Bovie Movie

After squaring off in 1995 with competing movie biographies of frontier lawman Wyatt Earp, actors Kurt Russell and Kevin Costner co-star in this action crime caper as former cronies engaged in a series of double-crosses over some stolen loot. Michael Zane (Russell) and Thomas Murphy (Costner) are the leaders of a gang of ex-convict thieves using an Elvis Presley impersonator convention to pull off a daring heist in a Las Vegas casino. The gang also includes Gus (David Arquette), Hanson (Bokeem Woodbine), and Franklin (Christian Slater). Although they manage to retrieve the money, the crooks turn on each other in bloody fashion and Murphy (who believes he’s actually the illegitimate son of Elvis) makes off with the illegal funds. In hot pursuit are the police and Michael, who’s encumbered by his girlfriend Cybil (Courtney Cox-Arquette) and her young son Jesse James. Written and directed by music video creator Demian Lichtenstein, 3000 Miles to Graceland also stars Kevin Pollak, Ice-T, and Howie Long.

Director Robert Rodriguez picks up where his successful independent debut El Mariachi left off with this slam-bang South of the Border action saga. Bucho (Joaquim DeAlmeida) is a wealthy but casually bloodthirsty drug kingpin who rules a seedy Mexican border town. Bucho and his men make the mistake of angering El Mariachi (Antonio Banderas), a former musician who now carries an arsenal in his guitar case. Bucho was responsible for the death of El Mariachi’s girlfriend and put a bullet through his fretting hand, making him unable to play the guitar. Bent on revenge, the musician-turned-killing machine arrives in town to put Bucho out of business, though he finds few allies except for Carolina (Salma Hayek), who runs a bookstore that doesn’t seem to attract many readers. Desperado features supporting performances from Cheech Marin as a cynical bartender, Steve Buscemi as the cantina patron who sets up the story, and Quentin Tarantino as a man with a really terrible joke to tell.

One man’s life is thrown into turmoil by picking up a telephone in this claustrophobic thriller. Stu Shepard (Colin Farrell) is a brash, cynical, and self-centered public relations man who juggles a busy career with both a wife, Kelly (Radha Mitchell), and a mistress, Pamela (Katie Holmes). Stu steps into a phone booth on a busy New York street to make a call to Pamela without Kelly being the wiser, but as soon as Stu hangs up, the phone begins to ring. Curious, Stu picks it up — and a stranger on the other end (voice of Kiefer Sutherland) informs him that if he hangs up the phone, he’ll be shot. The red dot of an infrared rifle scope convinces Stu that the caller means business, and when another man tries to make his way into the booth, he’s shot mere inches from Stu, calling the attention of the police. Captain Ramey (Forest Whitaker) naturally assumes that Stu was the killer, as Stu struggles to find a way to convince the police of what’s happening before more lives are lost, without leaving the booth and putting his own life on the line. At one time proposed as a vehicle for Jim Carrey, Phone Booth was directed by Joel Schumacher, from a screenplay by exploitation icon Larry Cohen.

The wind whispers ominous warnings of death before a malevolent entity arrives to claim the life of a young girl as director Courtney Solomon brings author Brent Monahan’s chilling, fact-based tale of supernatural murder to the screen in this tale of terror starring Donald Sutherland and Sissy Spacek. The year was 1818 and the Bell family was a quiet clan residing on a remote farm in Red River, Tennessee. A normal, loving family by all accounts, the uneventful lives of the Bell family began to take a dark turn when strange noises around the farm preceded the arrival of a black wolf with piercing yellow eyes said to strike unspeakable fear into the very soul of all who encounter it. As the sadistic spirit singles out the youngest daughter of the Bell family for torment and her frightened parents search frantically for a rational explanation to the chilling events unfolding in their once happy home, an eerie, disembodied voice promises death from beyond the grave. With the struggle rapidly turning violent and the Bell’s desperate prayers for mercy going unanswered time and again, the shocking murder that followed would prove the only case in recorded American history where the death of a human being was directly attributed to an attack by an evil entity or spirit.

A mute American working on a low-budget movie runs afoul of the Russian mafia in this internationally produced thriller. Billy (Marina Zudina), a special-effects makeup artist who is unable to speak, is in Moscow working on a cheapie slasher flick directed by Andy (Evan Richards), her sister’s boyfriend. Late one night, Billy returns to the set to pick up some equipment and stumbles on what appears to be the filming of an actual snuff film. Watching, unseen, as an “actress” (Olga Tolstetskaya) is bludgeoned to death before her very eyes, Billy flees the set, pursued by the snuff film’s crew. Eventually, she escapes and tells her story to her sister, Karen (Fay Ripley), and Andy. The film crew convinces the police that it was simply some special effects that Billy witnessed, then they start a deadly cat-and-mouse game with the hapless Americans. The intrigue soon leads Billy and her friends to “The Reaper” (Alec Guinness), the shadowy financier of an entire snuff-film underground. Director Anthony Waller’s screenplay for Mute Witness began as a tale of gangsters in 1930s Chicago, but he rewrote it to take advantage of Russia’s analogous present-day climate — and the country’s cheap sets and labor. Unexpected problems, from a diptheria epidemic to unexpected fines at the customs gate, nearly sank the production. The director convinced Guinness to appear in the film several years before principal photography began; the veteran thespian was paid nothing for his scenes, which were shot in a single morning in Germany.

Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award.

Tobe Hooper, who directed one of the truly iconic American horror films of the 1970s, The Texas Chainsaw Massacre, offers his take on another well-remembered scare-fest of the era with this remake. Steve (Brent Roam) and Nell (Angela Bettis) are a young couple living in Los Angeles who are short on money — she’s just started work as a teacher, while he’s a medical student doing his internship. They rent a flat in the Lusman Arms, a once beautiful but now decaying (and therefore affordable) apartment building managed by the sleazy Byron McLieb (Greg Travis), who tries to pass off the ramshackle accommodations as “charming” and “historic.” Watching over the Lusman Arms beside Byron is Ned (Adam Gierasch), a greasy simpleton who serves as the building’s handyman. Steve and Nell haven’t been living at the Lusman especially long when she notices that a growing number of young women living in the building have been meeting a violent death, and with some help from good-hearted part-time actor “Jazz” Rooker (Rance Howard), she begins looking into the murders and makes some disturbing discoveries about both the building management and her fellow tenants.

A vacationing couple makes a terrifying discovery about the motel room they have just checked into in this thriller scripted by Mark L. Smith and directed by Nimr?d Antal (Kontroll). Their car broken down and their prospects for finding a tow-truck driver at such a late hour slim to none, David (Luke Wilson) and Amy Fox (Kate Beckinsale) decide to make the best of their situation by resting out the night at a nearby motel. Left with few choices of entertainment for the evening, the pair soon settles down to enjoy one of the low-budget slasher films sitting atop their motel room VCR. Upon realizing that all of the films seem to have been shot in the very same room they currently occupy, David and Amy suddenly become the stars of a particularly sadistic fright flick. As hidden cameras track their every move, the hapless couple attempt to turn the tables on their would-be killer before they meet the same grim fate as the poor souls being butchered on television. Frank Whaley and Ethan Embry co-star in a thriller that’s sure to keep leery travelers sticking to the main highway.

Animal rights activists free a group of infected chimpanzees to horrifying results in this speculative sci-fi horror effort from Trainspotting director Danny Boyle. Waking from a coma in a deserted London hospital 28 days later, bicycle courier Jim (Cillian Murphy) takes to the deserted city streets in a state of mystified confusion. Joining forces with another group of survivors following a terrifying encounter in a seemingly abandoned church, Jim soon learns the truth behind the deserted streets and the menacing creatures that lurk in the shadows. It’s soon revealed that the chimpanzees had been harboring a deadly virus that sends its victims into a furious, murderous rage, and in the days following the initial exposure, the entire population was nearly wiped out due to the resulting homicidal rampage. Is there still a glimmer of hope for humanity — or has the deadly “rage” virus found its way to foreign shores and infected the entire planet?

A group of juvenile delinquents are forced to fight for their lives after being sent the forest for an exercise in teamwork and tracked by a crossbow-wielding madman with a pack of flesh-eating dogs. The Young Offenders Institution is the kind of place kids are sent when all hope is lost. In order to test their mettle in an environment where every decision counts, the powers that be at the Young Offenders Institution send their worst offenders into deep into the woods for a tough-love lesson in character-building. Suddenly surrounded by dense forestation, deadly rapids, and a jagged coastline that makes escape virtually impossible, the young criminals must band together after their group leaders are ruthlessly slaughtered. With time running out and their numbers quickly dwindling, these tough-talking teens must put their survival skills to the ultimate test and band together to take down a merciless predator who relishes in watching his victims suffer.