Bovie Movie

This 60-million-dollar science fiction suspense drama (marketed with an additional 25 million dollars), was adapted from the popular TV series The X-Files — arriving in theaters while the Emmy-winning series was still being aired, continuing plot threads familiar to many of the series’ 25 million viewers, and featuring several familiar recurring characters introduced during the previous five TV seasons. In 15,000 B.C., a strange creature attacks a caveman. Cut to present day, when a boy at the same North Texas spot falls into a pit and is contaminated by a black substance. When a bomb threatens the Dallas Federal Building, special FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) locate the device but are unable to prevent the explosion. The agency blames Mulder and Scully for the disaster, subjecting them to lengthy interrogations while trying to sever their partnership. In a bar, conspiracy theorist Kurtzweil (Martin Landau), a friend of Mulder’s father, tells Mulder about the group behind the explosion, the cover-up of the boy’s death, the bodies of four infected rescue workers removed from the Federal Building, the secret government, and the forthcoming plague. Mulder and Scully set out to find answers, and their investigation becomes a foray into the fantastic.

The new night watchman at New York’s Museum of Natural History finds that the job comes with more responsibility than he ever dreamed in this wild fantasy comedy directed by Shawn Levy and starring Ben Stiller, Robin Williams, Mickey Rooney, and Dick Van Dyke. Larry Daley (Stiller) is a kind-hearted dreamer who always knew that he was destined for greatness, he just never quite knew how. None of his ideas or inventions has panned out, so with a heavy heart, he takes a regular job as a lowly graveyard-shift security guard at the Museum of Natural History in order to provide a more stable life for himself and his ten-year-old son. His first night on the job, however, he finds that guardianship of the museum is far from stable — at nightfall, an Egyptian spell brings the artifacts and wax figures to life! With Attila the Hun charging to war through the hallways, the diorama miniatures embroiled in a deadly feud, and a two-ton Tyrannosaurus Rex nagging to play fetch, Larry has half a mind to turn tail and run. On top of cleaning up after two million years of historical chaos every night, he also has to make sure that not a single museum piece leaves the building — from the bratty Capuchin monkey in the African exhibit, to the life-sized Neanderthal in the prehistoric display — because if morning light falls on an escaped artifact, it will turn to dust. Larry turns to a wax replica of President Roosevelt (Williams) for a little advice on keeping things in tact, but Teddy seems to think that a man of Larry’s greatness needs little help. Larry isn’t sure if the former commander in chief is right; this is hardly what he signed up for, but he can’t pass up the chance to care for a museum where history really does come to life.

A group of close female friends on a yearly adventure vacation find themselves trapped and hunted in a series of caves by an unknown force that lurks in the shadows in The Descent, the second horror feature from Dog Soldiers writer/director Neil Marshall. After suffering a devastating car crash one year before, Sarah (Shauna Macdonald) is lured to the States with her friend Beth (Alex Reid) to a special spelunking trip by the fearless Juno (Natalie Mendoza), who abruptly fled from the U.K. after Sarah’s accident. Along with two old friends and a new acquaintance of Juno’s, the group embark on a cave expedition that takes a turn for the worse after a rock fall leaves them stranded in an uncharted cave with no map and only a handful of supplies to last them the rest of the trip. As tensions arise in the group, they are faced with another danger — one whose love of the dark is as strong as its lust for blood. Opening to rave reviews in the U.K. in July of 2005, the creature-feature went on to show at the Venice Film Festival and garnered the top prize for Euro feature at Sweden’s Fantastic Film Festival. The Descent was picked up for future U.S. distribution by Lion’s Gate, whose work was cut out for them considering the tame opening of the similarly-themed stateside production of The Cave in late-August of the same year.

A team of “sub-zero heroes” band together to save a human infant in this digitally animated feature from Oscar-winning director Chris Wedge, whose unique lighting software (called “Ray Tracing”) sets his visual style apart from earlier CGI efforts. Twenty thousand years ago, the Earth is overrun by freezing temperatures in an Ice Age that is sending all manner of critters scattering in the path of encroaching glaciers. When a lost human infant is discovered, an unlikely quartet of misfits forms to return it to its mother: Manny, a depressed woolly mammoth (Ray Romano); Sid, a fast-talking sloth (John Leguizamo); an acorn-crazed squirrel named Scrat (Wedge); and the devilish saber-toothed tiger named Diego (Denis Leary). Before they can complete their mission, the reluctant compatriots will brave pits of boiling lava, dangerous caverns of ice, and even a traitorous plot within their midst. Ice Age (2002) also features the voices of Jack Black, Jane Krakowski, and Goran Visnjic.