Bovie Movie

After creating an international sensation with the visually dazzling and intellectually challenging sci-fi blockbuster The Matrix, the Wachowski brothers returned with the first of two projected sequels that pick up where the first film left off. Neo (Keanu Reeves) and Trinity (Carrie-Anne Moss) have been summoned by Morpheus (Laurence Fishburne) to join him on a voyage to Zion, the last outpost of free human beings on Earth. Neo and Trinity’s work together has been complicated by the fact the two are involved in a serious romantic relationship. Upon their arrival in Zion, Morpheus locks horns with rival Commander Lock (Harry J. Lennix) and encounters his old flame Niobe (Jada Pinkett Smith). Meanwhile, Agent Smith (Hugo Weaving) has returned with some surprises for Neo, most notably the ability to replicate himself as many times as he pleases. Neo makes his way to The Oracle (Gloria Foster), who informs him that if he wishes to save humankind, he must unlock “The Source,” which means having to release The Key Maker (Randall Duk Kim) from the clutches of Merovingian (Lambert Wilson). While Merovingian refuses to cooperate, his wife, Persephone (Monica Bellucci), angry at her husband’s dalliances with other women, offers to help, but only in exchange for a taste of Neo’s affections. With The Keymaker in tow, Neo, Trinity, and Morpheus are chased by Merovingian’s henchmen: a pair of deadly albino twins (Neil Rayment and Adrian Rayment). Filmed primarily in Australia and California (the extended chase scene was shot on a stretch of highway build specifically for the production outside of San Francisco), The Matrix Reloaded was produced in tandem with the third film in the series, The Matrix Revolutions.

The second sequel to the 1984 sci-fi action classic, Terminator 3: Rise of the Machines is the first film without the involvement of director James Cameron. Instead, Jonathan Mostow, the man behind Breakdown and U-571, has stepped in to fill the shoes left vacant by Cameron. In addition, the role of John Connor from the second film has been recast, with In the Bedroom’s Nick Stahl taking over for Edward Furlong. Set ten years after the events of 1991’s Terminator 2: Judgement Day, the film finds Connor living on the streets as a common laborer. Sarah Connor, his mother, has since died, and their efforts in the second film have not stopped the creation of SkyNet artificial intelligence network. As he will still become the leader of the human resistance, Connor is once again targeted by a Terminator sent from the future by SkyNet. This new Terminator, T-X (Kristanna Loken), is a female and is more powerful than any of her predecessors. To protect Connor, the human resistance sends a new T-101 (Arnold Schwarzenegger) back from the future. Also starring Claire Danes, Terminator 3: Rise of the Machines had its world premiere when it showed out of competition at the 2003 Cannes Film Festival.

A brilliant young man is tapped to join the elite branch of American intelligence, only to discover how complex and dangerous the job can really be in this suspense-drama. James Clayton (Colin Farrell) recently completed his studies at MIT, where he graduated at the top of his class and is pondering his next move while he works as a bartender at an upscale nightspot. One evening, Clayton is approached by Walter Burke (Al Pacino), a recruiter for the Central Intelligence Agency, who describes himself as “a scary judge of talent” and believes Clayton is just the sort of man the CIA is looking for. Clayton, who has little interest in an ordinary nine-to-five career and suspects his father (whom Burke claims to have known) worked for the Agency, accepts the offer and is soon sent to the CIA’s secret training camp. It soon becomes obvious that Burke’s intuition has not failed him; Clayton is smart, fast on his feet, a crack shot, and possesses a very agile mind. In training, Clayton notices a few things, most notably one of his fellow students, Layla (Bridget Moynahan), a beautiful woman whose skills equal his own. Clayton becomes quite infatuated with Layla, and after a fashion the attraction appears to be mutual, but Clayton has to keep in mind Burke’s dictum that “nothing is as it seems,” especially when Clayton is given a special assignment — find the mole within the Agency’s training program who is actually feeding information to America’s enemies.

A young boy is arrested by the US Secret Service for writing a computer virus and is banned from using a computer until his 18th birthday. Years later, he and his new-found friends discover a plot to unleash a dangerous computer virus, but they must use their computer skills to find the evidence while being pursued by the Secret Service and the evil computer genius behind the virus.

Is the time approaching when a persona in its entirety could be a mere fabrication of modern culture and technology? Or did Hollywood enter that time long ago? Either way Viktor Taransky (Al Pacino) finds himself growing more and more aware of the media-obsessed culture in which he tries to earn his living. Taransky is a film director struggling to survive in an industry that doesn’t require or want his artistic vision. When first he meets a stranger whose vision is considered somewhat questionable, he doesn’t realize the potential of the idea to digitally incorporate a character into his otherwise unsalvageable film. However, in time, not only the director and the entire studio, but American pop culture at large will grow to embrace Simone. As Taransky earns popularity and acclaim via the success of the digitally constructed actress he “discovered,” he struggles to define his own identity as an artist and a person, and finds that lying to cover up Simone’s non-existence is altering his life entirely. His ex-wife and former employer Elaine (Catherine Keener) notices the difference in his personality, upsetting their daughter Lainey (Evan Rachel Wood) and her hopes of their reconciliation. Meanwhile, stray paparazzi turned private investigators threaten to make public incriminating evidence, which could destroy the limelight Taransky enjoys while “hiding” Simone. Amazingly, what Simone doesn’t say or do creates all the more buzz, and causes Taransky to face the reality of his industry. Written and directed by Andrew Niccol (Gattaca), Simone takes a satirical approach to an otherwise fantastical comedy.

Thorold Stone’s family was among those who vanished three months ago, and he is still stung by that fact. Since childhood, he has always been logical and suspicious, and, of course, he’s uncertain whether Franco Macalousso is the Messiah he claims he is. Stone works for Len Parker, who runs One Nation Earth, the organization that rounds up the Haters who stand in Macalousso’s way. Soon, however, he realises that the Christians have been framed, and he has been set up. To prove Macalusso’s true colours, he must band with his own enemies - the Haters themselves, led by Helen Hannah.

Peter Gibbons just can’t seem to catch a break. His girlfriend is cheating on him, he has an obnoxious neighbor, and he’s completely miserable with his job as a small cog in a company called Initech. Then he visits a hypnotherapist, who dies just after putting Peter into a state of complete bliss. Free of worrying about making a living, he no longer feels the need to keep his job, just as the company is going through a massive downsizing. However, his new attitude only makes him more valuable in the company’s eyes, and his friends Michael and Samir are fired instead. Together, they scheme to plant a virus inside Initech’s computer system that will pull money into their own account.

A group of intrepid humans attempts to save the Earth from vicious extraterrestrials in this extremely popular science-fiction adventure. Borrowing liberally from War of the Worlds, Aliens, and every sci-fi invasion film inbetween, director Roland Emmerich and producer and co-writer Dean Devlin present a visually slick, fast-paced adventure filled with expensive special effects and large-scale action sequences. The story begins with the approach of a series of massive spaceships, which many on Earth greet with open arms, looking forward to the first contact with alien life. Unfortunately, these extraterrestrials have not come in peace, and they unleash powerful weapons that destroy most of the world’s major cities. Thrown into chaos, the survivors struggle to band together and put up a last-ditch resistance in order to save the human race. As this is a Hollywood film, this effort is led by a group of scrappy Americans, including a computer genius who had foreseen the alien’s evil intent (Jeff Goldblum), a hot-shot jet pilot (Will Smith), and the President of the United States (Bill Pullman). While some critics objected to the film’s lack of originality and lapses in logic, the combination of grand visual spectacle and crowd-pleasing storytelling proved irresistable to audiences, resulting in an international smash hit.