Bovie Movie

The Roman Empire is stretched across many nations, including Britain. In their conquest for more land, the Romans went into Sarmatia where they fought the very brave Sarmatian cavalery. The Romans, impressed by the Sarmatian’s weaponery and fighting skills, included them into their army as knights. After 15 years of serving and fighting for the Roman Empire the Sarmatian Knights, lead by Arthur/Artorious Castus, are about to receive their freedom as the Romans are leaving Britain. But the Knights must carry out one final order before they are free. A Roman priest and his family, especially his son Alecto, must be rescued from the invading Saxons. But there is another danger lurking on the road to freedom - the Woads, British rebels who hate the Romans.

Oliver Stone’s breakthrough as a director, Platoon is a brutally realistic look at a young soldier’s tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late ’60s. He’s shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks “in country,” Taylor begins to see the na?vet? of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood’s first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.

Big-budget special effects, swiftly paced action, and a distinct feminist subtext from writer/director James Cameron turned what should have been a by-the-numbers sci-fi sequel into both a blockbuster and a seven-time Oscar nominee. Sigourney Weaver returns as Ellen Ripley, the last surviving crew member of a corporate spaceship destroyed after an attack by a vicious, virtually unbeatable alien life form. Adrift in space for half a century, Ripley grapples with depression until she’s informed by her company’s representative, Carter Burke (Paul Reiser) that the planet where her crew discovered the alien has since been settled by colonists. Contact with the colony has suddenly been lost, and a detachment of colonial marines is being sent to investigate. Invited along as an advisor, Ripley predicts disaster, and sure enough, the aliens have infested the colony, leaving a sole survivor, the young girl Newt (Carrie Henn). With the soldiers picked off one by one, a final all-female showdown brews between the alien queen and Ripley, who’s become a surrogate mother to Newt. Several future stars made early career appearances in Aliens (1986), including Lance Henriksen, Bill Paxton, and Reiser.

Director Peter Weir’s first turn behind the camera since 1998’s critically acclaimed The Truman Show, Master and Commander: The Far Side of the World is based on two Napoleanic War-era adventure novels in author Patrick O’Brian’s Aubrey/Maturin series, Master and Commander and The Far Side of the World. Russell Crowe stars as Captain Jack Aubrey, a high-seas adventurer who maintains a strong bond with ship-surgeon Stephen Maturin (Paul Bettany). After conquering much of Europe already, Napoleon’s forces have set their sights on taking Britain, so Aubrey and the crew of his ship, the HMS Surprise, take to the Pacific to intercept any attacking ships from the French fleet. When Aubrey eyes a renegade French super-frigate, the Surprise pursues, leading to an adrenaline-charged chase through the distant reaches of the sea. Edward Woodall, James D’Arcy, and Lee Ingleby also star as members of the Surprise’s crew.

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola’s Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz’s compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz’s insane dictum to “Drop the Bomb. Exterminate them all.” Coppola himself was not certain either, and he tried several different endings between the film’s early rough-cut screenings for the press, the Palme d’Or-winning “work-in-progress” shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker’s Apocalypse. Despite the studio’s fears and mixed reviews of the film’s ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall’s psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro’s cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era.

“In space, no one can hear you scream.” A close encounter of the third kind becomes a Jaws-style nightmare when an alien invades a spacecraft in Ridley Scott’s sci-fi horror classic. On the way home from a mission for the Company, the Nostromo’s crew is woken up from hibernation by the ship’s Mother computer to answer a distress signal from a nearby planet. Capt. Dallas’ (Tom Skerritt) rescue team discovers a bizarre pod field, but things get even stranger when a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt). Over the objections of Ripley (Sigourney Weaver), science officer Ash (Ian Holm) lets Kane back on the ship. The acid-blooded incubus detaches itself from an apparently recovered Kane, but an alien erupts from Kane’s stomach and escapes. The alien starts stalking the humans, pitting Dallas and his crew (and cat) against a malevolent killing machine that also has a protector in the nefarious Company.

Based on the classic novel by ‘CS Lewis’ (qv). Four London children are sent to a professor’s country home in order for protection during World War II. There they find a magic wardrobe which leads to a mystical land called Narnia, which is being ruled by an evil witch. To defeat the witch, they must join forces with Aslan, the lion God of Narnia.

The fourth film to chronicle the life of fourth-century B.C. ruler Alexander the Great, Oliver Stone’s Alexander stars Colin Farrell as the titular Macedonian conqueror. The film follows the young king as he leads his forces on a bloody empirical conquest across the known world, taking large parts of Asia and the Middle East to amass a giant empire, all by the time he turned 25. Anthony Hopkins co-stars as Ptolemy I along with Rosario Dawson as Roxane, Angelina Jolie as Olympias, Jared Leto as Hephaistion, Val Kilmer as King Philip II, and Jonathan Rhys-Meyers as Cassander.

Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother…

The day after they get the word they’ll go home in two weeks, a group of soldiers from Spokane are ambushed in an Iraqi city. Back stateside we follow four of them - a surgeon who saw too much, a teacher who’s a single mom and who lost a hand in the ambush, an infantry man whose best friend died that day, and a soldier who keeps reliving the moment he killed a civilian woman. Each of the four has come home changed, each feels dislocation. Group therapy, V.A. services, halting gestures from family and colleagues, and regular flashbacks keep the war front and center in their minds. They’re angry, touchy, and explosive: can a warrior find peace back home?