Bovie Movie

Jerry, Bill, Mary, and Denise are two couples out on the road in hopes of writing a book on offbeat roadside attractions. When the four meet Captain Spaulding, they learn of the legend of Dr. Satan. When the four take off in search of finding the tree that Dr. Satan was hung from, they pick up hitchhiker Baby. When their car breaks down, Baby invites them into her house. This is where the two couples meet the Firefly family, a murderous clan of bizarre people. As the family attacks the unsuspecting couples, Jerry and his friends try to survive the house of 1000 corpses and it’s dark secrets.

Director Oliver Stone once again offers a powerful and provocative story based on real-life events in this drama. Sergeant John McLoughlin (Nicolas Cage) and William J. Jimeno (Michael Pena) were two officers assigned to New York City’s Port Authority who were working their beats on a quiet day in early fall when they received an emergency call. The day was September 11, 2001, and McLoughlin and Jimeno were among the policemen who attempted to evacuate the World Trade Center towers after they were struck by airliners piloted by terrorists. Both McLoughlin and Jimeno were inside the fifth building of the World Trade Center when the towers fell, and were two of the last people found alive amidst the wreckage. As McLoughlin and Jimeno struggled to hold on to their lives as rescuers sifted through the rubble, their spouses — Donna McLoughlin (Maria Bello) and Allison Jimeno (Maggie Gyllenhaal) — clung to the desperate hope that their husbands would survive and be found. As the McLoughlin and Jimeno families waited for word on the fate of the two men, they watched as a city and a nation came together with strength and compassion in the face of a tragedy. World Trade Center was based on the true story of John McLoughlin and William J. Jimeno, both of whom cooperated with producers in the making of this film. Producer Debra Hill died during production - hence the posthumous credit.

Manny (Ray Romano), Sid (John Leguizamo), and Diego (Denis Leary) may have made it through the big freeze, but when the ice begins to melt, the heroic trio must warn the other inhabitants of their peaceful valley of the coming flood in directors Chris Wedge and Carlos Saldanha’s sequel to the computer-animated 2002 hit Ice Age. As the ice age winds to an end, the animals of the Earth have taken warmly to the melting paradise that surrounds them. Despite the false comfort of a lush valley teeming with vegetation, however, great danger looms just over the horizon. When Manny, Sid, and Diego realize that the miles of liquefying ice overlooking their valley will soon turn from a gentle trickle to a violent force of nature capable of destroying anything and everything unfortunate enough to be in its path, they quickly set out to spread the word and get their endangered friends out of harm’s way.

Once upon a time, pursuing wolves frighten horses drawing a carriage, and it tumbles down a hill. Dying, the pregnant woman inside orders her grieving husband Frederick (Sam Neill) to cut the baby from her womb, so that at least it might live. Years later, the infant is now headstrong young Lilli (Taryn Davis), who is resentful of her father’s upcoming marriage to Claudia (Sigourney Weaver). Claudia is devoted to the memory of her own mother and installs a magic mirror that belonged to her in a wardrobe in her private room. More time passes; Lilli is now an adult, but her relationship with the now-pregnant Claudia has never improved, though Claudia has never done her any ill. Claudia loses her baby, and on the same night, gazes into her mother’s mirror, which shows her an image of herself young and beautiful. She determines to rid herself of Lilli. Lilli is walking near the forest when Claudia’s mute brother Gustav (Miroslav Taborski) draws a knife and chases the frightened young woman into the forest. She evades him, so he kills a pig and takes the heart to a delighted Claudia, who believes it to be Lilli’s heart. She has Gustav put the heart in a stew cooking in the kitchen, and that night as she dines with Frederick, Lilli eats the stew with great pleasure. Later, Frederick and some men search for Lilli in the rainy forest.

Lilli takes refuge from wolves in a ruined castle, where she’s confronted by seven vagabonds who’ve banned together to seek a lost gold mind. Will (Gil Bellows), scarred during the Crusades, is around Lilli’s own age and resents her presence, but the older Lars (Brian Glover) is friendlier to her. The mirror tells Claudia that Lilli is still alive, so in the forest where Claudia keeps a shrine to her dead baby, she casts a spell designed to kill her stepdaughter. Lilli, helping the men in their mine, is almost smothered in a cave-in; she’s rescued, but one of the men dies. The mirror again tells Claudia that Lilli still lives. Whirling in a black gown, Claudia conjures a wind that strikes the forest; giant trees topple all around Lilli and the men, killing Lars, but Lilli still lives. So the mirror now transforms Claudia into a bald old hag, and she goes into the forest herself. She offers an apple to Lilli, who takes one bite and falls into a trance that no one can tell from death. She’s placed in a stained-glass coffin and lowered into the ground, but the agonized Will, who’s fallen in love with her, lifts her from the coffin and a piece of apple falls from her mouth. She returns to life, and they all head for the castle. She arrives in time to interrupt Claudia in the act of slashing Frederick’s throat, then confronts Lilli in a room full of mirrors. (There’s a hint that Claudia had a part in the death of Lilli’s mother.) Lilli stabs not Claudia but her mirror image. It bursts apart, shredding and burning Claudia to death.

This bold movie out-grims the Brothers Grimm, telling their oft-told tale as a horror movie/adventure — and it works. In fact, the weakness of the movie is precisely that the story is so familiar, but the changes wrought by the writers and director keep it fresh for most of its length. It’s handsomely designed, using real locations and costumes that are never too grand for the setting. Weaver is clearly having a great time as the not-so-wicked stepmother who eventually becomes a vengeful witch. Especially for a fairy tale, the characters are complex and not necessarily always likable; even Lilli (who is never called “Snow White”) has a hard edge, and her “Prince Charming” is a bitter, scarred commoner. It’s a shame this attractive, imaginative film didn’t have any theatrical release in the United States; originality, especially in a field as well-ploughed as fairy tales, should be encouraged.

Terror lurks deep beneath the surface of the Earth in this thriller. While on a dig in a Romanian forest, a group of scientists make a startling find — they find a huge abbey, dating back to the 13th Century, which was built over the entrance to a massive network of subterranean caves. Eager to learn what lurks within the caves, the scientists discover to their peril that a large part of the cave system is under water. Undeterred, the remaining scientists hire a team of American spelunkers who are trained in exploring underwater caves, led by brothers Jack (Cole Hauser) and Tyler (Eddie Cibrian). Armed with new high-tech SCUBA gear that allows them to stay under water for a full 24 hours, Jack, Tyler, and the rest of their crew dive in to investigate the caves, but a mishap traps them in a cavern beneath the surface, and they soon discover they are not alone, as strange and bloodthirsty creatures make their presence known. The Cave also stars Morris Chestnut, Rick Ravanello, Piper Perabo, and Lena Headey.

A group of close female friends on a yearly adventure vacation find themselves trapped and hunted in a series of caves by an unknown force that lurks in the shadows in The Descent, the second horror feature from Dog Soldiers writer/director Neil Marshall. After suffering a devastating car crash one year before, Sarah (Shauna Macdonald) is lured to the States with her friend Beth (Alex Reid) to a special spelunking trip by the fearless Juno (Natalie Mendoza), who abruptly fled from the U.K. after Sarah’s accident. Along with two old friends and a new acquaintance of Juno’s, the group embark on a cave expedition that takes a turn for the worse after a rock fall leaves them stranded in an uncharted cave with no map and only a handful of supplies to last them the rest of the trip. As tensions arise in the group, they are faced with another danger — one whose love of the dark is as strong as its lust for blood. Opening to rave reviews in the U.K. in July of 2005, the creature-feature went on to show at the Venice Film Festival and garnered the top prize for Euro feature at Sweden’s Fantastic Film Festival. The Descent was picked up for future U.S. distribution by Lion’s Gate, whose work was cut out for them considering the tame opening of the similarly-themed stateside production of The Cave in late-August of the same year.

A team of “sub-zero heroes” band together to save a human infant in this digitally animated feature from Oscar-winning director Chris Wedge, whose unique lighting software (called “Ray Tracing”) sets his visual style apart from earlier CGI efforts. Twenty thousand years ago, the Earth is overrun by freezing temperatures in an Ice Age that is sending all manner of critters scattering in the path of encroaching glaciers. When a lost human infant is discovered, an unlikely quartet of misfits forms to return it to its mother: Manny, a depressed woolly mammoth (Ray Romano); Sid, a fast-talking sloth (John Leguizamo); an acorn-crazed squirrel named Scrat (Wedge); and the devilish saber-toothed tiger named Diego (Denis Leary). Before they can complete their mission, the reluctant compatriots will brave pits of boiling lava, dangerous caverns of ice, and even a traitorous plot within their midst. Ice Age (2002) also features the voices of Jack Black, Jane Krakowski, and Goran Visnjic.