Bovie Movie

Just before their wedding, Elizabeth Swann and Will Turner are arrested by Lord Cutler Beckett for helping the pirate Captain Jack Sparrow, but Cutler proposes a deal to Will: their freedom per Jack’s compass. Meanwhile, Jack is afraid of the sea, because he owes his soul to the evil Davy Jones, the Captain of the Flying Dutchmen. When Will meets Jack, the pirate proposes to exchange his compass by a key owned by Davy Jones. Will goes to the Flying Dutchman without knowing how dangerous and diabolic Davy Jones and his crew are.

The late cinema historian William K. Everson once wrote an article titled “Movies Out of Thin Air”, referring to films that were comprised almost exclusively of stock footage from earlier productions. A prime example of this sort of patchwork entertainment is the 1939 Paramount production Geronimo, which though advertised and distributed as an “A” picture was largely and economically cobbled together from existing film vignettes. Essentially a western remake of Lives of a Bengal Lancer (1935), the film concentrates on the rocky relationship between crusty Cavalry general Steele (Ralph Morgan) and his shavetail lieutenant son (Richard Cromwell). The boy is taken under the wing of kindly Captain Starrett (Preston Foster), who is also occupied with bringing renegade Indian warrior Geronimo (played by Native American actor Chief Thundercloud, unbilled despite his title-character status) to justice. The fly in the ointment is treacherous gunrunner Gillespie (delightfully played as a snivelling coward by Gene Lockhart) who for a price agrees to help Geronimo decimate the local white population. Nominal heroine Ellen Drew has one of the least demanding assignments in movie history, spending two-thirds of the film in a coma after being injured in a stagecoach accident! Among the previous Paramount epics represented in Geronimo via stock footage are Frank Lloyd’s Wells Fargo and Cecil B. DeMille’s The Plainsman.

Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the “career” of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale….In short, all of Munchausen’s fabulous lies are here presented as “truth,” played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli’s Venus and an extended unbilled cameo by Robin Williams — that is, by the head of Robin Williams — as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette.

Director Peter Weir’s first turn behind the camera since 1998’s critically acclaimed The Truman Show, Master and Commander: The Far Side of the World is based on two Napoleanic War-era adventure novels in author Patrick O’Brian’s Aubrey/Maturin series, Master and Commander and The Far Side of the World. Russell Crowe stars as Captain Jack Aubrey, a high-seas adventurer who maintains a strong bond with ship-surgeon Stephen Maturin (Paul Bettany). After conquering much of Europe already, Napoleon’s forces have set their sights on taking Britain, so Aubrey and the crew of his ship, the HMS Surprise, take to the Pacific to intercept any attacking ships from the French fleet. When Aubrey eyes a renegade French super-frigate, the Surprise pursues, leading to an adrenaline-charged chase through the distant reaches of the sea. Edward Woodall, James D’Arcy, and Lee Ingleby also star as members of the Surprise’s crew.

Geena Davis stars in this adventure saga as the most swashbuckling female pirate to ever lay waste to the seven seas. Morgan Adams (Davis) is the daughter of a pirate who has followed in her father’s footsteps. When he dies, he passes along his ship, a crew of bandits, and one third of a treasure map (which happens to be tattooed on his skull). Morgan is eager to search out the rest of the map and retrieve the riches, but the fragment she holds is in Latin. Morgan then buys a well-educated slave, William Shaw (Matthew Modine), who can read the ancient language and already has a taste for the criminal life. However, Morgan and William are not long into their search when they discover that someone else is following the same trail for the rest of the treasure map: Dawg Brown (Frank Langella), Morgan’s uncle and as black-hearted a scurvy dog as ever boarded a ship. As Morgan and Dawg battle each other over the fragments of the map, a British journalist (Maury Chaykin) covers their feud for the penny press. William Shaw was originally to have been played by Michael Douglas, who dropped out in the early stages of this troubled production.

Matthew McConaughey stars as explorer and adventurer Dirk Pitt in this adaptation of the best-selling novel by Clive Cussler. Pitt thinks he may have found both a fortune and the answer to a long-standing mystery when he discovers a rare coin in the waters of a river in West Africa. During the Civil War, an ironclad battleship with a valuable cargo went missing, and Pitt’s theory is that the coin places the ship somewhere in the Sahara Desert. Pitt and his goofy sidekick, Al Giordino (Steve Zahn), set out to find it, but along the way they make the acquaintance of Dr. Eva Rojas (Pen?lope Cruz), a scientist and physician who is trying to determine the source of a strange and deadly disease sweeping the nation. As Eva joins Dirk and Al, they begin to wonder if the mysteries they’re trying to uncover might be somehow linked. Sahara was only the second of Cussler’s Dirk Pitt adventures to be adapted for the screen; the first, 1980’s Raise the Titanic, was publicly dismissed by the author.

The movie combines a diverting story, songs, color and sequences of live action blended with the movements of animated figures. Mary Poppins is a kind of Super-nanny who flies in with her umbrella in response to the request of the Banks children and proceeds to put things right with the aid of her rather extraordinary magical powers before flying off again.

A lonely man’s search for companionship soon takes him to dangerous and unexpected places in this erotically charged drama. Luis Antonio Vargas (Antonio Banderas) is a successful coffee salesman living in Cuba in the 1880s. Luis has had little luck finding love among the women of his native island, and he sends away to America for a mail-order bride. To his pleasant surprise, his fianc?e from the United States, Julia Russell (Angelina Jolie), turns out to be not only beautiful but passionate and devoted. But Luis’ happiness proves to be short-lived when he learns that Julia is not the person he imagined her to be, and detective Walter Downs (Thomas Jane) appears, trying to get to the bottom of Julia’s mysterious past and possibly deadly secrets. Original Sin is based on the novel Waltz Into Darkness by Cornell Woolrich, which Francois Truffaut previously adapted for the screen as La Sirene du Mississippi.

The guns of Navarone are huge Nazi cannons, installed on an Aegean island behind enemy lines. Anthony Quayle is the officer assigned by the British to lead a task force to put the guns out of commission. When Quayle is injured, the mission winds up in the relatively inexperienced hands of Gregory Peck. There’s little love lost between Peck, explosives expert David Niven and Greek patriot Anthony Quinn, especially when it becomes known that there’s a traitor in their midst. Resistance leader Irene Papas weeds out the traitor, but there’s still those guns to take care of. Filmed on location in Rhodes and distinguished by Oscar-winning special effects, Guns of Navarone (based on Alistair MacLean’s best-seller was a major box-office hit of 1961; less successful was the pared-down 1977 sequel, Force Ten From Navarone.

Re-teaming Dennis Quaid with John Lee Hancock, the director of 2002’s The Rookie, The Alamo retells the story of the historic 1836 battle in the Texan War of Independence. Facing 4,000 Mexican troops, 186 Texan soldiers and volunteers — including William Travis (Patrick Wilson), Davy Crockett (Billy Bob Thornton), and Jim Bowie (Jason Patric) — retreat within the walls of the Alamo, a Franciscan mission that was converted into a military fort. Once inside, the men prepare themselves for what will be a bloody battle to the death, as General Sam Houston (Quaid) leads the charge from the outside. Emilio Echevarria and Jordi Molla co-star.