Bovie Movie

Adapted from the popular Sega arcade video game of the same name, director Uwe Boll’s action horror effort finds a group of partying teens stranded on an island and doing battle with a new breed of unusually mobile zombies. Looking for a place to party away spring break, college students Cynthia (Sonya Salomaa), Greg (Will Sanderson), and Karma (Enuka Okuma) hear rumors of a rave on a remote island in the Seattle area. Rushing to catch the party boat, the teens pick up friends Simon (Tyron Leitso) and Alicia (Ona Grauer), but discover upon arrival at the dock that the boat has set sail without them. Offering a few dollars to a local captain to hitch a ride to the island, the teens reach their destination only to find it eerily silent with no party in sight. Things go from bad to worse when the group is attacked by a mysterious creature, and they are forced to seek refuge in an old dark house on the island shore. Subsequently running into a few familiar faces and learning to their horror that the rave had been overrun by a horde of terrifying zombies, the group must now make one final bid for survival over the course of a long, blood-soaked night.

A man who teaches dateless wonders how to become irresistible to women learns just how hard it can be to do it yourself in this romantic comedy. When a guy in New York City wants to make the right impression with a certain lady, Alex “Hitch” Hitchens (Will Smith) is the man he calls. Hitch has made a career out of coordinating a man’s first three dates so that they’ll show him to his best advantage (for a price, of course), and more than a few have taken women to the altar they first started courting with Hitch’s help. But Hitch discovers his own romantic limitations when he falls for Sara (Eva Mendes), a journalist who has her own ideas about romance, and might just expose Hitch’s underground business to the world. In the midst of all this, Hitch has his hands full with Albert, a sweet but socially inept man who has enlisted Hitch’s services.

Two self-styled criminal masterminds find themselves in a turf battle neither much cares about in this underworld story that balances comedy against drama. Alec Baldwin plays Mackin, a career thief who picks his jobs shrewdly and carefully, and prefers to spend his downtime with his collection of rare jazz LP’s and looking after his dog. Pointy (Michael Jai White) is a young upstart gangster trying to develop a taste for refinement and the good life. When Pointy sets up Mackin, Mackin is forced to retaliate, and before long both men and their associates are in the middle of a war neither is especially interested in winning, which begins to escalate in comic fashion. The skirmish eventually attracts the attention of a female cop (Rebecca De Mornay) who’s become interested in Mackin’s method of operation. Thick As Thieves received its world premiere at the 1999 Sundance Film Festival.

John Waters does a quirky spin on ’50s nostalgia in Cry-Baby, his musical homage to Rebel Without a Cause and Romeo and Juliet. Set in Baltimore in 1954 at the birth of rock & roll, the film features Johnny Depp as Wade “Cry-Baby” Walker. Depp is pure charisma as a juvenile delinquent with a permanent tear slithering down his cheek, a reminder of his state-executed parents. In the depths of his despair appears goody-goody girl Allison (Amy Locane), who has a sexual crush on Cry-Baby. But Allison’s Pat Boone-like boyfriend, Baldwin (Stephen E. Miller), the leader of the squares, is dead set against Cry-Baby and the rest of the juvenile delinquents and leads a revolt against them. In the resultant riot, the juvenile delinquents are blamed for the chaos, and Cry-Baby finds himself dispatched to reform school.

Five years after achieving commercial and critical success with his film Three Kings, director and screenwriter David O. Russell returns to the more idiosyncratic territory of his earlier work with this intelligent and offbeat comedy. Bernard and Vivian Jaffe (Dustin Hoffman and Lily Tomlin) are a married couple who run an existential detective agency where they sift through the lives of their clients in order to discover the source of their angst. The Jaffes’ latest client is Albert Markovski (Jason Schwartzman), an environmental activist who has a very large rock and a great deal on his mind; their study of Albert’s problems lead Bernard and Vivian to Brad Stand (Jude Law), a public relations executive with a chain of successful variety stores, Huckabees. While publicly allying himself with Albert’s environmental initiatives, behind the scenes Brad is running roughshod over responsible land management with little care for the consequences. When Brad learns he’s being watched by the Jaffes, he hopes to co-opt them by hiring them himself; however, the plan has unexpected consequences when their questioning leads Brad’s girlfriend, well-scrubbed model Dawn (Naomi Watts), into reassessing her life and relationships. Meanwhile, Albert finds himself joining forces with Tommy (Mark Wahlberg), a firefighter and fellow environmentalist who has been having second thoughts about Bernard and Vivian’s ideas and methods after a long-term investigation and has since fallen under the spell of nihilist poet and philosopher Caterine Vauban (Isabelle Huppert).

When a motorcycle-riding stuntman offers his soul to Mephistopheles in order to save the life of the one he loves most, he is forced to play host to a powerful supernatural entity whose flaming skull visage strikes fear into the heart of his enemies in this feature-film version of the long-running comic series. By day, Johnny Blaze (actor and comic-book devotee Nicolas Cage) is one of the world’s best-known stuntmen, but when the sun goes down and he is in the presence of evil, the death-defying daredevil bursts into flames to become the indestructible, motorcycle-riding antihero known to the world as the Ghost Rider.

After a rather decided departure with his 1999 homage to Gilbert and Sullivan, Topsy-Turvy, Mike Leigh returns to his usual form for All or Nothing, a melancholy look at the day-to-day lives of a dysfunctional lower-middle class British family called the Bassetts. Timothy Spall and Lesley Manville (familiar to fans of Leigh’s previous films) star as Phil and Penny, a common-law husband and wife who toil their gloomy days away as a cab-driver and grocery-store cashier, respectively. When the couple come to realize the growing emptiness in their relationship, an unexpected emergency within their family brings them closer together and offers the possibility of reigniting the long-extinguished spark in their marriage. Hoping to repeat the Palm D’or win of Leigh’s 1996 film Secrets and Lies, All or Nothing was screened in competition at the 2002 Cannes Film Festival.

Bobby Long (John Travolta) is a washed up former literature professor with a voracious drinking habit. He lives in a rundown house in New Orleans with Lawson Pines (Gabriel Macht of The Recruit), his former star pupil, also an alcoholic. Lawson is allegedly writing a novel about Bobby. Their depressive little corner of the world is disrupted when Lorraine, the beloved eccentric singer who owns their house, dies. Her teenage daughter, Pursy (Scarlett Johansson), who hasn’t seen her mother in years, arrives in town too late for the funeral, and crashes at the house. Afraid of being thrown out on the street, Bobby convinces Lawson to tell Pursy that the house has been left to all three of them. Pursy, having little else to do, decides to move in, and starts cleaning up the place, making it her own. Lawson is involved with Georgianna (Deborah Kara Unger), who works at the local bar, but he quickly develops a crush on the comely Pursy. The cantankerous Bobby seems determined to drive the girl away. As Pursy settles into the diverse little community, all of Lorraine’s old friends tell her how much she looks like her mother, and she begins to uncover some startling truths about her family history. A Love Song for Bobby Long is based on the novel Off Magazine Street, by Ronald Everett Capps. It was adapted for the screen and directed by Shainee Gabel, who co-directed the documentary Anthem.

In this psychological thriller, a needy young woman finds fulfillment by trying to literally become her successful roommate. Attractive Manhattanite Allison Jones (Bridget Fonda) has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam (Steven Weber) proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs. In steps Hedra Carlson (Jennifer Jason Leigh), who’s timid and frumpy but puppy-dog sweet. The self-centered Allison finds Hedra’s eager friendship flattering, but soon she grows annoyed as Hedra begins emulating everything about her. After Allison gets back with Sam and asks Hedra to please vacate the premises, the pert beauty really gets to see her weird new roomie’s bad side — Hedra, it seems, is downright homicidal. Directed by Barbet Schroeder, who wowed Hollywood with Barfly and Reversal of Fortune. Single White Female was the second screenplay from future Opposite of Sex director Don Roos.

Jocelyn Moorhouse’s feature-film debut is a jet-black comedy starring Hugo Weaving as Martin, a paranoid blind man, made so because he is convinced that his mother, when he was a child, lied to him about the sights she described to him. As an adult, Martin is reclusive and ill-tempered. Perversely, Martin is also a photographer — he takes the pictures, has them developed, asks friends to describe the pictures to him, and then labels them in Braille to make sure no one is tricking him. His housekeeper, Celia (Genevieve Picot), is also a photographer. Obsessed with Martin, she papers the walls of her home with pictures of him. But this obsession doesn’t carry through to their relationship, which is a far from cordial one — Celia torments Martin and Martin humiliates her. One day at a restaurant, after a nasty confrontation with a waitress who ignores him, Martin makes friends with the dishwasher, Andy (Russell Crowe). Martin invites him home to describe his photographs to him. Back at Martin’s home, Andy meets Celia and he immediately falls in love with her. Jealous of Andy, Celia seduces him in an effort to discredit Andy with Martin and drive Martin into her arms.