Bovie Movie

Sam Bowden is a small-town corporate attorney/”Leave It to Beaver”-esque family-man. Max Cady is a tattooed, cigar-smoking, bible-quoting, psychotic rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady’s rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.

Sleepless in Seattle director Nora Ephron originally made a name for herself as the writer of romantic comedies such as Heartburn and When Harry Met Sally. She continues the genre with You’ve Got Mail, marking her second collaboration with actors Tom Hanks and Meg Ryan. The story brings romance and courtship into the electronic age of the World Wide Web via e-mail and chat rooms. Joe Fox (Hanks) and Kathleen Kelly (Ryan) live and work blocks from each other on New York City’s Upper West Side. Their lives are practically intertwined. They both shop at the same place, frequent the same coffee shop, and even own competing bookstores on the same street. They also both have significant others of their own. Joe has the overly hyper book editor Patricia Eden (Parker Posey), while Kathleen lives with the scholarly newspaper columnist Frank Navasky (Greg Kinnear). Then they meet in a chat room. Though they keep their identities secret (they’re known only by screen names “NY152″ and “Shopgirl”), they tell each other everything about their lives, including their private feelings, which slowly turn into affection for each other. When Joe decides to open a new branch of his “Foxbooks” chain that risks putting Kathleen’s “Shop Around the Corner” out of business, the tension between them escalates. Surely her boutique business will be lost to the conglomerate with a built-in newsstand and coffee bar. When Joe sees Kathleen waiting for him in the restaurant where they agreed to meet up, he puts two and two together, but cannot face her, given their agreement not to reveal each others’ names and professions. How can he reveal himself to her now, knowing that he is the cause of her misery? Hopefully, love will conquer all.

Famed producer Dino De Laurentiis tries to steal the thunder from Jaws, then the top-grossing film of all-time, in this big budget remake of King Kong. (De Laurentiis related his tactics to Tom Snyder: “When Jaws dies, nobody cries. When Kong dies, they all cry.”) Updated to the 1970s, the original Robert Armstrong character is now Fred Wilson (Charles Grodin), a big-shot oil magnate from Petrox Oil, looking for new petroleum deposits on a recently discovered Pacific island. Jack Prescott (Jeff Bridges) is a counter-culture paleontologist, stowing away on Wilson’s ship, who warns that they are headed for “Skull Island,” where prehistoric monsters still live and roam free. Also along for the ride is Dwan (Jessica Lange, in her film debut), a down-on-her-luck starlet, shipwrecked in the ocean after the sinking of a yacht. She really becomes down-on-her-luck when the group lands on the island and a giant ape, Kong, takes a shine to her. Kong kidnaps her and Dwan takes umbrage when the ape tries to remove her clothes by shouting, “You male chauvinist ape!” But Prescott comes to her aid and rescues her from the gorilla’s big mits. Wilson, seeing money to be made on Kong, locks him in the cargo hold of his ship and transports him to New York City. Once there, Kong manages to escape and wreak havoc upon the beleaguered town, before being compelled to climb up the World Trade Center for sanctuary.

Hoping to make the magic of King Kong happen again, the production team of Merian C. Cooper and Ernest B. Schoedsack came up with the 1949 special-effects smorgasbord Mighty Joe Young. Robert Armstrong reprises his Kong portrayal of Carl Denham as hot-shot showbiz entrepreneur Max O’Hara. While in Africa looking for authentic decorations for his new night club, O’Hara makes the acquaintance of Mr. Joseph Young, a ten-foot-tall ape. Unlike King Kong, Joe Young has a heart of gold, thanks in great part to his owner, a lovely lass named Jill Young (Terry Moore). Against her better judgment, Jill allows O’Hara to bring Joe back to the States as a nightclub attraction. Joe proves to be a smash as he participates in Jill’s musical act (he lifts her grand piano while she plays “Beautiful Dreamer”) and performs a tug-of-war routine with an imposing lineup of professional wrestlers (including Tor Johnson, Man Mountain Dean and Primo Carnera). But when the patrons go home each night, Joe is unhappily relegated to his cage. When a group of obnoxious drunks begin teasing Joe, the disgruntled ape breaks loose and goes on a rampage. Slated to be put to death, Joe redeems himself by rescuing a group of screaming children from an orphanage fire. Featured in the cast are Ben Johnson as the nominal romantic lead, Frank McHugh as Robert Armstrong’s assistant, and an uncredited Irene Ryan as a cocktail-lounge patron.

After a plane crash in the ocean, a group of military students reach an island. Ralph organizes the boys, assigning responsibilities for each one. When the rebel Jack Merridew neglects the fire camp and they lose the chance to be seen by a helicopter, the group split under the leadership of Jack. While Ralph rationalizes the procedures, Jack returns to the primitivism, using the fear for the unknown (in a metaphor to the religion) to control the other boys, and hunting and chasing pigs, stealing the possession of Ralph’s group and even killing people.

One of Frank Capra’s best-loved stories gets a modernized and wildly slapstick reinterpretation in this romantic comedy starring Adam Sandler. When Preston Blake (Harve Presnell), a remarkably wealthy media magnate, dies with neither a wife nor children, the question on the lips of most of his associates is who will inherit the estate. The surprising answer turns out to be Longfellow Deeds (Adam Sandler), a cheerful but half-bright proprietor of a small-town pizzeria, as well as part-time greeting card poet, who was a distant relative of Blake. In order to claim his 40-billion-dollar inheritance, Deeds heads to New York City, where Blake’s former associates, Chuck Cedar (Peter Gallagher) and Cecil Anderson (Erick Avari), introduce him to the city while trying to figure out how to get their hands on his new fortune. Meanwhile, Mac McGrath (Jared Harris), the producer of a sleazy tabloid television show, wants to get the inside scoop on Deeds, and comes up with perfect way to get it: he sends beautiful but unscrupulous reporter Babe Bennett (Winona Ryder) to sweep Deeds off his feet while she’s wired for sound. Convincing Deeds that she’s from a small town just like himself, Bennett quickly wins his heart, but while his affection is sincere, hers is not. He also displays a curious eagerness to defend her good name with his fists which quickly gets him in trouble. Meanwhile, as Deeds becomes the new laughing stock of New York thanks to Bennett’s stories, Deeds decides it’s time he did something big with his money, while Cedar and Anderson think they’ve finally found a way to take control of Deeds’ holdings. Mr. Deeds also features supporting performances from John Turturro, Steve Buscemi, and Conchata Ferrell. John McEnroe and Rev. Al Sharpton make cameo appearances as themselves.