Bovie Movie

Jigsaw, the diabolical criminal who captured the imagination of horror fans in the 2004 hit Saw, returns in this equally bloody sequel. Eric Matthews (Donnie Wahlberg) is a police detective who, after discovering the aftermath of a particularly gruesome murder, is convinced that Jigsaw (Tobin Bell) is up to his ugly tricks again. Matthews’s hunch turns out to be correct, but the master criminal proves to be disconcertingly easy to capture. As it happens, Jigsaw is eager to be put behind bars in order to throw the authorities off his trail as he once again punishes people who in his eyes have transgressed the boundaries of acceptable moral behavior. But instead of trapping two people in a filthy dungeon where they must engage in a terrible contest in order to win their freedom, eight people have been locked away by Jigsaw, and they must torture their bodies and minds to achieve the terrible justice Jigsaw seeks. Saw II was written by Leigh Whannell, who also scripted the first film.

A popular video game comes to the screen with this big-budget adventure starring Angelina Jolie as a buxom heroine recalling equal parts Indiana Jones and James Bond. Jolie is Lara Croft, a proper British aristocrat groomed at schools for the children of the elite. Croft leads a double life, however, as an acquirer of lost antiquities through questionable means, highly trained in combat skills with the help of a robotic opponent called Simon. Despite her exciting profession and a life of wealth and breeding, Lara pines for her father, Lord Croft (Jon Voight), whose passing left her orphaned. On the eve of a celestial event that will also mark the anniversary of Lord Croft’s death, Lara comes up against an ancient organization called the Illuminati, represented by the sinister Powell (Iain Glen), who’s in pursuit of an ancient relic with power over time and even death itself. With the aid of her high-tech support team, Lara travels to some exotic locales in search of the artifact, including a foray into a decrepit Asian temple guarded by lethal stone apes and other creatures that spring to life. Filmed at various locations in Great Britain as well as Iceland and the Angkor Wat temples of Cambodia, Tomb Raider co-stars Noah Taylor, Chris Barrie, Daniel Craig, Rachel Appleton, Leslie Phillips, Mark Collie, and Julian Rhind-Tutt.

Dutch (Arnold Schwarzenegger) has a code of honor which he will not violate, even when his life depends on it. Paradoxically, his code of honor gives him the backbone to survive as a military special forces operative when he is sent on a covert mission to rescue another group which was sent in to assist some nefarious U.S. government plan in a Latin American country. Once there, he encounters an old army buddy (Carl Weathers) who has gotten too deep in the CIA’s good graces for Dutch’s comfort. When he and his team go into the jungle to rescue the others, they get involved in a pitched battle with local guerillas, but they are more than capable of besting these vicious fighters. However, not long after that, they encounter signs that the equally capable men they were sent to rescue were all killed unawares and in an unusually gruesome fashion. Given their training, it should have been impossible for anyone to best all of these commando warriors. Soon, the men from Dutch’s own team get picked off one by one, as they grow aware that they are up against something uncanny, not of this world, something that is hunting them for sport. Why? Because their skills make them worthy opponents for the perfectly camouflaged Predator. This carefully paced action movie was given poor reviews by many movie critics, but was sufficiently satisfying for its (largely male) audiences that a successful sequel (Predator 2) was released in 1990.

This low-budget science-fiction drama, winner of a 1997 Toronto Film Festival prize for “Best Canadian First Feature,” depicts the plight of a group of people clad in prison-style uniforms and trapped in futuristic cube-like metal cells. Their memories are hazy; no one can recall how they got there. Alderson (Julian Richings) awakens in a cell, seeks an exit, and arrives in an adjacent cube where he’s sliced and diced. Former cop Quentin (Maurice Dean-Wint) becomes the group leader, and he’s challenged by conspiracy theorist Dr. Holloway (Nicky Guadagni). Government worker Worth (David Hewlett) remembers a past government link to the project. A discovery that the cubes have numerical codes suggests study by math-student Leaven (Nicole deBoer) while former thief Rennes (Wayne Robson) knows some escape tricks. However, the extreme behavior of Kazan (Andrew Miller) becomes a threat to their survival. The film was also shown at the 1997 Vancouver Film Festival.

Oliver Stone’s breakthrough as a director, Platoon is a brutally realistic look at a young soldier’s tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late ’60s. He’s shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks “in country,” Taylor begins to see the na?vet? of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood’s first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.

In this international action thriller, Paul Racine (Christopher Lambert) is an American salesman with a computer firm who is in Japan on business. While spending an evening in a bar, he meets Kirina (Joan Chen), a beautiful but mysterious woman. Paul buys Kirina a drink, one thing leads to another, and he ends up spending the night with her. However, when Paul returns to her room to retrieve a set of keys he left behind, he discovers that Kirina is being murdered by Kinjo (John Lone), the master of a cult of bloodthirsty ninjas. Kinjo informs Karina that no one has ever seen his face and lived, so when Paul witnesses Kirina’s execution and the face Kinjo hides behind his mask, he’s a marked man. With the help of Takeda (Yoshio Harada), an experienced ninja fighter, Paul learns how to defend himself against his new adversaries as he plots a final showdown with the deadly Kinjo. The Hunted represented something of a reunion for John Lone and Joan Chen, who previously starred together in The Last Emperor.

The second of the George Lucas/Steven Spielberg Indiana Jones epics is set a year or so before the events in Raiders of the Lost Ark (1984). After a brief brouhaha involving a precious vial and a wild ride down a raging Himalyan river, Indy (Harrison Ford) gets down to the problem at hand: retrieving a precious gem and several kidnapped young boys on behalf of a remote East Indian village. His companions this time around include a dimbulbed, easily frightened nightclub chanteuse (Kate Capshaw), and a feisty 12-year-old kid named Short Round (Quan Ke Huy). Throughout, the plot takes second place to the thrills, which include a harrowing rollercoaster ride in an abandoned mineshaft and Indy’s rescue of the heroine from a ritual sacrifice. There are also a couple of cute references to Raiders of the Lost Ark, notably a funny variation of Indy’s shooting of the Sherpa warrior.

The sole survivor of a Viking “dragon” vessel shipwrecked on Eastern shores of the New World fifteen years ago provides the only hope for the a Native American tribe faced with certain destruction by Norse berserkers in director Marcus Nispel’s (The Texas Chainsaw Massacre) dark action adventure. Reared by the Wampanoag Tribe following a failed attempt by the Vikings to raid coastal villages for slaves, a ten year-old shipwreck survivor is nicknamed “Ghost” by his adoptive tribe due to his pale complexion and blond hair. Legend says that death and destruction will follow the boy wherever he travels, yet the peaceful people of the Wampanoag Tribe selflessly take the frightened child in as if he is one of their own. Over the course of the following decade, the adopted young Norseman eventually grows into a strong warrior (Karl Urban) determined to prove his worth to the people he calls family. When the rampaging Vikings return to the New World to rain destruction down on the Native Americans and to claim the fertile land of the peaceful people, Ghost finds himself in the precarious position of having to stop his own people from destroying his village and ruthlessly slaughtering the woman he loves (Moon Bloodgood). Now, as Ghost’s true destiny is revealed by the powerful shaman known as the Pathfinder (Russell Means), the fearless warrior sets out to stage a savage one-man war on the marauding Vikings and become the savior once prophesized to defend the Wampanoag people in their darkest hour.

The grim futility of the war between Bosnia and Serbia is reduced to its essence as two enemy soldiers are forced to share a wary trust for one another in this drama. A group of Bosnian soldiers are advancing upon Serbian territory during a misty night when the fog lifts at daybreak, making them plainly visible to their enemy. Serb forces open fire upon them, and soon only Chiki (Brancko Djuric) is still alive, after diving into a trench in no man’s land. Two Serbian soldiers scouting the area set up a land mine using the body of a Bosnian soldier as “bait;” if moved, the mine will jump into the air and explode. Chiki watches as the soldiers set the trap, and furious at the disrespect to his fallen comrades, he kills one of the Serbs, and takes the other, Nino (Rene Bitorajac), hostage. With both soldiers alone and equally armed, they find themselves at a stalemate, and begin trying to attract help from either side. Eventually, the two men are found by a squadron of French soldiers attached to a U.N. peacekeeping unit; now held by supposedly neutral forces, Chiki and Nino are with the French troops when it’s discovered that the dead Bosnian soldier isn’t dead after all, though no one is sure how to disarm the mine without killing him in the process. No Man’s Land was the debut feature from Bosnian writer and director Danis Tanovic.

John Hughes and Chris Columbus repeat their best-selling formula from the first Home Alone film with this sequel. Once again Kevin McCallister’s (Macaulay Culkin) family leave him behind, only now he gets on a flight to New York instead of going with his family to Miami. Kevin manages to hail a cab and is delivered to the doorsteps of the Plaza Hotel, where, using his father’s credit card, he rents out a suite and has the time of his life — although a smarmy hotel clerk (Tim Curry) and bellboy (Rob Schneider) eye him with suspicion. But ingenious Kevin keeps them at bay, using the same tomfoolery he applied to his uncle in the first picture. He takes time out from his consumer debauch to chat with a friendly old toy-store magnate (Eddie Bracken) and pontificate to a homeless Pigeon Lady (Brenda Fricker) on the meaning of Christmas. But then he runs into his old enemies Harry (Joe Pesci) and Marv (Daniel Stern).When he finds out that they plan on robbing the old man’s toy store on Christmas Eve, he mans the battle stations once again, complete with electric prods, flames of fire, and sundry blunt instruments.