Bovie Movie

The Bold Ones was the umbrella title given a group of rotating hour-long TV series, which ran from 1969 to 1973. Joining established Bold Ones components The Doctors and The Lawyers in 1970 was The Senator, starring Hal Holbrook as RFK-like Senator Hays Stowe. The pilot for The Senator was A Clear and Present Danger, which first aired March 21, 1970. In this 2-hour “problem drama”, Senator Stowe tackles the issue of air pollution after a close friend dies of emphysema. The Emmy-nominated Hal Holbrook, Sharon Acker (as Erin Stowe) and Cindy Eilbacher (as Norma Stowe) carried their roles over to the “Senator” series proper, while Michael Tolan was cast as Stowe’s aide Jordan Boyle, the role played in A Clear and Present Danger by Joseph Campanella.

In October 1991, a dying tropical hurricane from Bermuda collided with a cold front from the Great Lakes, resulting in a “perfect storm” of previously unknown destructive impact that resulted in 100-foot waves; tragically, the crew of a fishing boat was lost in the midst of the fearsome storm. Based on the best-selling book by Sebastian Junger, The Perfect Storm tells the story of the ship’s brave and hard-working crew. Billy Tyne (George Clooney), captain of the Andrea Gail, hasn’t had much luck finding catch on his most recent trips to sea, and with money short, he and his crew — Bob Shatford (Mark Wahlberg), Dale Murphy (John C. Reilly), and David Sullivan (William Fichtner) set out again when they hear that the fish are running. Billy’s hunch proves correct, but when the ship’s refrigeration system goes haywire, they have to return to shore as quickly as possible before the fish spoil, sending them into the middle of the worst storm in history. The supporting cast includes Mary Elziabeth Mastrantonio, Diane Lane, Bob Gunton, and Karen Allen; Wolfgang Petersen, whose breakthrough film was the aquatic wartime drama Das Boot, directed.

Greed turns an idyllic vacation into a nightmare in this action drama. Jared Cole (Paul Walker) makes his living salvaging wreckage from ships off the coast of the Bahamas. He shares a rattle-trap trailer home with his girlfriend, Samantha “Sam” Nicholson (Jessica Alba), a shark expert who works at a nearby resort. While both are happy with their lives in the islands, Jared dreams of finding a major score and living the high life. One day, Jared and Sam are paid a visit by Bryce Dunn (Scott Caan), a childhood friend of Sam’s who is now doing very well as a lawyer. Bryce and his girlfriend, Amanda (Ashley Scott), have come to the Bahamas for a few days of diving and fun, and Sam and Jared show them the waters while making use of his yacht. While diving with Sam, Bryce, and Amanda, Jared discovers the wreckage of a plane used to smuggle drugs, and thinks he may have found the big score he’s always dreamed of. While Sam persuades Jared that the cargo is too risky to move, Bryce and Amanda think there’s a fast buck to be made, and team up with Primo (Tyson Beckford), a local underground entrepreneur, to fence the contents of the plane. However, Bryce and Amanda have underestimated just how dangerous Primo and his henchmen can be, and now Sam and Jared must come to their rescue. Into the Blue was directed by John Stockwell, who previously took filmgoers to the seashore with the surfing drama Blue Crush.

Timothy Dalton is better in Licence to Kill than in his first James Bond endeavor (The Living Daylights), but he still seems uncomfortable on the right side of the law. This time around, Bond is working on his own rather than on behalf of the British Secret Service. His American friend Felix Leiter (David Hedison), an agent of the Drug Enforcement Administration, has been seriously injured by drug dealer Robert Davi, and 007 is out for blood. There is precious little time for the usual Bondian quippery and directorial campiness, resulting in a marked increase in bloodletting (including the “implosion” of secondary villain Anthony Zerbe). A climactic highway chase involving an oil tanker and a helicopter is stretched slightly beyond its value, but is still one of the best action setpieces in any Bond film. Licence to Kill was a refreshingly serious change of pace for the series, albeit one that tended to lessen Bond’s box-office value.