Bovie Movie

This movie takes a big-budget, special-effects-filled look at what the world would look like if the greenhouse effect and global warming continued at such levels that they resulted in worldwide catastrophe and disaster, including multiple hurricanes, tornadoes, tidal waves, floods and the beginning of the next Ice Age. At the center of the story is a paleoclimatologist (a scientist who studies the ways weather patterns changed in the past), Professor Jack Hall (Quaid), who tries to save the world from the effects of global warming while also trying to get to his son, Sam (Gyllenhaal), who was in New York City as part of a scholastic competition, when the city was overwhelmed by the chilling beginnings of the new Ice Age. In addition to all of the other challenges Dr. Hall faces, he’s also going against the flow as humanity races south to warmer climes, and he’s nearly the only one going north…

Russian mobster Terek Murad has declared open season on the Russian militia and the FBI over the shooting of his brother in a Moscow nightclub. He hires the Jackal, a nasty assassin whom nobody has even seen, to kill the Director of the FBI. With nowhere else to turn (except a woman who used to work with the Basque separatists, who is now in the USA but whose exact whereabouts in unknown to all save Mulqueen), FBI Deputy Director Carter Preston (who was present at the Moscow shooting) and Major Valentina Koslova of the Russian milita (who pulled the trigger in that shooting) enlist the reluctant services of Declan Mulqueen, an imprisoned IRA sniper, to track the Jackal down, for Declan is the only other person who can positively identify the Jackal.

On a road trip from their small hometown to Toronto, two best friends begin to learn the truth about one another, and finally prepare to enter adulthood. Alex (Nigel Smith) is a straight, quiet young man in search of love, while Mark (Michael Majeski) is gay, charismatic, and struggling in his committed partnership. Together, the pair travels across Canada, exploring the countryside and mapping out their future.

The wealthy stock dealer bequeaths his Montana farm to the three daughters provided they would live there together at least for a year.

Matt Hastings’ science-fiction film Decoys concerns a freshman at college who discovers a pair of beautiful, sexually aggressive female students who are actually aliens sent to engage in sex with humans before they move in and overtake the human race. The young man takes it upon himself to save the world.

Booted from the hoosegow just days before the eagerly anticipated guards-versus-inmates ball hockey championship, Ricky (Rob Wells), Julian (John Paul Tremblay), and Bubbles (Mike Smith) hatch a plan to pull off the biggest heist of their criminal career as Sunnyvale Trailer Park’s most incompetent criminals make their way to the big screen. Christened “The Big Dirty,” the trio’s ambitious plan to steal large quantities of untraceable change soon hits a hitch when sidetracked Ricky prepares to make the ultimate commitment to longtime girlfriend Lucy and Julian crosses her new boss with disastrous results. It seems that in addition to having her bust-size upgraded while the trio was incarcerated, Lucy also landed a job working at the nearby Gentleman’s Club. When Julian goes to the club and falls for shapely dancer Wanda, temperamental proprietor Sonny quickly loses his cool. With the day of the Big Dirty fast approaching, the boys do their best to train hair-brained criminal assistants Cory and Trevor in the fine art of the heist. Of course anyone who knows he Trailer Park Boys knows well that even their most foolproof plans have a way of springing a leak, and somewhere between the helicopter chase, the shootout, and the booze-soaked game of Sunnyvale Chicken waged against trailer park supervisor Mr. Lahey and his cheeseburger-chomping assistant Randy everything seems to just fall apart.

Laura Prepon and Misha Collins star as the murderous pair whose deplorable crimes sent shock waves of terror rippling across Canada in director Joel Bender’s unflinching look at the crimes of Paul Bernardo and Karla Homolka. On the surface Bernardo (Collins) and Homolka (Prepon) were your average everyday Canadian couple; they had a nice house in the suburbs, a dog, lots of friends, and a bright future ahead of them. As Paul is singled out as the prime suspect in a series of particularly vicious rapes and Karla’s sister dies under mysterious circumstances, however, a horrifying truth begins to emerge that will lead the pair down a particularly dark path. Could it be that the manipulative murderer used fear and intimidation to keep his wife silent about the reprehensible atrocities he so casually committed without guilt or remorse, or was Karla Homolka in fact an equal partner who simply used her sociopathic power of manipulation to convince authorities that she truly believed she was in mortal danger all along?

An American woman discovers that Paris truly is the city of love — though not in the manner she expected — in this romantic comedy. Kate (Meg Ryan) is desperately afraid of flying, so when her fianc?e Charlie (Timothy Hutton) flies to Paris on business, she must stay behind. Kate has been having second thoughts about her impending marriage, but that changes when Charlie calls her to say that the engagement is off — he’s met a beautiful French woman named Juliette (Susan Anbeh), and he’s fallen in love. Determined to win Charlie back, Kate confronts her fears and hops on board the next flight to Paris, where she finds herself seated next to Luc Teyssier (Kevin Kline), a French thief who stashes some valuable jewelry in her baggage hoping to avoid capture. While Luc simply wants to get his jewels back, he pretends to be willing to help Kate find Charlie and win him back in order to keep her luggage out of harm’s way, but to his surprise (as well as Kate’s), the two become infatuated as they make their way through the City of Lights. Leading lady Meg Ryan also served as co-producer for this film.

When a crime is committed on the border of Quebec and Ontario, everyone is forced to come together, whether they want to or not. As the investigation gets underway, we meet David Bouchard and Martin Ward, members of their respective provincial police forces who are forced to work together. The two men couldn’t be more different. In fact, the only thing they appear to have in common is that they are both cops, albeit cops with totally different styles.

Leila (’Lauren Lee Smith’ (qv)) is a sexually voracious young woman who connects with men through brief physical encounters. One night at a crowded house party, Leila meets David (’Eric Balfour’ (qv)) and its lust at first sight. Later, as she has casual sex with a stranger just behind the house, David and his girlfriend mirror her actions in their car. Leila and David’s eyes lock as they watch each other having sex with others, a courtship ritual that initiates their own sexual affair. Seduction is easy and very satisfying. Leila and David get to know each other — which means being intimate — in bed, at the park, on the roof, everywhere. For them, and for other members of their generation, sex is a form of communication. But Leila starts to realize that her attachment to David is different from anything she’s experienced before, and David is just as serious about her. For the first time, they experience needs and desires that go beyond the physical. It is an emotional connection they crave. Afraid of the feelings they have unleashed in each other, they retreat to the safety of their former lives. Real life, and the messiness of emotional attachments, have punctured their sexual and romantic bubble and threaten to keep the lovers apart. David’s father dies after a long illness and he turns to his ex-girlfriend for support. Leila, meanwhile, is distracted by her parents’ looming divorce. Leila and David are trapped between two worlds. Anonymous sex, or sex without context, is losing its appeal. But a conventional approach to commitment - marriage and the seemingly inevitable divorce that follows, as evidenced by Leila’s parents — is not the answer. They set out to find a way to build lust and love, spontaneity and substance, into a new life together.