Bovie Movie

A well-known judge has become a fugitive from the police, with a large reward on his head. A reporter believes that the judge is hiding in a private sanitarium, so she seeks out a private investigator and asks him to pretend to be insane, so that he can get inside the sanitarium and look for the judge. The investigator is admitted to the asylum, and encounters many dangers while trying to prove that the judge is there.

A remake of the Spanish film Open Your Eyes (1997), this thriller from director Cameron Crowe bears one of several discarded titles for his previous, Oscar-winning film Almost Famous (2000). Tom Cruise stars as David Ames, a womanizing playboy who finds romantic redemption when he falls in love with his best friend’s girlfriend Sofia (Penelope Cruz, reprising her role from the original film). Before that relationship can begin, however, David is coaxed into a car driven by an ex-lover, Julie (Cameron Diaz), who turns out to be suicidal. Driving her car off a bridge, Julie kills herself and horribly disfigures David. Reconstructive surgery and the loving support of Sofia seem to reverse David’s luck, but eerie incidents are soon making him question the reality of his existence and his control over his life, even while he is suspected of complicity in Julie’s death. Vanilla Sky (2001) bears the expected Crowe trademark of an obsession with recent pop culture and particularly rock music, a more important element of the remake than the original film. That project’s writer/director, Alejandro Amenabar, crafted his own supernatural hit the same year with The Others (2001), starring Nicole Kidman, the soon-to-be-ex-wife of Cruise.

An intense film about time travel, this sci-fi entry was directed by Terry Gilliam, a member of the comedy troupe Monty Python. The film stars Bruce Willis as James Cole, a prisoner of the state in the year 2035 who can earn parole if he agrees to travel back in time and thwart a devastating plague. The virus has wiped out most of the Earth’s population and the remainder live underground because the air is poisonous. Returning to the year 1990, six years before the start of the plague, Cole is soon imprisoned in a psychiatric facility because his warnings sound like mad ravings. There he meets a scientist named Dr. Kathryn Railly (Madeleine Stowe) and Jeffrey Goines (Brad Pitt), the mad son of an eminent virologist (Christopher Plummer). Cole is returned by the authorities to the year 2035, and finally ends up at his intended destination in 1996. He kidnaps Dr. Railly in order to enlist her help in his quest. Cole discovers graffiti by an apparent animal rights group called the Army of the Twelve Monkeys, but as he delves into the mystery, he hears voices, loses his bearings, and doubts his own sanity. He must figure out if Goines, who seems to be a raving lunatic, holds the key to the puzzle.

After destroying a case involving a crime lord, Harry Callahan is sent down to San Paulo to investigate the killing of a man found dead in a car. Jennifer (the killer of the man in the car) is murdering all the rapists who brutally raped both her and her sister 10 years ago, and she has returned to San Paulo to exact her revenge. Harry becomes inadvertently involved in Jennifer’s own troubles during his investigations, all the while not suspecting she is the killer.

A descent into Hell is triggered when “Ex-Lord” Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help.

This was the third follow-up to Tim Burton’s Batman (1989), the original revisionist look at the Gotham City legend, as well as the second in the Batman series directed by Joel Schumacher and the first featuring George Clooney as the Caped Crusader; it features not one but two super-villains, and a new heroine to fight crime alongside Bruce Wayne (aka Batman) and Dick Grayson (aka Robin) (Chris O’Donnell). The experiments of Dr. Victor Fries (Arnold Schwarzenegger) to preserve his late wife cryogenically have gone horribly wrong, turning him into the evil genius Mr. Freeze, who must keep his body at sub-zero temperature in order to say alive — and he wants to put Gotham City on ice. Shy horticulturist Pamela Isley (Uma Thurman) goes a bit wild with a Venus Fly Trap-like creation she’s been working on and mutates into Poison Ivy, who wants to kill all the people on Earth so plants can take over. Can Batman and Robin stop these fiends before their plans go too far? Meanwhile, Bruce and Dick’s faithful butler Alfred (Michael Gough) isn’t feeling well, so his niece Barbara (Alicia Silverstone) comes to pay a visit. When Barbara finds out what her uncle’s employers do in their spare time, she decides she wants in on the action, and she joins the crime fighting twosome as Batgirl. Batman & Robin also features Jesse Ventura in a small role as a prison guard; it would be his last film role before becoming Governor of Minnesota in 1998.

An asbestos abatement crew wins the bid for an abandoned insane asylum. What should be a straightforward, if rather rushed, job, is complicated by the personal histories of the crew. In particular, Hank is dating Phil’s old girlfriend, and Gordon’s new baby seems to be unnerving him more than should be expected. Things get more complicated as would-be lawyer Mike plays the tapes from a former patient with multiple personalities, including the mysterious Simon who does not appear until Session 9, and as Hank disappears after finding some old coins.

When a schooner is wrecked off Whitby the only survivor is Count Dracula who has arrived with large amounts of Transylvanian soil to take up residence in Carfax Abbey. He takes the life or Lucy, who is engaged to Dr. Seward, who runs the local asylum. Lucy’s friend Mina, and her fiancé Jonathan Harker, a solicitor, also make contact with Dracula. But almost immediately, Lucy dies from loss of blood, and just possibly this may not be a coincidence. The group calls on the aid of Prefessor Van Helsing, noted supernatural expert, and together they pursue the vampire.

A perennial favorite of the “Shock Theatre” TV circuit, House on Haunted Hill stars Vincent Price as sinister gent (you’re surprised?) Frederick Loren, who owns a sinister mansion on a sinister hill, where seven murders have occurred. He makes a proposal to several strangers, offtering $10,000 to anyone who can last the entire night. Loren festively gives each of his guests a tiny coffin containing a loaded handgun, designed to protect them from the spooks that emerge in the house over the course of the night. The picture hinges on its surprise ending, which packs in several by-now-familiar twists. When originally released to theaters, House on Haunted Hill was accompanied by one of those gimmicks so beloved of producer/director William Castle: the gimmick was “Emergo,” and it involved a prop skeleton that “emerged” from the side of the screen at a crucial moment to frighten the audience. Like most of Castle’s best films, House didn’t really need the gimmick, but its presence added to the fun — especially when second- and third-time viewers responded to “Emergo” by bombarding the skeleton with popcorn and empty soda bottles.