Bovie Movie

An aspiring ballerina from a wealthy family learns some lessons about both dancing and life from a roughneck with soul in this teen drama. Tyler Gage (Channing Tatum) grew up on the wrong side of the tracks in a rough section of Baltimore, and has been in and out of trouble with the law most of his life. Finding himself before the judge yet again, Tyler is sentenced to 200 hours of community service, and he ends up mopping floors at the Maryland School of the Arts. Tyler catches the eye of Nora (Jenna Dewan), a gifted ballet student who is trying to incorporate hip-hop moves into her classical routines. None of Nora’s fellow students seem to be on the same page as her, but Tyler is a talented street dancer with strength, moves, and enthusiasm. Despite the misgivings of the school’s administrators, Nora persuades Tyler to team up with her for a major class project. Tyler gains a new self-respect as he gives in to the discipline of the dance academy, but he wonders if this new opportunity means turning his back on who he really is. Matters become all the more complicated when Tyler and Nora realize they’re falling in love. Step Up was the first directorial credit for choreographer Anne Fletcher, who designed dance routines for the films Bring It On, She’s All That, and Boogie Nights.

Music video and TV commercials director Antoine Fuqua made his feature directorial debut with this action thriller starring Hong Kong superstar Chow Yun-Fat. Chinese immigrant John Lee (Yun-Fat) has a violent past as a professional killer. It brings him only remorse, but it makes him the ideal assassin. In exchange for his family’s safety, Lee is forced to take a job with a powerful underworld figure, Asian crime kingpin Terence Wei (Kenneth Tsang), who wants Lee to settle a deadly vendetta against police detective Stan Zedlov (Michael Rooker) by killing Zedlov’s seven-year-old son. At the last minute, with the boy in his sights, Lee chooses to face Wei’s vengeance rather than go through with the killing. In addition to making Lee a target, the decision also endangers his mother and sister back in Shanghai. Planning a return to China, he visits document forger Meg Coburn (Mira Sorvino) to get a phony passport, but they are interrupted by Wei’s army of killers, and a lengthy chase and gun battle is set in motion.

Director Fuqua stressed to his team that the aim was to design a “Taxi Driver for the 1990s,” with production beginning February 10, 1997 in downtown Los Angeles, and the first shoot at the historic Mayan Theater, refurbished into the trendy nightclub for the film’s stylish opening scene with hundreds of extras carousing while Lee guns down Romero (Carlos Leon) at close range. The eight-story, nearly condemned Giant Penny building in the heart of L.A. served as locations for a police station interior, a hotel room, and Meg Coburn’s office, and a chaotic gunfight was filmed amid the spray, brushes, and hoses of Joe’s Car Wash in LA. The art department transformed one area into a Chinatown-like streetscape of damp, narrow alleys, and blinking red neon lights, site of a night filming where Yun-Fat shot off 546 rounds with two guns, one in each hand, while the repetitive action left his hands blistered and shaking. More gunplay was at a video arcade replicated at the original Lawry’s center just north of downtown L.A., and Lee’s tranquil Buddhist temple was fashioned under this same roof. In addition to physical training, Mira Sorvino, who had never handled a gun prior to this film, took weapons training to prepare for her role. Sorvino majored in Asian studies at Harvard, speaks Mandarin, and lived for eight months (1988-89) in Beijing, where she studied Chinese, taught English, and saw Chinese films, including Hong Kong action films. She felt The Replacement Killers brought her a step closer to her goal of making a film in Mandarin and working with a Chinese director.

An ordinary lawman goes outside the law to carry out his own brand of justice in this dark-themed thriller. Frank Castle (Thomas Jane) is an FBI agent who deeply loves his wife and son, but is also strongly devoted to his work. Castle’s investigation of a powerful crime cartel leads to a gunfight which claims the life of a young boy, whose father is underworld kingpin Howard Saint (John Travolta). Furious and eager for revenge, Saint arranges for Castle and his family to be murdered in retaliation. However, while Castle’s wife and son are killed, he somehow survives, even though he’s believed to have perished. Bent on stopping Saint once and for all, Castle remakes himself as The Punisher, a ruthless and heavily armed killing machine who will not rest until Saint and his crew have been wiped clean from the Earth. Based on a Marvel Comics character first introduced in 1974, The Punisher also stars Rebecca Romijn-Stamos, Laura Elena Harring, Roy Scheider, and Kevin “Big Sexy” Nash.

The director (Rob Cohen) and star (Vin Diesel) of the previous summer’s hit The Fast and the Furious (2001) are reunited for this spy thriller billed as a next-generation James Bond adventure. Diesel stars as Xander Cage, a nihilist extreme sports enthusiast nicknamed “Triple X” because of a large tattoo covering his back and neck. Cage’s illegal stunts and poor attitude (he’s given to spouting dialogue such as, “Have you ever been punched in the face for talking too much?”) land him in jail, where he’s recruited/blackmailed into government service by the National Security Agency’s Augustus Gibbons, who likes Cage for his skills and expendability. The new secret agent is assigned to infiltrate a Russian crime ring called Anarchy 99, whose access to biochemical weaponry is making the United States extremely nervous. With the help of some high-tech gadgets from weapons master Toby Lee Shavers (Michael Roof), Cage is able to make his way into Anarchy 99, where he targets the group’s leader Yorgi (Marton Csokas) and falls for the organization’s second-in-command, Yelena (Asia Argento). XXX (2002) is the first in a hoped-for franchise of sequels for the film’s producer, Revolution Studios.

In this darkly comic drama, Edward Norton stars as a depressed young man (named in the credits only as “Narrator”) who has become a small cog in the world of big business. He doesn’t like his work and gets no sense of reward from it, attempting instead to drown his sorrows by putting together the “perfect” apartment. He can’t sleep and feels alienated from the world at large; he’s become so desperate to relate to others that he’s taken to visiting support groups for patients with terminal diseases so that he’ll have people to talk to. One day on a business flight, he discovers Tyler Durden (Brad Pitt), a charming iconoclast who sells soap. Tyler doesn’t put much stock in the materialistic world, and he believes that one can learn a great deal through pain, misfortune, and chaos. Tyler cheerfully challenges his new friend to a fight. Our Narrator finds that bare-knuckle brawling makes him feel more alive than he has in years, and soon the two become friends and roommates, meeting informally to fight once a week. As more men join in, the “fight club” becomes an underground sensation, even though it’s a closely guarded secret among the participants. (First rule: Don’t talk about fight club. Second rule: Don’t talk about fight club.) But as our Narrator and Tyler bond through violence, a strange situation becomes more complicated when Tyler becomes involved with Marla (Helena Bonham Carter), whom our Narrator became infatuated with when they were both crashing the support-group circuit. Based on the novel by Chuck Palahniuk, Fight Club was directed by David Fincher, who previously directed Pitt in the thriller Seven.