Bovie Movie

Bruce Nolan (Carrey), a television reporter in Buffalo, N.Y.,is discontented with almost everything in life despite his popularity and the love of his girlfriend, Grace (Aniston) . At the end of the worst day of his life, Bruce angrily ridicules and rages against God and God responds. God appears in human form (Freeman) and, endowing Bruce with divine powers, challenges Bruce to take on the big job to see if he can do it any better.

Warren Beatty directed and starred in this big-budget action comedy featuring Chester Gould’s square-jawed, two-dimensional comic strip detective. Ruthless gangster Big Boy Caprice (Al Pacino) touches off a gang war against underworld boss Lips Manlis (Paul Sorvino), with Big Boy and his minions rubbing out enough of Manlis’s goons (along with Manlis himself) to take over his nightclub, and a healthy percentage of the city’s criminal activities in the process. Caprice also gains proprietary rights to Manlis’s girlfriend, nightclub chanteuse Breathless Mahoney (Madonna). Big Boy’s next move to is unite the rest of the city’s crooks under his command; this wave of corruption attracts the attention of lawman Dick Tracy, who is determined to smash Caprice’s criminal network once and for all. As Tracy plots to put Big Boy behind bars where he belongs, Breathless uses her considerable charms in an attempt to sway Tracy from the path of righteousness; this causes no small amount of anxiety for Tracy’s long-suffering female companion, Tess Trueheart (Glenne Headly), and the street-smart kid (Charlie Korsmo) they’ve been keeping an eye on. The various bad guys, heavily made up to resemble Gould’s cartoon characters (though Beatty is not made up to resemble Tracy), include Dustin Hoffman, James Caan, R.G. Armstrong, and William Forsythe.

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola’s Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz’s compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz’s insane dictum to “Drop the Bomb. Exterminate them all.” Coppola himself was not certain either, and he tried several different endings between the film’s early rough-cut screenings for the press, the Palme d’Or-winning “work-in-progress” shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker’s Apocalypse. Despite the studio’s fears and mixed reviews of the film’s ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall’s psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro’s cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era.

A horror film told in three parts from three perspectives, in which a mysterious transmission which invades every cell phone, radio and TV, turning people into killers.

Y Tu Mam? Tambi?n and Harry Potter and the Prisoner of Azkaban director Alfonso Cuar?n returns to the helm to tell this futuristic tale in which society is without hope since humankind lost its ability to procreate. The year is 2027, and women can no longer give birth. The youngest inhabitant of the planet has just died at the age of 18, and all hope for humanity has been lost. As civilization descends into chaos, a dying world finds one last chance for survival in the form of a woman who has become inexplicably pregnant. Now, as warring nationalistic sects clash and British leaders try to maintain their totalitarian stronghold on the country, a disillusioned bureaucrat (Clive Owen) is brought back into the fold of activism by his guerrilla ex-wife (Julianne Moore). Reluctantly, he takes on the daunting task of escorting Kee (Claire-Hope Ashitey), the refugee who represents humankind’s last hope for survival, out of harm’s way and into the care of a mysterious organization known as The Human Project. Chiwetel Ejiofor, Charlie Hunnam, and Michael Caine co-star in this adaptation of author P.D. James’s gripping 1992 novel.

In this sci-fi/horror scarefest, Dr. William Weir (Sam Neill) is a scientist who has designed a spacecraft called Event Horizon which will explore the outer reaches of space past the planet Neptune; the ship employs a special transport mechanism that, in effect, creates a black hole that the ship can pass through, allowing it to travel tremendous distances in a few seconds. The Event Horizon mysteriously disappears in the midst of a mission with no trace of either the ship or its crew, but it reappears in Neptune’s orbit after a seven year absence and it’s sending out a distress signal. The spaceship Lewis and Clark, and Dr. Weir, are sent to investigate; the crew — Captain Miller (Laurence Fishburne), pilot Smith (Sean Pertwee), engineer Justin (Jack Noseworthy), navigator Starck (Joely Richardson), physician D.J. (Jason Isaacs), and emergency technicians Peters (Kathleen Quinlan) and Cooper (Richard T. Jones) — are already tired and unenthusiastic about this assignment, and somewhat confused by Weir’s reports. The crew of the Lewis and Clark are convinced that Weir is not telling them something, and when they discover the Event Horizon, they find that things are not what they seem, and an evil presence has taken over the ship. Incidentally, the term “event horizon” describes the outer boundaries of a black hole.

The new night watchman at New York’s Museum of Natural History finds that the job comes with more responsibility than he ever dreamed in this wild fantasy comedy directed by Shawn Levy and starring Ben Stiller, Robin Williams, Mickey Rooney, and Dick Van Dyke. Larry Daley (Stiller) is a kind-hearted dreamer who always knew that he was destined for greatness, he just never quite knew how. None of his ideas or inventions has panned out, so with a heavy heart, he takes a regular job as a lowly graveyard-shift security guard at the Museum of Natural History in order to provide a more stable life for himself and his ten-year-old son. His first night on the job, however, he finds that guardianship of the museum is far from stable — at nightfall, an Egyptian spell brings the artifacts and wax figures to life! With Attila the Hun charging to war through the hallways, the diorama miniatures embroiled in a deadly feud, and a two-ton Tyrannosaurus Rex nagging to play fetch, Larry has half a mind to turn tail and run. On top of cleaning up after two million years of historical chaos every night, he also has to make sure that not a single museum piece leaves the building — from the bratty Capuchin monkey in the African exhibit, to the life-sized Neanderthal in the prehistoric display — because if morning light falls on an escaped artifact, it will turn to dust. Larry turns to a wax replica of President Roosevelt (Williams) for a little advice on keeping things in tact, but Teddy seems to think that a man of Larry’s greatness needs little help. Larry isn’t sure if the former commander in chief is right; this is hardly what he signed up for, but he can’t pass up the chance to care for a museum where history really does come to life.

A group of intrepid humans attempts to save the Earth from vicious extraterrestrials in this extremely popular science-fiction adventure. Borrowing liberally from War of the Worlds, Aliens, and every sci-fi invasion film inbetween, director Roland Emmerich and producer and co-writer Dean Devlin present a visually slick, fast-paced adventure filled with expensive special effects and large-scale action sequences. The story begins with the approach of a series of massive spaceships, which many on Earth greet with open arms, looking forward to the first contact with alien life. Unfortunately, these extraterrestrials have not come in peace, and they unleash powerful weapons that destroy most of the world’s major cities. Thrown into chaos, the survivors struggle to band together and put up a last-ditch resistance in order to save the human race. As this is a Hollywood film, this effort is led by a group of scrappy Americans, including a computer genius who had foreseen the alien’s evil intent (Jeff Goldblum), a hot-shot jet pilot (Will Smith), and the President of the United States (Bill Pullman). While some critics objected to the film’s lack of originality and lapses in logic, the combination of grand visual spectacle and crowd-pleasing storytelling proved irresistable to audiences, resulting in an international smash hit.

Shawn Levy directs the family-oriented comedy Cheaper by the Dozen, a loose remake of the 1950 film starring Clifton Webb and Myrna Loy, which was itself based on a novel. Tom (Steve Martin) and Kate Baker (Bonnie Hunt) have made many sacrifices in their professional lives in order to raise their 12 children. When Tom is offered a job as a Division I college football coach, he moves the entire pack to a suburb of Chicago. This move shakes up the whole family, especially when Kate’s memoirs get published and she takes off on a book tour. The lack of parental guidance creates problems for all the Baker kids, particularly handsome jock Charlie (Tom Welling), fashion plate Lorraine (Hilary Duff), and grown child Nora (Piper Perabo). Ashton Kucher stars in a cameo role as Nora’s actor boyfriend, Hank.

Endlessly imitated, The Terminator made the reputation of cowriter/director James Cameron — who would go on to make 1997’s titanic Titanic — and solidified the stardom of Arnold Schwarzenegger. The movie begins in a post-apocalyptic 2029, when Los Angeles has been largely reduced to rubble and is under the thumb of all-powerful ruling machines. Kyle Reese (Michael Biehn), a member of the human resistance movement, is teleported back to 1984. His purpose: to rescue Sarah Connor (Linda Hamilton), the mother of the man who will lead the 21st-century rebels against the tyrannical machines, from being assassinated before she can give birth. Likewise thrust back to 1984 is The Terminator (Schwarzenegger), a grim, well-armed, virtually indestructable cyborg who has been programmed to eliminate Sarah Connor. After killing two “Sarah Connors” who turn out to be the wrong women, he finally aims his gunsights at the genuine article. This is the film in which Schwarzenegger declared “I’ll be baaaack” — and back he was, in “kinder and gentler” form, in the even more successful Terminator 2: Judgment Day (1991).