Bovie Movie

With an insane asylum standing in for everyday society, Milos Forman’s 1975 film adaptation of Ken Kesey’s novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama’s boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other’s worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy’s message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions.

A South African mercenary and a Mende fisherman find their fates forever intertwined as they embark on a quest to obtain a rare and highly coveted pink diamond in director Edward Zwick’s frantic adventure drama. Ripped from his family farm and forced to toil away in the sweltering South African diamond fields, Solomon Vandy (Djimon Hounsou) discovered an extraordinary rough stone of immeasurable value. Danny Archer (Leonardo DiCaprio) is a hired gun who specializes in the sale of so-called “blood diamonds” that are used to finance rebellions and terrorist organizations, and is currently serving time for smuggling. As a bloody civil war rages in Sierra Leone and Archer learns that Vandy has safely hidden the diamond in a place where no one would ever suspect, the pair enlist the aid of disillusioned American journalist Maddy Bowen (Jennifer Connelly) in recovering the treasure that has the power to save Vandy’s family and provide the desperate Archer with a much-needed chance for redemption.

Jean-Claude Van Damme and Dolph Lundgren play archenemies from beyond the grave in this action film. During the Vietnam War, Luc (Van Damme), hoping to be sent home, comes upon blood-crazy Scott (Lundgren), who is starting a one-man genocide program. When Luc tries to stop Scott’s carnage, Scott fights back and they end up killing each other. But now the government gets involved, cryogenically freezing their corpses and using their bodies in a secret government project call “UniSols” –turning the dead men into android fighting machines. Luc and Scott are now metallic fighting members of a robot SWAT team. But Luc begin to have flashbacks to the final moments of his life in Vietnam, as does Scott, who recalls that one of his final thoughts was to kill Luc. Meanwhile, a snoopy reporter named Veronica (Ally Walker) stumbles upon the secret of the UniSols, and soon Luc is trying to save both himself and Veronica from the wrath of Scott, who is trying to kill them both. All of the action culminates in a wild chase between a prison bus and a UniSols van, racing around hairpin turns on desert precipices.

Arnold Schwarzenegger plays a taciturn law-enforcement officer from Russia. James Belushi co-stars as a wise-lipped Chicago cop. Though they go together like caviar and White Castles, they are forced to team up to collar the Soviet Union’s most notorious drug lord. Thus does director Walter Hill recycle his 48 Hours formula for another unlikely star team. Unfortunately, Red Heat isn’t half as enjoyable as the earlier film, owing to a lack of rapport between the two leading men and an overall lack of inspiration infecting the whole project. The one notable aspect of Red Heat is that it was the first commercial American film to stage scenes in Moscow’s Red Square. Watch for Laurence Fishburne (still billed as “

Following memorable roles in the military action-adventures Pearl Harbor (2001) and Black Hawk Down (2001), young actor Josh Hartnett is propelled to romantic leading man status with this semi-autobiographical comedy from screenwriter Rob Perez. Hartnett stars as Matt Sullivan, a young man smarting over the bitter breakup of his most recent relationship. With Lent approaching, Matt decides to observe the 40-day tradition by abstaining from all sexual contact, including self-gratification. Once his odyssey of discipline has begun, he meets the girl of his dreams, while his ex begins campaigning to get him back. Co-starring Shannyn Sossamon, Maggie Gyllenhaal, and Vinessa Shaw, 40 Days and 40 Nights inspired another round of controversy between distributor Miramax and the Catholic League, which accused the film of being a “vulgar parody” of Lent. The League previously protested the company’s releases of Priest (1994) and Dogma (1999).

Joel Coen and Ethan Coen concocted this stylish screwball comedic amalgam of Frank Capra and Howard Hawks. Tim Robbins stars as Norville Barnes, a dull-wit from Muncie, Indiana who wrangles a job with the big Hudsucker Industries. He has a singular idea for a new children’s toy that he wants to present to corporate executive Sidney J. Mussberger (Paul Newman). As he makes his way up to Mussberger’s office, the company president Waring Hudsucker (Charles Durning) is on his way down — through the window of the forty-fourth floor boardroom! Hudsucker’s death sets off a panic that Mussberger sees as an opportunity for taking over the company — by installing a total incompetent in Hudsucker’s place and devaluing the stock. When Barnes stumbles into Mussberger’s office, Mussberger sees his pigeon and appoints Barnes as the new company president. The only problem is that the new product Barnes proposes for the company, the Hula Hoop, turns out to be a tremendous success, and Mussberger has difficulty manipulating his new corporate president.

Two people develop an unusual relationship that bends the boundaries of time and place in this romantic fantasy. Kate Forster (Sandra Bullock) is a doctor who lives in a beautiful home by a lake. Forced to move elsewhere, she requests that any correspondence that arrives at the lake house be passed on to her new address. To her surprise, she soon receives a romantic note from Alex Burnham (Keanu Reeves), an architect who lives in the cottage she once called home. However, a look at the postmark on the letter reveals that he lived at the home two years before she did, and that somehow they’ve come in contact with one another through a space in time. A remake of Lee Hyun-seung’s acclaimed Korean romance Il Mare (aka Siworae), The Lake House was the first American production from Argentinean filmmaker Alejandro Agresti; the supporting cast includes Christopher Plummer, Dylan Walsh, and Lynn Collins.

The true story of a man who, on February 22, 1974, was thwarted from an ambitious plan for political assassination provides the basis for this striking psychological drama. Sam Bicke (Sean Penn) is a salesman for an office-supply company whose life is slowly beginning to unravel. Bicke’s job is going nowhere, his wife, Marie (Naomi Watts), has left him, and his boss (Jack Thompson) keeps pushing self-help books on him that make a mockery of his state of mind. One of Bicke’s few friends is Bonny Simmons (Don Cheadle), an auto mechanic, and together they come up with an idea for a tire shop on wheels; while neither has the money to finance the project, Bicke has learned of a program for small-business loans instituted by President Richard Nixon, which he’s certain will come through for him. But Bicke is denied his loan, which dovetails with his increasing suspicion of the president’s Vietnam policies and a sudden interest in the “by any means necessary” political activism of the Black Panther Party. Desperate to seem important in some way, Bicke becomes increasingly obsessed with the duplicity of Richard Nixon, until he chooses to take it upon himself to stop the president once and for all. The Assassination of Richard Nixon was the first feature film from director Niels Mueller.

“Stupid is as stupid does,” says Forrest Gump (played by Tom Hanks in an Oscar-winning performance) as he discusses his relative level of intelligence with a stranger while waiting for a bus. Despite his sub-normal IQ, Gump leads a truly charmed life, with a ringside seat for many of the most memorable events of the second half of the 20th century. Entirely without trying, Forrest teaches Elvis Presley to dance, becomes a football star, meets John F. Kennedy, serves with honor in Vietnam, meets Lyndon Johnson, speaks at an anti-war rally at the Washington Monument, hangs out with the Yippies, defeats the Chinese national team in table tennis, meets Richard Nixon, discovers the break-in at the Watergate, opens a profitable shrimping business, becomes an original investor in Apple Computers, and decides to run back and forth across the country for several years. Meanwhile, as the remarkable parade of his life goes by, Forrest never forgets Jenny (Robin Wright Penn), the girl he loved as a boy, who makes her own journey through the turbulence of the 1960s and 1970s that is far more troubled than the path Forrest happens upon. Featured alongside Tom Hanks are Sally Field as Forrest’s mother; Gary Sinise as his commanding officer in Vietnam; Mykelti Williamson as his ill-fated Army buddy who is familiar with every recipe that involves shrimp; and the special effects artists whose digital magic place Forrest amidst a remarkable array of historical events and people.

Robert Redford directed this adaptation of a novel by Steven Pressfield that uses golf as a metaphor for one man’s spiritual and philosophical journeys. Rannulph Junuh (Matt Damon) was a gifted amateur golfer from Savannah, GA, until traumatic experiences during World War I shattered his confidence and sent him into a spiral of alcoholism. In 1931, Adele Invergordon (Charlize Theron), a beautiful heiress who once loved Junuh, inherits a spectacular but financially ailing golf course after the suicide of her father. To attract customers, she proposed a high-stakes match between the two most famous golfers of the day, Bobby Jones (Joel Gretsch) and Walter Hagen (Bruce McGill). Local businessmen sponsoring the match insist that a local golfer be added to the card, and Junuh is drafted for the position, but it soon becomes obvious that his game is just a shadow of its former glory. When things seem hopeless, a mysterious gentleman named Bagger Vance (Will Smith) volunteers to serve as Junuh’s caddy and coach, using a mixture of ancient wisdom and past-life knowledge to help Junah “remember” the swing he’s lost. Jack Lemmon narrates the story, and J. Michael Moncrief plays Lemmon’s character as a boy.