Bovie Movie

A good Samaritan becomes the victim of voodoo spells in this horror story produced by Scream screenwriter Kevin Williamson. When an aged Creole woman is caught in a car wreck in a remote section of Louisiana, Ray (Rick Cramer), the owner of a nearby filling station, speeds to the scene of the accident to help. However, Ray doesn’t know that the woman is a voodoo practitioner whose vehicle holds a case full of magic talismans. The magical spirits lead Ray to an unexpected death, and then they take over his body, turning him into a bloodthirsty monster. As the reanimated Ray makes his way into town, a group of teenagers including Eden (Agnes Bruckner) and Tammy (Bijou Phillips) find themselves running for their lives from the supernatural creature, while Deputy Turner (Method Man) looks for a way to keep the strange menace under control. Venom went into release in the fall of 2005 — only a few weeks after Hurricane Katrina devastated much of the state of Louisiana, making the film seem unfortunately topical.

Adversaries become wary allies in this free-wheeling action comedy. Hank Rafferty (Steve Zahn) is a Los Angeles Police Department officer who finds himself out of a job after he becomes involved in a violent altercation with police academy flunk-out Earl Montgomery (Martin Lawrence), escalating into a media event which brings the LAPD a wealth of bad publicity. Unable to find work, Hank finally takes a job as a “rent-a-cop” with a private security firm — and discovers to his annoyance that his new partner is Earl. While neither of them are thrilled to be working together on the lowest strata of the law enforcement community, the two find themselves dealing with bigger crime than they expected when they stumble across evidence of a elite smuggling network operated by criminal mastermind Nash (Eric Roberts). Hank and Earl want to put Nash out of business, and they try without success to persuade the police of the importance of the case. But before long they discover it’s not just Nash’s men who are after them, but two high-ranking LAPD officials, Lt. Washington (Bill Duke) and Detective McDuff (Colm Feore). National Security was directed by Dennis Dugan, who’d previously helmed antic comedies starring Adam Sandler and Chris Farley; this film also marked Martin Lawrence’s entry into the elite of Hollywood’s comedy stars, with Lawrence taking home a 20-million-dollar paycheck for his work on the picture.

Timothy Dalton is better in Licence to Kill than in his first James Bond endeavor (The Living Daylights), but he still seems uncomfortable on the right side of the law. This time around, Bond is working on his own rather than on behalf of the British Secret Service. His American friend Felix Leiter (David Hedison), an agent of the Drug Enforcement Administration, has been seriously injured by drug dealer Robert Davi, and 007 is out for blood. There is precious little time for the usual Bondian quippery and directorial campiness, resulting in a marked increase in bloodletting (including the “implosion” of secondary villain Anthony Zerbe). A climactic highway chase involving an oil tanker and a helicopter is stretched slightly beyond its value, but is still one of the best action setpieces in any Bond film. Licence to Kill was a refreshingly serious change of pace for the series, albeit one that tended to lessen Bond’s box-office value.