Bovie Movie

Bridget Gregory has a lot going for her: she’s beautiful, she’s intelligent, she’s married to a doctor. But all of this isn’t enough, as her husband Clay finds out. After she persuaded him to sell medicinal cocaine to some drugdealers, she takes off with the money, almost a million dollars, and goes undercover in a mid-American smalltown. Because Clay has to pay off a loan shark who’ll otherwise damage him severely, he keeps sending detectives after her, trying to retrieve the money. When Bridget meets Mike Swale, a naive local who is blinded by her beauty and directness, she devises an elaborate, almost diabolical scheme to get rid of Clay once and for all.

After the little white lies of Romy and Michele’s High School Reunion (1997), director David Mirkin focuses on scheming of a different sort in Heartbreakers. Sigourney Weaver and Jennifer Love Hewitt play Max and Page Conners, a mother and daughter who share everything with each other: relationship advice, hair and makeup hints, and the money they win in costly divorce settlements with rich men. When the film opens, the Conners are putting the finishing touches on conning Dean (Ray Liotta), an auto-body shop owner. When the dust from that scam clears, Page announces she’s ready to move away from her mother and set up shop on her own — but in order to clear an outstanding debt, Max insists they bankrupt one more bachelor together. They settle upon phlegmatic Palm Springs widower William B. Tensy (Gene Hackman), a chain smoker with a heart of gold and a similarly bountiful bank account. Only two things stand in their way: Tensy’s Teutonic caretaker Miss Madress (Nora Dunn) and beachfront bartender Jack (Jason Lee), a wry stargazer with whom Page becomes unexpectedly smitten. Heartbreakers is the third collaboration from writers Steven Mazur and Paul Guy, whose previous screwball comedy was 1997’s international hit, Liar Liar.

Director Stephen Frears’ tense adaptation of Jim Thompson’s novel The Grifters was one of a number of revival film noirs in the first half of the ’90s. Updating the setting to contemporary Los Angeles, the film follows a trio of con artists who are intent on out-foxing each other. Roy Dillon (John Cusack) is a simple, two-bit con, whose life is thrown into turmoil when his estranged mother Lilly (Anjelica Huston) returns home in an attempt to evade the law. Lilly doesn’t warm to Roy’s girlfriend Myra Langtry (Annette Bening), who is too similar to herself. Soon, the two women are competing for Roy in a battle that is more of a power struggle than a pursuit of affection, and the battle quickly turns dangerous. Huston was nominated for an Academy Award for her work.

John Hughes dishes out the sentiment by the ladle-full in Curly Sue. The film stars James Belushi as Bill Dancer, a down-on-his-luck drifter who lives by his wits on the highways and byways of the United States, stealing free meals, slipping into movie theaters, and sleeping in welfare hotels. Bill is also the guardian of cute pint-size moppet Curly Sue (Allison Porter), a cutey pie cross between Little Orphan Annie and Tatum O’Neal’s Addie Loggins character from Paper Moon. Bill and Curly Sue are a perfect con team, and they practice their scams when they need money for food. Pulling a knockdown car-accident scam, Bill makes hard-bitten Chicago lawyer Grey Ellison (Kelly Lynch) think that she slammed into him with her car. She buys dinner for the two mountebanks before being taken away by her snotty boyfriend Walter McCormick (John Getz). But the next morning, Grey actually does hit Bill with her car, and she takes the two back home with her. At first, Grey can’t seem to get Curly Sue out of her mind, but then she finds herself falling in love with Bill. They begin to form a perfect family until Walter puts in a call to the Department of Children and Family Services.