Bovie Movie

The made-for-cable musical satire Reefer Madness is based on the award-winning play of the same name, which in turn was inspired by the notorious — and deliciously awful — 1936 anti-marijuana film originally titled Tell Your Children. A smarmy lecturer (Alan Cumming in the first of his three roles in the film) arrives in a typical small town of the late ’30s to warn the populace of the dangers of the “evil weed,” bringing along a lurid propaganda film to dramatize his message. In broad, unsubtle, and hilarious strokes, the movie-within-a-movie shows how even a squeaky-clean pair of highschoolers named Mary Lane (Kristen Bell) and Jimmy Harper (Christian Campbell) can become hopeless dope addicts by succumbing to the lure of marijuana. Reefer Madness is not only a savage skewering of the original black-and-white movie (some of the musical’s campiest lines are taken directly from the earlier script!), but also a devastating attack on what playwrights Kevin Murphy and Dan Studney consider to be the real reason that the 1936 movie was made: to frighten the public out of their wits in order to keep them under the thumb of an oppressive government. Thus, the musical manages to take a number of not-so-veiled swipes at xenophobia, racism, McCarthyism, the Bush Administration’s Homeland Security policy, and even the recent FCC clampdown on “offensive” TV fare (one of the film’s highlights is a garish nightclub number featuring Jesus Christ). The ebulliently staged songs include “The Stuff,” “Down at the Ol’ Five and Dime,” “Lonely Pew,” “Listen to Jesus Jimmy,” “Mary Jane/Mary Lane,” “The Brownie Song,” “Tell ‘Em the Truth,” and the title number. Officially titled Reefer Madness: The Movie Musical, this film first aired April 16, 2005, on the Showtime cable service.

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he’s transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes — as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien.

John Waters does a quirky spin on ’50s nostalgia in Cry-Baby, his musical homage to Rebel Without a Cause and Romeo and Juliet. Set in Baltimore in 1954 at the birth of rock & roll, the film features Johnny Depp as Wade “Cry-Baby” Walker. Depp is pure charisma as a juvenile delinquent with a permanent tear slithering down his cheek, a reminder of his state-executed parents. In the depths of his despair appears goody-goody girl Allison (Amy Locane), who has a sexual crush on Cry-Baby. But Allison’s Pat Boone-like boyfriend, Baldwin (Stephen E. Miller), the leader of the squares, is dead set against Cry-Baby and the rest of the juvenile delinquents and leads a revolt against them. In the resultant riot, the juvenile delinquents are blamed for the chaos, and Cry-Baby finds himself dispatched to reform school.

After the blockbuster success of Pirates of the Caribbean, another Disney theme park ride is adapted for the big screen in this family-friendly mix of comedy and chills. Jim Evers (Eddie Murphy) is a real estate agent whose latest project is to find a buyer for a huge but dilapidated old house in New Orleans. However, when Evers visits the property with his family, he discovers it’s already inhabited by 999 ghosts, none of whom are interested in sharing the space. As the spirits make their displeasure known, Evers and his family try to shoo them away with the help of an eccentric medium named Madame Leota (Jennifer Tilly). The Haunted Mansion also stars Terence Stamp, Don Knotts, and Wallace Shawn.

This was the third follow-up to Tim Burton’s Batman (1989), the original revisionist look at the Gotham City legend, as well as the second in the Batman series directed by Joel Schumacher and the first featuring George Clooney as the Caped Crusader; it features not one but two super-villains, and a new heroine to fight crime alongside Bruce Wayne (aka Batman) and Dick Grayson (aka Robin) (Chris O’Donnell). The experiments of Dr. Victor Fries (Arnold Schwarzenegger) to preserve his late wife cryogenically have gone horribly wrong, turning him into the evil genius Mr. Freeze, who must keep his body at sub-zero temperature in order to say alive — and he wants to put Gotham City on ice. Shy horticulturist Pamela Isley (Uma Thurman) goes a bit wild with a Venus Fly Trap-like creation she’s been working on and mutates into Poison Ivy, who wants to kill all the people on Earth so plants can take over. Can Batman and Robin stop these fiends before their plans go too far? Meanwhile, Bruce and Dick’s faithful butler Alfred (Michael Gough) isn’t feeling well, so his niece Barbara (Alicia Silverstone) comes to pay a visit. When Barbara finds out what her uncle’s employers do in their spare time, she decides she wants in on the action, and she joins the crime fighting twosome as Batgirl. Batman & Robin also features Jesse Ventura in a small role as a prison guard; it would be his last film role before becoming Governor of Minnesota in 1998.

In 1962, Calvin Webber (Christopher Walken) was a brilliant but somewhat paranoid scientist living with his Donna Reed-esque wife, Helen (Sissy Spacek), in Los Angeles. In the midst of the Cuban Missile Crisis, a plane crashed into the Webber’s yard. Mistaking the blast for “the big one,” the Webbers moved into their elaborate bomb shelter to wait out the half-life of radioactive fallout. In the shelter, now a sort of time capsule, Calvin and Helen conceived and raised their son Adam (played as an adult by Brendan Fraser). For 35 years, Adam was raised on Jackie Gleason, Perry Como, and stories about life on the surface. Calvin taught his son about science, baseball, and communists while Mom taught Adam about dancing, good manners, and charming young ladies. Just in time, too, as Adam is sent to the surface to gather supplies and find a wife, preferably a nice, non-mutant girl from Pasadena with which to repopulate the world. Once this “fish out of water” story is set up, the fish, Adam, is set adrift in a sea of supermarkets and adult bookstores, but is soon caught by Eve Rustikov (Alicia Silverstone). Completely lost above ground, Adam enlists Eve’s help to navigate his new world and find the supplies on his list. The literally sheltered Adam falls for this bitter, cynical, street-smart woman who grew up in a bleak Los Angeles with little use for love. Living with her gay roommate, Troy (Dave Foley), Eve has had her hopes chipped away by a long line of dead-end jobs and loser boyfriends. When the throwback Adam enters her life with his sunny disposition, seersucker jacket, and joy at seeing the sky, she can’t help but fall in love.

The horny teen heroes of American Pie (1999) return for further raunchy antics in this comedy sequel written by the first film’s creator, Adam Herz. Returning home following their freshman year of college, old friends Jim (Jason Biggs), Kevin (Thomas Ian Nicholas), Oz (Chris Klein), Finch (Eddie Kaye Thomas), and Stifler (Seann William Scott) rent a summer house on Lake Michigan where they hope to score romantically. However, complications ensue due to Jim’s relative lack of experience, requiring an interlude with a fellow student and a visit to his old friend Michelle (Alyson Hanigan), who’s now a band camp counselor, all in preparation for the return of Nadia (Shannon Elizabeth). In the meantime, Oz is separated from Heather (Mena Suvari) by a trip abroad, Finch has another encounter with Stifler’s mom (Jennifer Coolidge), and Jim’s dad (Eugene Levy) is as clueless as ever about his son’s love life. Director J.B. Rogers served as first assistant director on the first film and made his directorial debut with Say It Isn’t So (2001).