Bovie Movie

Jane Austen’s perennially popular story of the game of love among the British upper classes returns to the screen in this polished film adaptation. The Bennetts (Brenda Blethyn and Donald Sutherland) are the parents of five daughters near the close of the 18th century. Comfortable within their means but well short of rich, Mr. and Mrs. Bennett are looking for suitable husbands for their girls, and they are encouraged to learn that an eligible young bachelor from a wealthy family, Charles Bingley (Simon Woods), has moved into a nearby estate. Eager to see if a match can be made, the Bennetts bring their daughters Elizabeth (Keira Knightley) and Jane (Rosamund Pike) to a ball thrown by their new neighbor to see if sparks will fly. Jane seems to like Charles, and he appears to feel the same, but Elizabeth takes an immediate dislike to Darcy (Matthew MacFadyen), Charles’ egocentric best friend. While Elizabeth is infatuated with military man Lt. Wickham (Rupert Friend) and finds herself courted by William Collins (Tom Hollander), a well-meaning but drab man of the cloth, fate causes Elizabeth and Darcy to frequently cross paths, and while they don’t care for one another, they can’t stop thinking about each other, either. Pride & Prejudice also stars Jena Malone, Judi Dench, and Penelope Wilton.

This beautifully staged and costumed fantasy is about young Jack (Tom Cruise) and his lady love Princess Lili (Mia Sara), and how Jack battles Darkness (Tim Curry) to save both the Princess and the world. When the peasant Jack takes Princess Lili to see the unicorns, the strongest animals around, he does not know that Darkness, with his cloven hooves, yellow eyes, and red skin plans on using Lili as bait to weaken the unicorns which he does — and plunge the world into an ice age. Soon after that disaster, Darkness captures Lili and, Jack has to rally his elves and elvettes to rescue her and subdue Darkness at the same time. As one might guess, this fantasy is strong on visual elements but a little shaky on plot.

Stigmata is a supernatural suspense story about good, evil, and faith. Frankie Paige (Patricia Arquette) is a hair stylist in her mid-20s who has no strong religious convictions until odd things start happening to her after she’s given a rosary by her mother: she begins speaking with another person’s voice; unknown and unseen forces start to attack her; and she develops stigmata, bleeding wounds that spontaneously appear on her wrists, feet, and side, as Christ was wounded at Calvary. Some people believe that a holy miracle has been visited on Frankie, though no one can say why. A Cardinal from the Vatican (Jonathan Pryce) sends a priest, Father Andrew Kiernan (Gabriel Byrne), to investigate Frankie and her condition; after getting a first-hand look, Father Andrew finds himself less concerned with whether Frankie’s wounds are a legitimate miracle and more concerned with saving her life. Billy Corgan, leader of the rock group The Smashing Pumpkins, composed the score for Stigmata in collaboration with keyboardist Mike Garson.

Acclaimed director David Fincher’s promising career was lucky to survive this astonishingly wrong-headed, almost universally despised second sequel to Alien (1979). The film careens into oblivion virtually from the beginning, as Lt. Ellen Ripley (Sigourney Weaver) is the only survivor of a crash-landing on a hellish, God-forsaken prison planet. Not only does the crash kill little Newt, completely obviating the entire point of the superior Aliens (1986), but Fincher then compounds his betrayal of that film’s fans by having Ripley attend the girl’s gruesome autopsy and barely bat an eye as the child’s chest is bloodily ripped open with a steel bonesaw. Things just go downhill from there, as the rather unthreatening rapists and murderers harass Ripley and curse a great deal before being torn apart by large fans, having their heads crushed by the unconvincing CGI alien, and finally volunteering to be murdered by the beast rather than letting the evil Company get hold of it. Fincher does the best he can with a terrible script, and there are some nice supporting turns by Charles S. Dutton, Charles Dance, and Brian Glover, but nothing could redeem the film’s first 15 minutes. By the time Ripley takes a suicidal swan-dive into a vat of molten lead, cradling a baby alien as it explodes from her chest, many viewers will not know whether to reach for the remote control or a warm bath and a razorblade. A loathsome experience by any standard, Alien 3 still made enough money for Weaver to return as a Ripley clone in Alien Resurrection (1997).

After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours at his hotel, where he meets Charlotte (Scarlett Johansson) at the bar. Twentysomething Charlotte is married to John (Giovanni Ribisi), a successful photographer who is in Tokyo on an assignment, leaving her to while away her time while he works. Beyond their shared bemusement and confusion with the sights and sounds of contemporary Tokyo, Bob and Charlotte share a similar dissatisfaction with their lives; the spark has gone out of Bob’s marriage, and he’s become disillusioned with his career. Meanwhile, Charlotte is puzzled with how much John has changed in their two years of marriage, while she’s been unable to launch a creative career of her own. Bob and Charlotte become fast friends, and as they explore Tokyo, they begin to wonder if their sudden friendship might be growing into something more.

The second film in Peter Jackson’s series of screen adaptations of J.R.R. Tolkien’s internationally popular Lord of The Rings trilogy, The Lord of the Rings: The Two Towers literally begins where The Lord of the Rings: The Fellowship of the Ring ended, with the Fellowship splitting into three groups as they seek to return the Ring to Mordor, the forbidding land where the powerful talisman must be taken to be destroyed. Frodo (Elijah Wood), who carries the Ring, and his fellow Hobbit Sam (Sean Astin) are lost in the hills of Emyn Muil when they encounter Gollum (Andy Serkis), a strange creature who once carried the Ring and was twisted by its power. Gollum volunteers to guide the pair to Mordor; Frodo agrees, but Sam does not trust their new acquaintance. Elsewhere, Merry (Dominic Monaghan) and Pippin (Billy Boyd) are attempting to navigate Fangorn Forrest where they discover a most unusual nemesis — Treebeard (voice of John Rhys-Davies), a walking and talking tree-shepherd who doesn’t much care for Hobbits. Finally, Aragorn (Viggo Mortensen), Gimli (John Rhys-Davies), and Legolas (Orlando Bloom) arrive in Rohan to discover that the evil powers of Saruman (Christopher Lee) have robbed King Theoden (Bernard Hill) of his rule. The King’s niece Éowyn (Miranda Otto) believes Aragorn and his men have the strength to defeat Saruman, his henchman Wormtongue (Brad Dourif), and their minions. Éowyn soon becomes infatuated with Aragorn, while he struggles to stay faithful to the pledge of love he made to Arwen (Liv Tyler). Gandalf (Ian McKellen) offers his help and encouragement as the Rohans, under Aragorn’s leadership, attempt to face down Saruman’s armies, but they soon discover how great the task before them truly is when they learn that his troops consist of 10,000 bloodthirsty creatures specially bred to fight to the death. Most of The Lord of the Rings: The Two Towers was shot in tandem with The Lord of the Rings: The Fellowship of the Ring and The Lord of the Rings: The Return of the King during a marathon 18-month shooting schedule, overseen by Peter Jackson.

Y Tu Mam? Tambi?n and Harry Potter and the Prisoner of Azkaban director Alfonso Cuar?n returns to the helm to tell this futuristic tale in which society is without hope since humankind lost its ability to procreate. The year is 2027, and women can no longer give birth. The youngest inhabitant of the planet has just died at the age of 18, and all hope for humanity has been lost. As civilization descends into chaos, a dying world finds one last chance for survival in the form of a woman who has become inexplicably pregnant. Now, as warring nationalistic sects clash and British leaders try to maintain their totalitarian stronghold on the country, a disillusioned bureaucrat (Clive Owen) is brought back into the fold of activism by his guerrilla ex-wife (Julianne Moore). Reluctantly, he takes on the daunting task of escorting Kee (Claire-Hope Ashitey), the refugee who represents humankind’s last hope for survival, out of harm’s way and into the care of a mysterious organization known as The Human Project. Chiwetel Ejiofor, Charlie Hunnam, and Michael Caine co-star in this adaptation of author P.D. James’s gripping 1992 novel.

Bobby Long (John Travolta) is a washed up former literature professor with a voracious drinking habit. He lives in a rundown house in New Orleans with Lawson Pines (Gabriel Macht of The Recruit), his former star pupil, also an alcoholic. Lawson is allegedly writing a novel about Bobby. Their depressive little corner of the world is disrupted when Lorraine, the beloved eccentric singer who owns their house, dies. Her teenage daughter, Pursy (Scarlett Johansson), who hasn’t seen her mother in years, arrives in town too late for the funeral, and crashes at the house. Afraid of being thrown out on the street, Bobby convinces Lawson to tell Pursy that the house has been left to all three of them. Pursy, having little else to do, decides to move in, and starts cleaning up the place, making it her own. Lawson is involved with Georgianna (Deborah Kara Unger), who works at the local bar, but he quickly develops a crush on the comely Pursy. The cantankerous Bobby seems determined to drive the girl away. As Pursy settles into the diverse little community, all of Lorraine’s old friends tell her how much she looks like her mother, and she begins to uncover some startling truths about her family history. A Love Song for Bobby Long is based on the novel Off Magazine Street, by Ronald Everett Capps. It was adapted for the screen and directed by Shainee Gabel, who co-directed the documentary Anthem.

Purple Rain, the first starring film for Prince, is the story of an arrogant, young black singer, born and raised in Minneapolis, who reaches the pinnacle of stardom. The dramatic complications include “The Kid’s” (Prince) miserable home life, where he suffers the brutalities of his father (well played by Clarence Williams III) and the youth’s efforts to win the love of the beautiful Apollonia. Despite the misogynistic undercurrents in Purple Rain, the film’s biggest fans were young women. Gorgeously photographed by Donald Thorin, Purple Rain is essentially a glorified music video, highlighted by a catalogue of Prince’s hits, including I Would Die 4 U, When Doves Cry and Let’s Go Crazy; the score deservedly won an Academy Award and a Grammy.

The true story of a man who, on February 22, 1974, was thwarted from an ambitious plan for political assassination provides the basis for this striking psychological drama. Sam Bicke (Sean Penn) is a salesman for an office-supply company whose life is slowly beginning to unravel. Bicke’s job is going nowhere, his wife, Marie (Naomi Watts), has left him, and his boss (Jack Thompson) keeps pushing self-help books on him that make a mockery of his state of mind. One of Bicke’s few friends is Bonny Simmons (Don Cheadle), an auto mechanic, and together they come up with an idea for a tire shop on wheels; while neither has the money to finance the project, Bicke has learned of a program for small-business loans instituted by President Richard Nixon, which he’s certain will come through for him. But Bicke is denied his loan, which dovetails with his increasing suspicion of the president’s Vietnam policies and a sudden interest in the “by any means necessary” political activism of the Black Panther Party. Desperate to seem important in some way, Bicke becomes increasingly obsessed with the duplicity of Richard Nixon, until he chooses to take it upon himself to stop the president once and for all. The Assassination of Richard Nixon was the first feature film from director Niels Mueller.