of a coup planned by two generals. Eythe admits that he has plenty of energy left despite the travel, so Bankhead requests that he return later that night for a “private interview.” Eythe is handsome, albeit a bit sappy, but he must have some ability in the lovemaking department, because his rise to the rank of general is rapid. Eythe is soon in love with Baxter, a virginal woman who is a lady in waiting. Bankhead falls hard for Eythe, and, when she learns that he is affianced to Baxter, the young woman is sent away. Eythe is heartbroken but still owes allegiance to his queen, so he helps overcome the plot to dethrone her. Bankhead is so happy at what he’s done, she allows Eythe and Baxter to reunite while she finds new thrills in the arms of Price, the French ambassador. With all of the sleeping around Bankhead does, it’s a wonder any state business ever got done in the years when Catherine was Great. A few laughs, but Bankhead chews up the scenery and the pacing is off a beat. Lubitsch had filmed this as FORBIDDEN PARADISE in 1924.

This acclaimed British comedy centers on the intermittent romance between a charming (if slightly bumbling) Englishman and a beautiful American woman, who seem to always run into each other at weddings. Indeed, it is at the first of the title’s four weddings that Charles (Hugh Grant) and Carrie (Andie McDowell) meet, enjoying a brief but fleeting connection. The spark is rekindled several months later, when they unexpectedly meet at another wedding. Unfortunately, however, Carrie has become engaged to another, a fact that complicates matters for them both. The story may seem simple, but the film is elevated by screenwriter Richard Curtis’ ear for witty dialogue and a colorful supporting cast. Director Mike Newell’s sympathetic attention to character keeps the proceedings believable, and prevents the film’s more serious moments from seeming mawkish. These elements, along with Grant’s star-making performance as Charles, helped the film achieve unexpected international success, including an Academy Award nomination for Best Picture.

Jane Austen’s perennially popular story of the game of love among the British upper classes returns to the screen in this polished film adaptation. The Bennetts (Brenda Blethyn and Donald Sutherland) are the parents of five daughters near the close of the 18th century. Comfortable within their means but well short of rich, Mr. and Mrs. Bennett are looking for suitable husbands for their girls, and they are encouraged to learn that an eligible young bachelor from a wealthy family, Charles Bingley (Simon Woods), has moved into a nearby estate. Eager to see if a match can be made, the Bennetts bring their daughters Elizabeth (Keira Knightley) and Jane (Rosamund Pike) to a ball thrown by their new neighbor to see if sparks will fly. Jane seems to like Charles, and he appears to feel the same, but Elizabeth takes an immediate dislike to Darcy (Matthew MacFadyen), Charles’ egocentric best friend. While Elizabeth is infatuated with military man Lt. Wickham (Rupert Friend) and finds herself courted by William Collins (Tom Hollander), a well-meaning but drab man of the cloth, fate causes Elizabeth and Darcy to frequently cross paths, and while they don’t care for one another, they can’t stop thinking about each other, either. Pride & Prejudice also stars Jena Malone, Judi Dench, and Penelope Wilton.

Adapted for stage and screen several times over the past century, French author Francois Choderlos de Laclos’ 1782 novel Les Liasons Dangeureuses was the basis for this Academy Award-winning Stephen Frears film. The plot is motivated by a cruel wager between the beautiful but debauched Marquise de Merteuil (Glenn Close) and her misogynistic former lover, the Vicomte de Valmont (John Malkovitch). The Marquise challenges Valmont to seduce the virginal Cecile de Volanges (Uma Thurman) before the girl can be wed. Valmont offers a more difficult counter-challenge: He bets the Marquise that he will be able to bed the very moral and very married Madame de Tourvel (Michelle Pfeiffer). In the course of carrying out his plan, Valmont is stricken with a sudden case of honor and remorse, while the Marquise becomes all the more vicious.