Bovie Movie

Jonathan Demme directed this updated remake of John Frankenheimer’s 1962 cult favorite The Manchurian Candidate, a pioneering examination of political conspiracy and psychological reconditioning. Major Bennett Marco (Denzel Washington) and Sergeant Raymond Shaw (Liev Schreiber) are two soldiers who served in the same company during Operation Desert Storm, but their paths following their tours of duty have been very different. Shaw, the son of powerful congresswoman Eleanor Shaw (Meryl Streep), has used his reputation as a war hero to quickly scale the ladder of American politics, and with the help of his mother earns the Vice Presidential nomination. Marco, on the other hand, has been troubled with mental illness, and is convinced that something strange happened to him and his compatriots during the war. As Marco struggles to find the truth behind his nightmares and emotional torment, he unearths some disturbing facts about how his mind and body have been reworked by shadowy forces, as well as those of his fellow soldiers — including Raymond Shaw. Featuring a stellar supporting cast (including Jon Voight, Miguel Ferrer, Ted Levine, and Dean Stockwell), The Manchurian Candidate credits George Axelrod’s screenplay for the 1962 film as its source, as opposed to Richard Condon’s 1959 novel from which Axelrod adapted his script.

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch’s Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman’s lover (Gabriel Byrne), also Dickinson’s son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake’s guide in his protracted passage into the spirit world.

The legendary high jacker is actually Dan Cooper. DB Cooper is the name of the man arrested shortly after the real high jacker jumped from the plane but was quickly cleared by the authorities. Unfortunately, the newspapers picked up DB Cooper’s name instead of Dan Cooper and the name stuck.

Based on the novel of the same name by Maori writer Witi Ihimaera, Whale Rider is a unique family drama directed Niki Caro. On the eastern coast of New Zealand, the Whangara people believe their ancestor Paikea was saved from drowning by riding home on the back of a whale. The tribal group has since granted leadership positions to the first-born males, believing them to be descendants of Paikea. This tradition is challenged when a young mother dies in childbirth along with her newborn male son. His twin sister manages to survive and the father (Cliff Curtis) runs off, overwhelmed with grief. The little girl, Pai (Keisha Castle-Hughes), is brought up by stubborn grandfather Koro (Rawiri Paratene) and gentle grandmother Nanny (Vicky Haughton). Koro, the chief of their tribe, is disappointed because Pai’s twin brother was supposed to be the next leader. Trying to find the proper successor, he attempts to organize a leadership group amongst the local boys while Pai enlists the help of her has-been uncle Rawiri (Grant Roa) to teach herself the art of chiefdom. She appears to possess a natural leadership ability and adventurous spirit that draws her to the proliferation of her faltering tribe. Whale Rider premiered at the 2002 Toronto International Film Festival and won the World Cinema Audience Award.

In 1936, the expatriated young and naive just-graduated British John Truscott (Hugh Dancy) arrives to the Sarawak, a British colony, to work in the Iban society. The beautiful Selima (Jessica Alba) is assigned to be his “sleeping dictionary”, to live and sleep with him and teach him the language and habits of the locals. The reluctant John and Selima fall in love for each other in a forbidden romance.

In a change-of-pace role designed to prove that she could carry high-concept genre films as well as character-driven dramas, Meryl Streep headlined this fast-paced adventure as Gail, a whitewater rafting guide. For a vacation, Gail is accompanying her son Roarke (Joseph Mazzello) and workaholic husband Tom (David Strathairn) on a river trip. Gail and Tom are experiencing marital troubles and contemplating divorce, but their problems take a back seat when they encounter some menacing rafters led by Wade (Kevin Bacon). After Tom saves Wade from drowning, they discover that the men are murderous fugitives using the river as an escape route. Kidnapped by the killers, Gail’s forced to leave her husband stranded on shore and guide the villains through the “Gauntlet,” a raging confluence of rivers that few rafters ever survive. Meanwhile, Tom proves to be wilier than anyone suspected, following the raft on foot and plotting his family’s rescue. Following a quartet of popular B-grade thrillers, director Curtis Hanson attempted to break partially out of the genre with The River Wild, which, despite the presence of a psycho killer, played as more a stunt-filled action movie than a murder mystery.

The film deals with the situation of British prisoners of war during World War II who are ordered to build a bridge to accommodate the Burma-Siam railway. Their instinct is to sabotage the bridge but, under the leadership of Colonel Nicholson (Alec Guinness), they are persuaded that the bridge should be constructed as a symbol of British morale, spirit and dignity in adverse circumstances. At first, the prisoners admire Nicholson when he bravely endures torture rather than compromise his principles for the benefit of the Japanese commandant Saito (Sessue Hayakawa). He is an honorable but arrogant man, who is slowly revealed to be a deluded obsessive. He convinces himself that the bridge is a monument to British character, but actually is a monument to himself, and his insistence on its construction becomes a subtle form of collaboration with the enemy. Unknown to him, the Allies have sent a mission into the jungle, led by Warden (Jack Hawkins) and an American, Shears (William Holden), to blow up the bridge.

Director Michael Mann based this lushly romantic version of the James Fenimore Cooper novel more on his memory of the 1936 film version (starring Randolph Scott) than on Cooper’s novel (in fact, Philip Dunne’s 1936 screenplay is cited as source material for this film). Set in the 1750s during the French and Indian War, the story concerns Hawkeye (Daniel Day-Lewis), the European-born adopted son of Mohican scout Chingachgook (Russell Means). Hawkeye and his party, which also includes the Mohican Uncas (Eric Schweig), joins up with a group of Britons who have recently arrived in the Colonies. The group consists of Cora Munro (Madeleine Stowe) and her younger sister, Alice (Jodhi May), who are rescued from a Huron war party by Hawkeye. Hawkeye’s band accompanies them to the British Fort William Henry, which is being besieged by a French and Huron force. The fort falls to the French, and Colonel Munro (Maurice Roeves) surrenders to French General Montcalm (Patrice Chéreau). The terms of the surrender are that the British merely abandon the fort and return to their homes. However, the French’s bloodthirsty ally, the Huron warrior Magua (Wes Studi), has made no such agreement, and, as the British retreat from the fort, he plans to massacre them in a terrible Huron attack.

Featuring a majestic score by Ennio Morricone and lush Oscar-winning cinematography by Chris Menges, Roland Joff?’s The Mission examines the events surrounding the Treaty of Madrid in 1750, when Spain ceded part of South America to Portugal, and turns this episode into an allegory for the mid-’80s struggles of Latin America. Two European forces are on hand to win the South American natives over to imperialist ways. The plunderers want to extract riches and slaves from the New World. The missionaries, on the other hand, want to convert the Indians to Christianity and win over their souls. Mendoza (Robert De Niro) is an exploiter dabbling in the slave trade. But after he kills his brother Felipe (Aidan Quinn) in a fit of rage, he seeks redemption and calls upon the missionaries to assist him. After repeatedly climbing a cliff with a heavy weight as penance, Mendoza finds redemption and becomes a devout missionary at a settlement run by Gabriel (Jeremy Irons). The missionaries want to promote a new society in which the natives will live together in peace with the Spanish and the Portuguese. But this concept frightens the royal governors, who would rather enslave the natives than encourage peaceful coexistence between the Europeans and the Indians. They order the mission to be burned to the ground. But this event causes a rift between Gabriel, who wants to pray and pursue peaceful resistance, and Mendoza, who wants to take up arms and fight the Europeans.

Billionaire Charles Morse (Anthony Hopkins) accompanies his much-younger wife Mickey (Elle Macpherson) and a fashion photography team headed by Bob Green (Alec Baldwin) to a remote lodge in Alaska. Charles is a quiet, introspective man, fond of accumulating trivia and other facts in his encyclopedic mind; he is also troubled with the idea that Bob and Mickey may be lovers. Even though he suspects the younger man plans to kill him, Charles goes with Bob and his assistant Stephen (Harold Perrineau) on an airplane trip to find a photogenic friend (Gordon Tootoosis) of the lodge owner (L.Q. Jones), but the plane crashes in a lake, killing the pilot. The crash is miles from their planned path, so they can’t expect to be spotted by an aerial search; there’s only one chance: they have to walk to a more likely spot.Though Robert and Stephan are more physically fit, Charles’ calm wit and ingenuity proves the key to their survival, especially after a ferocious bear brutally kills Stephen. Robert and Charles’ odyssey becomes more urgent when they discover that the bear is now stalking them.