Bovie Movie

Dark Angel-lead Jessica Alba stars in the title role of this film, the feature debut from music-video director Bille Woodruff. Honey is a girl from the streets who works in a record store, teaches the occasional dance class at a community center, and treks downtown every weekend to hit the clubs and try out some new moves. There, she meets a music video producer (David Moscow) who offers her a chance to be a choreographer — but at a price she eventually learns she’s unwilling to pay. Determined to pick herself back up, Honey goes back to the inner-city of her youth with plans of starting a dance school. Lil’ Romeo co-stars as Honey’s protege; other real-life musicians (including Missy Elliott, Tweet, Jay-Z, and Ginuwine) appear as themselves.

White Christmas, Paramount’s belated follow-up to the 1942 hit Holiday Inn, was the studio’s first VistaVision production. A veritable warehouse full of oldie-but-goodie Irving Berlin tunes are woven into the film’s simplistic plotline, along with a handful of new songs, of which “What Can You Do With a General?” is the least memorable. Bing Crosby and Danny Kaye (replacing an ailing Donald O’Connor) play nightclub entertainers Bob Wallace and Phil Davis, while Rosemary Clooney and Vera-Ellen are cast as singing-sister act Betty and Judy. The foursome travel to Vermont to visit Bob and Phil’s WII commanding officer, General Waverly (Dean Jagger, who looks and sounds like Dwight D. Eisenhower!), who now runs a rustic old inn. Discovering that the general is in dire financial straits, the four entertainers secretly make plans to bail the old guy out with a big musical show, enlisting the aid of Bob and Phil’s army buddies. Corny in the extreme, White Christmas evidently struck a responsive note with film fans; it was the high-grossing picture of 1954, and a decade later proved to be a ratings bonanza when it was given its network-TV premiere. Of the four stars, Crosby comes off best, especially when singing the title song at the beginning and end of the film; Kaye is a bit overshadowed this time out, though he’s quite funny camping it up in a “drag” version of Irving Berlin’s “Sisters.” Still a big favorite on the home-video circuit, White Christmas may not be the best Bing Crosby musical on the market, but it’s certainly one of the most heartwarming.

As Sarah Johnson (Izabella Miko)’s ultimate dream of attending Julliard and becoming a professional ballerina begin to take roots in reality, her interest in the art of hip-hop dance threatens to sideline her education in this sequel to the popular 2001 dance drama. Sarah Johnson may be at Julliard, but her struggle to make a name for herself in the ultra-competitive world of dance is only beginning. Though her stern instructor and idol Monique Delacroix (Jacqueline Bisset) has generously taken young Isabelle under her wing, a guest lecturer named Miles (Columbus Short) causes the aspiring young dancer to question her priorities. Soon torn between the raw honesty of hip-hop dance and the respectable world of ballet, Sarah realizes that only she take hold of her fate and face the future with the confidence to succeed no matter which path she chooses.