Bovie Movie

In this psychological thriller, a needy young woman finds fulfillment by trying to literally become her successful roommate. Attractive Manhattanite Allison Jones (Bridget Fonda) has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam (Steven Weber) proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs. In steps Hedra Carlson (Jennifer Jason Leigh), who’s timid and frumpy but puppy-dog sweet. The self-centered Allison finds Hedra’s eager friendship flattering, but soon she grows annoyed as Hedra begins emulating everything about her. After Allison gets back with Sam and asks Hedra to please vacate the premises, the pert beauty really gets to see her weird new roomie’s bad side — Hedra, it seems, is downright homicidal. Directed by Barbet Schroeder, who wowed Hollywood with Barfly and Reversal of Fortune. Single White Female was the second screenplay from future Opposite of Sex director Don Roos.

An old and forgotten game develops magical powers in this fantasy for the whole family. Twelve-year-old Walter Budwing (Josh Hutcherson) and his younger brother, Danny (Jonah Bobo), figure they’re going to be in for a boring time when their father (Tim Robbins), who was supposed to spend the day with them, is suddenly called away on business, and gives them strict orders not to leave the house. Walter, who doesn’t have much use for Danny, is motivated by boredom more than anything else when he agrees to play a board game Danny has found in the basement during a round of hide-and-seek. However, the boys quickly discover the space-themed game Zathura has some unusual qualities — a roll of the dice unexpectedly launches the Budwing home into outer space, and Walter and Danny are suddenly fending off menacing robots, angry aliens, and showers of interstellar debris outside the Earth’s atmosphere. As the boys try to figure out a way back home, they get some unexpected help from an earthling astronaut (Dax Shepard) who has also lost his way. Based on the book by children’s author Chris Van Allsburg — who also wrote The Polar Express and Jumanji — Zathura was directed by Jon Favreau, the actor-turned-filmmaker who enjoyed a breakthrough success with Elf.

After directing the first two movies in the Harry Potter franchise, Chris Columbus opted to serve as producer for Harry Potter and the Prisoner of Azkaban, and passed the baton to Y Tu Mamá También director Alfonso Cuarón. Though “immensely popular” is an understatement when it comes to Harry Potter, Azkaban is somewhat of a departure from its predecessors, and particularly beloved among fans for its surprise ending. Prisoner of Azkaban also marks the introduction of Sirius Black (Gary Oldman), who has escaped from the title prison after 12 years of incarceration. Believed to have been the right-hand-man of the dark wizard Voldemort, whom Harry (Daniel Radcliffe) mysteriously rendered powerless during his infancy, some of those closest to Harry suspect Black has returned to exact revenge on the boy who defeated his master. Upon his return to school, however, Harry is relatively unconcerned with Black. Run by Albus Dumbledore (Michael Gambon) — who is widely regarded as the most powerful wizard of the age — Hogwarts is renowned for its safety. Harry’s nonchalance eventually turns to blind rage after accidentally learning the first of Black’s many secrets during a field trip to a neighboring village. Of course, a loose serial killer is only one of the problems plaguing the bespectacled wizard’s third year back at school — the soul-sucking guards of Azkaban prison have been employed at Hogwarts to protect the students, but their mere presence sends Harry into crippling fainting spells. With the help of his friends Ron (Rupert Grint) and Hermione (Emma Watson), and Defense Against the Dark Arts professor Remus Lupin (David Thewlis), Harry struggles to thwart the Dementors, find Sirius Black, and uncover the mysteries of the night that left him orphaned.

Robert Altman directed this John Grisham tale that begins at a party where Savannah attorney Rick Magruder (Kenneth Branagh) celebrates his successful defense of a man who shot a local cop. The partygoers include his ex-wife Leeanne (Famke Janssen), the mother of his two children; his law partner Lois Harlan (Daryl Hannah); and caterer Mallory Doss (Embeth Davidtz). After Mallory finds her car stolen, Rick gives her a ride home where things turn sexual. Attracted to Mallory, he learns that her crazed father Dixon Doss (Robert Duvall) has been threatening her. Getting too closely involved with this woman he hardly knows, Rick has the police round up her unstable father, and he next subpoenas her ex-husband Pete (Tom Berenger) to testify against Dixon, who is institutionalized.

The crazed Dixon manages to escape from the asylum, intent on revenge against all his betrayers and enemies. As a potent hurricane blows into Savannah, Mallory’s car is torched, and Rick receives threats. Believing his children are in danger, Rick removes them from school, prompting a warrant for his arrest. When his children disappear, Rich goes on the counterattack against Dixon. Chinese cinematographer Changwei Gu (of Chen Kaige’s Farewell My Concubine and Zhang Yimou’s Ju Dou) captured the soaked Savannah sites. The script is not an adaptation from a John Grisham novel; Grisham wrote it as an original screenplay just before the success of The Firm (1993), and it was acquired by producer Jeremy Tannenbaum. After Island Pictures came into the project at $1.4 million, Grisham returned for rewrites. Altman did even more drafts, so the pseudonym Al Hayes was created as the scripting credit. When Polygram suggested to Altman that the electronic score could be replaced with a traditional score, Altman had friends call reporters to say he had been dismissed. Polygram began re-editing the $25 million movie, but their edit didn’t test much better than Altman’s version, so they handed the reins back to Altman.

Tony Curtis stars as The Great Leslie, a hero among heroes whose purity of heart is manifested by his spotlessly white wardrobe. Leslie’s great rival, played by Jack Lemmon, is Professor Fate, a scowling, mustachioed, top-hatted, black-garbed villain. Long envious of Leslie’s record-setting accomplishments with airships and sea craft, Professor Fate schemes to win a 22,000-mile auto race from New York City to Paris by whatever insidious means possible. The problem is that Fate is his own worst enemy: each of his plans to remove Leslie from the running (and from the face of the earth) backfires. Leslie’s own cross to bear is suffragette Maggie Dubois (Natalie Wood), who also hopes to win the contest and thus strike a blow for feminism. The race takes all three contestants to the Wild West, the frozen wastes of Alaska, and, in the longest sequence, the mythical European kingdom of Carpania. This last-named country is the setting for a wild Prisoner of Zenda spoof involving Professor Fate and his look-alike, the foppish Carpanian king. When Leslie and Fate approach the finish line at the Eiffel Tower, Leslie deliberately loses to prove his love for Maggie. Professor Fate cannot stand winning under these circumstances, thus he demands that he and Leslie race back to New York. The supporting cast includes Peter Falk as Fate’s long-suffering flunkey Max, Keenan Wynn as Leslie’s faithful general factotum, Dorothy Provine as a brassy saloon singer, Larry Storch as ill-tempered bandit Texas Jack, and Ross Martin as Baron Von Stuppe. The film also yielded a hit song, Henry Mancini and Johnny Mercer’s The Sweetheart Tree. The Great Race was dedicated to “Mr. Laurel and Mr. Hardy”.

A charmingly na?ve boy from the English village of Wall travels to a magical, mythical world in search of the falling star that will help him win the heart of his true love in this fantasy adventure starring Charlie Cox, Claire Danes, Robert De Niro, Michelle Pfeiffer, Ricky Gervais, and Sienna Miller. For hundreds of years the massive cobblestone barrier that surrounds the sleepy English hamlet of Wall has kept the citizens of the village safe and secure from the malevolent supernatural forces that stir just outside its perimeter. When dashing Tristan Thorne (Cox) promises the fairest girl in the village, Victoria (Miller), that he will prove his love by bestowing her with a genuine falling star, his daring mission sends him on an adventure far outside the comfortable confines of Wall. In order to find the fallen star, Tristan will have to ascend the wall and venture deep into the forbidden heart of the fantastical realm known as Stormhold. Upon discovering that the meteorite he sought was in fact a beautiful girl named Yvaine (Danes), who has stumbled though space and is now being pursued by the King of Stormhold’s (Peter O’Toole) sons (who long to use her cosmic powers to lay claim to the throne), Tristan vows to protect the otherworldly visitor at all costs. But the king’s sons aren’t the only ones in search of the luminous Yvaine; fearsome witch Lamia (Pfeiffer) has become convinced that the young girl’s power can help her to achieve eternal youth and beauty. As Tristan makes his way through Stormhold on a mission to bring the star back to Wall, he will encounter a series of spectacular characters and creatures that will lead him to a fate he never imagined. Layer Cake director Matthew Vaughn serves as director and co-screenwriter for this tale of witches and pirates adapted from the novel by fantasy icon Neil Gaiman, who also produces.

Paul (Greg Kinnear) and Jessie Duncan (Rebecca Romijn-Stamos) have barely begun the grieving process when Dr. Richard Wells (Robert De Niro) attends the funeral of the Duncans’ eight-year-old son, Adam (Cameron Bright), with a pressing question in tow. Head of the Godsend Fertility Clinic, Dr. Wells claims he can use Adam’s rapidly dying cells to clone a replica of the boy, though the necessary DNA will only be viable for another 24 hours. The process in itself is completely illegal; not only must Jessie and Paul be forced to relocate, but they will also be forced to sever all ties with friends and family in order to ensure the secret remains so. Within the space of a day, the Duncans consider the legal and ethical implications of such a procedure, ultimately deciding that their love for Adam is enough to trump the law and any high-minded philosophical questions. After resettling in an idyllic town near Dr. Wells’ clinic, Jessie is impregnated with the late Adam’s living cells, while Paul is given a beautiful home and a more than suitable job. Shortly afterward, the new Adam — seemingly identical to the original Adam in every way — is born and lives a life quite similar to his predecessor until the morning of his eighth birthday. A series of night terrors is the first thing to disturb the Duncans’ otherwise serene lifestyle. Adam’s violent visions eventually mutate to ill temper, and an aura of menace permeates the aura of a boy who had otherwise been sweetness incarnate from the day of his birth. Eventually, Paul discovers that Dr. Wells is not a pediatrician, but a geneticist, and that their playing God may have been a Faustian bargain of epic proportions.

Promoted as a family musical by Paramount Pictures, Willy Wonka and the Chocolate Factory is more of a black comedy, perversely faithful to the spirit of Roald Dahl’s original book Charlie and the Chocolate Factory. Enigmatic candy manufacturer Willy Wonka (Gene Wilder) stages a contest by hiding five golden tickets in five of his scrumptious candy bars. Whoever comes up with these tickets will win a free tour of the Wonka factory, as well as a lifetime supply of candy. Four of the five winning children are insufferable brats: the fifth is a likeable young lad named Charlie Bucket (Peter Ostrum), who takes the tour in the company of his equally amiable grandfather (Jack Albertson). In the course of the tour, Willy Wonka punishes the four nastier children in various diabolical methods — one kid is inflated and covered with blueberry dye, another ends up as a principal ingredient of the chocolate, and so on — because these kids have violated the ethics of Wonka’s factory. In the end, only Charlie and his grandfather are left. Ostensibly set in England, Willy Wonka and the Chocolate Factory was lensed in Germany (as revealed by the film’s final overhead shot).

Directed by Mike Newell, the fourth installment to the Harry Potter series finds Harry (Daniel Radcliffe) wondering why his legendary scar — the famous result of a death curse gone wrong — is aching in pain, and perhaps even causing mysterious visions. Before he can think too much about it, however, Harry boards the train to Hogwarts School of Witchcraft and Wizardry, where he will attend his fourth year of magical education. Shortly after his reunion with his best friends, Ron (Rupert Grint) and Hermione (Emma Watson), Harry is introduced to yet another Defense Against the Dark Arts teacher: the grizzled Mad-Eye Moody (Brendan Gleeson), a former dark wizard catcher who agreed to take on the infamous “DADA” professorship as a personal favor to Headmaster Dumbledore (Michael Gambon). Of course, Harry’s wishes for an uneventful school year are almost immediately shattered when he is unexpectedly chosen, along with fellow student Cedric Diggory (Robert Pattinson), as Hogwarts’ representative in the Tri-Wizard Tournament, which awards whoever completes three magical tasks the most skillfully with a thousand-galleon purse and the admiration of the international wizard community. As difficult as it is to deal with his schoolwork, friendships, and the tournament at the same time (not to mention his feelings toward the ever unfathomable Professor Snape (Alan Rickman), Harry doesn’t realize that the most feared wizard in the world, Lord Voldemort, is anticipating the tournament, as well.

Jane Austen’s perennially popular story of the game of love among the British upper classes returns to the screen in this polished film adaptation. The Bennetts (Brenda Blethyn and Donald Sutherland) are the parents of five daughters near the close of the 18th century. Comfortable within their means but well short of rich, Mr. and Mrs. Bennett are looking for suitable husbands for their girls, and they are encouraged to learn that an eligible young bachelor from a wealthy family, Charles Bingley (Simon Woods), has moved into a nearby estate. Eager to see if a match can be made, the Bennetts bring their daughters Elizabeth (Keira Knightley) and Jane (Rosamund Pike) to a ball thrown by their new neighbor to see if sparks will fly. Jane seems to like Charles, and he appears to feel the same, but Elizabeth takes an immediate dislike to Darcy (Matthew MacFadyen), Charles’ egocentric best friend. While Elizabeth is infatuated with military man Lt. Wickham (Rupert Friend) and finds herself courted by William Collins (Tom Hollander), a well-meaning but drab man of the cloth, fate causes Elizabeth and Darcy to frequently cross paths, and while they don’t care for one another, they can’t stop thinking about each other, either. Pride & Prejudice also stars Jena Malone, Judi Dench, and Penelope Wilton.