Bovie Movie

Self-made billionaire Thomas Crown is bored of being able to buy everything he desires. Being irresistible to women, he also does not feel any challenge in that area. But there are a few things even he can’t get, therefore Thomas Crown has a seldom hobby: He steals priceless masterpieces of Art. After the theft of a famous painting from Claude Monet, the only person suspecting Thomas Crown is Catherine Banning. Her job is to get the picture back, no matter how she accomplishes her mission. Unfortunately, Catherine gets involved too deeply with Thomas to keep a professional distance to the case. Fortunately, Thomas seems to fall for her, too.

Like M*A*S*H and Catch-22, both released the same year, this military comedy takes place in an earlier war but is really a thinly disguised treatise on the modern-day insanity and avariciousness then unfolding in Vietnam. Clint Eastwood stars as Kelly, a former lieutenant whose illusions about the glory of war, if he has any, are lost when he is busted in rank for following some poorly considered orders in World War II France. After capturing a friendly German officer, Kelly learns the whereabouts of millions of dollars in gold bars, earmarked to finance a military payroll. Taking advantage of a three-day liberty, Kelly assembles a motley trio of fellow soldiers to help him sneak behind enemy lines and retrieve the booty. They include Big Joe (Telly Savalas), a gruff sergeant; Crapgame (Don Rickles), a supply sergeant already enriching himself as a black marketer and con man; and the hippie-like tank commander Oddball (Donald Sutherland). Since crossing into enemy-held territory means heading in the opposite direction of the retreating Allies, Kelly and his men encounter armed resistance. Receiving word of their campaign, the vain General Colt (Carroll O’Connor) mistakes the quartet of freelancing scam artists for all-American heroes.

A very loose remake of the classic multi-star comedy It’s a Mad Mad Mad Mad World (1963), this madcap comedy is directed by Jerry Zucker, one third of the Zucker-Abrahams-Zucker comedy team and director of Ghost (1990). John Cleese stars as an eccentric casino owner who devises a contest pitting six teams against each other in a race to claim two million dollars from a locker in New Mexico. The competitors are Owen (Cuba Gooding Jr., who ends up driving a bus full of Lucille Ball imitators, a foreigner (Rowan Atkinson) who hitches a ride in an organ donor vehicle, and a recently reunited mother and daughter (Whoopi Goldberg and Lanei Chapman) who anger a “squirrel lady” (Kathy Bates) — much to their regret. There are also two con artist brothers (Seth Green and Vince Vieluf), the upright Nick (Breckin Meyer), who gets a lift from cute but psychotic pilot Tracy (Amy Smart), and the eccentric Pear family, headed up by Jon Lovitz. Rat Race also stars Dave Thomas, Kathy Najimy, Wayne Knight, Dean Cain, and Paul Rodriguez.

Loosely based on Jean-Pierre Melville’s French film noir Bob le Flambeur, this heist film from director Neil Jordan (Interview With the Vampire, The Crying Game) stars Nick Nolte as Bob, an aging American thief living in the French city of Nice. Addicted to both heroin and gambling, Bob is in the midst of an extended personal losing streak when he rescues a new girl in town named Anne (Nutsa Kukhianidze) from her pimp. When the opportunity to steal a fortune in rare paintings from a Monte Carlo casino comes along, Bob hopes for a score big enough to let him retire from his life of crime. His only hindrances are Anne’s man troubles and his nemesis, local police chief Roger (Tch?ky Karyo). The Good Thief also features acting performances by Emir Kusturica (director of Underground and Arizona Dream) and Ralph Fiennes.

The volatile showdown between a determined cop and a perfectionist bank robber is sent spiraling toward disaster when a scheming power broker steps in to take control of the situation in this hair-raising heist flick directed by Spike Lee and starring Denzel Washington, Clive Owen, and Jodie Foster. Dalton Russell (Owen) is a bank robber with a difference. In his quest to execute the perfect heist, Dalton has taken every possible factor into consideration. Dalton’s uncanny ability of staying one step ahead of the law thwarts even-tempered Detective Keith Frazier’s (Washington) best efforts. But there’s another factor at play. The bank president (Christopher Plummer) has requested the services of high-profile negotiator Madeline White (Foster). Despite her commendable track record, Madeline is something of a wild card, and before the day is over, this bank robbery will go down in history as one of the most elaborate heists ever executed.

Alex (Geoff Bell, The Business) masterminds an ambitious plan to steal millions of untraceable cash that is stacked in the underground vaults of The London Exchange Bank, waiting for its last journey, Incineration. Lucky (Vas Blackwood, Lock Stock) Matty (Leo Gregory, Stoned) Terry (Johnny Harris, London to Brighton) Chubby (Paul Nicholls, The Trench) Norman (Justin Salinger, Hitler) and Jay (Robert Boulter, The Long Firm) make up his unlikely gang of robbers. Setting up their alibi, the gang check in for a flight and join in with thousands of England supporters that are part of a mass exodus to The World Cup Tournament in Germany. Instead of passing through to Departure Lounge, the gang head out to the car park, pile into a van and head for Central London where they spectacularly ram raid London Exchange Bank, blocking any exit for those caught up inside. But with an unexpected turn of events, their plan is hampered from the start and they are left with a whole lot more than just a bank robbery to deal with. They have twenty hostages inside and the Police have laid siege to The Bank. There are two and a half hours before their plane leaves, and seventy million pounds in hard cash to steal. A daunting task, even for the most seasoned Blagger!

Three brothers who would argue that crime does pay have a hard time getting their fair share of the proceeds in this witty action thriller from Australia. Dale Twentyman (Guy Pearce) and his brothers, Mal (Damien Richardson) and Shane (Joel Edgerton), are serving time together in prison for robbery. Dale is the brains and the cool head of the group, Mal is the eager-to-please nice guy, and Shane is something of a loose cannon. Dale and his siblings are eager to get out of jail, and their lawyer, Frank Malone (Robert Taylor), has pulled a deal that could pare some time off their sentences, though the arrangement is strictly off the books. Mick Kelly (Vince Colosimo) and Jack O’Riordan (Paul Sonkkila) are a pair of crooked police detectives who have arranged with Malone to give the Twentyman brothers day passes from jail in order to pull bank robberies, with the siblings’ share held in escrow until they’re released. Dale thinks something a bit off in this operation, and his suspicions are confirmed when Malone tells the brothers after they’re granted their early release that they won’t get their money until they pull one last job — an ambitious robbery at a Melbourne race track on the day of the nation’s biggest horse race. Dale is convinced he smells a rat — especially since he has good reason to suspect that Malone is having an affair with his wife, Carol (Rachel Griffiths). The Hard Word marked the directorial debut for writer/director Scott Roberts.

Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won’t allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention — a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world’s greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires — Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) — won’t let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci’s gold-making machine, and destroy the world’s monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks’s pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk.

Hysteria grips California in the wake of the bombing of Pearl harbour as an assorted group of defenders attempt to make the coast defensible against an imagined Japanese invasion in this big budget, big cast comedy. Members of a Japanese submarine crew scout out the madness.

Cinema icon Al Pacino joins a powerhouse cast headed by of George Clooney, Brad Pitt, Matt Damon, Andy Garcia, Don Cheadle, Bernie Mac, and series newcomer Ellen Barkin for this, the third installment of director Steven Soderbergh’s popular series of glitzy crime comedies. The only hotelier in Las Vegas who can claim that each and every one of his establishments has earned the Royal Review Board’s Five Diamond Award, Willy Bank (Pacino) has made more than his share of enemies during his impressive ascent. While most of Bank’s adversaries amount to little more than the occasional nuisance, however, this powerful player is about to find out that picking your enemies in Las Vegas can be a true gamble. In betraying Reuben Tishkoff (Elliott Gould), Bank has finally crossed the one man who could bring his entire empire crumbling to the ground — Danny Ocean (Clooney). Now Reuben is in critical condition, and Ocean is determined to strike back at the man who nearly murdered his mentor. Bank may have taken down one of the original Ocean’s Eleven, but his efforts only managed to unite the remaining ten closer than ever before. As the opening of Bank’s newest casino draws near, Danny and the crew set into motion a bold plan to humiliate the cocksure casino owner and forever tarnish his spotless reputation. It won’t be easy, but if Ocean and his team can get their elaborate plan together in time for the opening of The Bank, they just might be able to deliver some serious Las Vegas justice.