Bovie Movie

Holy jinkies, Batman, just when it seemed superheroes couldn’t get any groovier, you collide with the Mystery Machine gang. Such a pairing might normally yield one wacky crime-fighting power struggle, but in these two capers egos take a back seat to classic you-check-this-out, we’ll-check-that Scooby-Doo splintering. First, bat-plagued pranksters Penguin and the Joker kidnap a hopelessly tongue-tied professor in a scheme to swindle a high-tech flying suit. Then the conniving criminals return as bit players in a counterfeiting ring run out of a way-wacky funhouse. Soar along in the Batmobile or make like a banana and split with Shaggy and Scoob at these crime scenes—either way, it’s a secret-passageway and scary-mask-packed combo even more compelling than the cookies-and-batmilk Scooby snack the pesky kids tuck into during a break in the action.

Bitter and hateful, the Grinch is irritated at the thought of the nearby village having a happy time celebrating Christmas. So disguised as Santa Claus, with his dog made to look like a reindeer, he raids the village to steal all the Christmas things. The village is sure to have a sad Christmas this year.

Peter Farrelly and Bobby Farrelly, the impish impresarios of gross-out comedy, take their body function-inspired humor to new extremes in this mixture of live action and animation. Bill Murray stars as Frank, a zoo worker suffering from the effects of an unknown malady he contracted after eating an egg contaminated with simian saliva. Unknown to Frank, the inside of his body is actually a city (the City of Frank) teeming with cellular life, where the mysterious illness he’s fighting is an invading enemy that must be defeated at all costs. It’s up to Osmosis Jones (voice of Chris Rock), a white blood cell cop, and Drix (voice of David Hyde Pierce), a rookie over-the-counter medication, to hunt down and stop a lethal virus (Laurence Fishburne) who’s got an inferiority complex. Along the way, the partners visit Frank’s runny nostrils (Booger Dam) and a bar called, appropriately enough, the Zit. Osmosis Jones costars Molly Shannon and Chris Elliott, and features the vocal talents of William Shatner, producer Joel Silver, and singer Brandy Norwood.

Robin Hood, Douglas Fairbanks’ biggest (though not necessarily best) production of the silent era, represents the first time that many familiar of the elements of the Robin Hood legend were presented on screen. To bring the project to full fruition, Fairbanks and his wife Mary Pickford purchased the old Jesse Hampton studio in Santa Monica, and on that site constructed a near-lifesized replica of 12th century Nottingham. The humongous castle set was so awesome that Fairbanks became worried that his own performance might be dwarfed. It wasn’t: take our word for it. When first we meet Robin Hood, he is still the Earl of Huntington, preparing to joust with his bitter enemy Sir Guy of Gisbourne (Paul Dickey). Despite Sir Guy’s propensity for cheating, the Earl is victorious. Shortly thereafter, Huntington rides off to the crusades with Richard the Lionhearted (Wallace Beery). Upon learning that Prince John (Sam De Grasse), goaded on by Sir Guy, has usurped his brother Richard’s throne, Huntington returns to Nottingham in a new guise: dashing righter-of-wrongs Robin Hood. While robbing from the rich, giving to the poor, and bedevilling the villains, Robin romances the fetching Maid Marian (Enid Bennett). The film’s singular highlight is Fairbanks’ slide down a two-story tapestry, a bit of bravado accomplished by hiding a playground slide behind the huge cloth. As in all of Fairbanks’ films, Charlie Stevens, a grandson of Geronimo and Doug’s “mascot”, appears in several minor roles. Also appearing is Alan Hale Sr. as Little John, a role he’d repeat in the 1938 Errol Flynn Robin Hood, not to mention the 1950 swashbuckler Rogues of Sherwood Forest. Long thought lost, Douglas Fairbanks in Robin Hood (as the film was so copyrighted) was rediscovered in the early 1960s. Most current prints fail to do justice to Arthur Edeson’s glistening photography; also, some versions are stretch-framed to slow down the action to “normal” speed, a process that retards the marvelously fast pace instilled by star Fairbanks and director Allan Dwan. We recommend that you seek out a good-quality, tinted print of Robin Hood, processed at the slightly faster-than-life speed at which it was originally filmed.

In Robert Zemeckis’s trailblazing combination of animation and live-action, Hollywood’s 1940s cartoon stars are a subjugated minority, living in the ghettolike “Toontown” where their movements are sharply monitored by the human power establishment. The Toons are permitted to perform in a Cotton Club-style nightspot but are forbidden to patronize the joint. One of Toontown’s leading citizens, whacked-out Roger Rabbit, is framed for the murder of human nightclub owner Marvin Acme (Stubby Kaye). Private detective Eddie Valiant (Bob Hoskins), whose prejudice against Toons stems from the time that his brother was killed by a falling cartoon piano, reluctantly agrees to clear Roger of the accusation. Most of the sociopolitical undertones of the original novel were weeded out out of the 1988 film version, with emphasis shifted to its basic “evil land developer” plotline –and, more enjoyably, to a stream of eye-popping special effects. With the combined facilities of animator Richard Williams, Disney, Warner Bros., Steven Spielberg’s Amblin Entertainment, and George Lucas’s Industrial Light and Magic, the film allows us to believe (at least for 90 minutes) that “toons” exist, and that they are capable of interacting with 3-dimensional human beings. Virtually every major cartoon character of the late 1940s shows up, with the exceptions of Felix the Cat and Popeye the Sailor, whose licensees couldn’t come to terms with the producers. Of the film’s newly minted Toons, the most memorable is Roger Rabbit’s curvaceous bride Jessica (voiced, uncredited, by Kathleen Turner). The human element is well-represented by Hoskins, Christopher Lloyd, and Joanna Cassidy; also watch for action-film producer Joel Silver as Roger Rabbit’s Tex Avery-style director.

Actor Bruce Willis and writer/director M. Night Shyamalan reunite after the surprise success of The Sixth Sense for this supernatural thriller. David Dunne (Willis) is taking a train from New York City back home to Philadelphia after a job interview that didn’t go well when his car jumps the tracks and collides with an oncoming engine, with David the only survivor among the 131 passengers on board. Astoundingly, David is not only alive, he hardly seems to have been touched. As David wonders what has happened to him and why he was able to walk away, he encounters a mysterious stranger, Elijah Prince (Samuel L. Jackson), who explains to David that there are a certain number of people who are “unbreakable” — they have remarkable endurance and courage, a predisposition toward dangerous behavior, and feel invincible but also have strange premonitions of terrible events. Is David “unbreakable”? And if he is, what are the physical and psychological ramifications of this knowledge? Unbreakable also stars Robin Wright-Penn as Audrey, David’s wife; the supporting cast includes Spencer Treat Clark and Joey Perillo.

Thorny, Mac, Rabbit, Foster and Farva are Vermont state troopers out to have a good time. Stationed in a remote area near the Canadian border, the troopers, avid pranksters with an affinity for syrup, have a knack for screwing up on the job. But when budget cuts in the town of Spurbury threaten their livelihood and pit them against arch-rival Spurbury P.D., the five friends try to straighten up and fly right. That is, until a dead body is discovered and a possible drug ring is unearthed. The super troopers spring into action attempting to solve the crime, save their jobs, and outdo the local police department.

Bugs Bunny and Daffy Duck are rival book salesmen from Rambling House. They each go their separate ways to sell books to folks, Daffy finds himself encountering Elmer Fudd and Porky Pig. Bugs gets forced by Sultan Yosemite Sam to tell stories to his bratty son, Prince Abba-Dabba. The stories are shown through clips of old Warner Bros. Looney Tunes and Merrie Melodies.

Warner Bros. attempted to revitalize its animation division with this family adventure that blended live action and animation in the style of Who Framed Roger Rabbit (1988), reportedly coming in with a price tag of $100 million. Basketball legend Michael Jordan stars as himself, a retired sports hero trying his hand at baseball and failing miserably. Meanwhile, the Looney Tunes gang, led by Bugs Bunny, are kidnapped by aliens called the Nerdlucks. It seems that the Nerdlucks’ theme park, Moron Mountain (a barely-veiled dig at Disney) is failing to attract customers. The space invaders are convinced that the appearance of Bugs and his pals Porky Pig and Speedy Gonzalez will beef up business. Bugs makes his captors a deal — they’ll play a game of basketball for their freedom. When the Nerdlucks stack the deck by pilfering the talent of NBA superstars Charles Barkley and Patrick Ewing, the Warner Bros. heroes enlist the aid of Jordan, who returns to the court to help the classic characters. While he prepares to play, Jordan is aided by fellow celebrity Bill Murray. Director Joe Pytka previously created many of the television commercials that featured Jordan as a paid endorser.