Bovie Movie

When Woody Allen’s fans refer to his “earlier, funnier” pictures, they often cite his directorial debut as a shining example. Co-written by Allen and Mickey Rose, this side-splitting takeoff of crime documentaries stars Allen as Virgil Starkwell, a sweetly inept career criminal. The film’s most celebrated sequence involves Virgil’s inability to write coherent holdup notes (”I have a gub”), but others include Virgil’s losing battle with a recalcitrant coke machine and his misguided effort to emulate John Dillinger by carving a gun out of a bar of soap (his weapon disintegrates in a heavy rain). As was often the case in Allen’s early films, not all the gags work, but for the most part, Take the Money and Run is a delight, enhanced by the on-target supporting performances of Janet Margolin, Marcel Hillaire, and (uncredited) Louise Lasser, as well as the energetic musical score of Marvin Hamlisch.

A mother and daughter flee to a strange abandoned town to seek out answers to the daughter’s nightly psychological turmoil in Brotherhood of the Wolf director Christophe Gans’ adaptation of the popular survival horror video game. Sharon (Jodelle Ferland) is a very sick child, yet rather than seeing her child suffer the cruel indignities of the medical profession, Rose (Radha Mitchell) ignores her husband’s (Sean Bean) pleas and absconds with her ailing daughter to the fog-enshrouded town of Silent Hill. A town drenched in darkness and inhabited by a strange collection of menacing specters, Silent Hill seemingly swallows young Sharon whole upon arrival. Determined to get her daughter back at any cost, Rose sets out to explore the mysterious Silent Hill, only to discover an evil so powerful that it possesses the ability to transform anything it wishes. With the deeply disturbing history of the town slowly coming into focus through the dense fog, Rose soon realizes that both she and her daughter may be little more than simple pawns in a much larger, and seemingly supernatural, game.