Bovie Movie

Jerry Fletcher (Mel Gibson) is a New York City cab driver who seems to have absorbed every bit of crackpot information passed along as “suppressed news” that’s surfaced on talk radio or the Internet in the past 20 years. Anti-United Nations militia men who are actually U.N. operatives? NASA scientists engineering earthquakes? Oliver Stone’s secret life as a government agent discrediting conspiracy theorists? Jerry’s heard ‘em all and believes most of them, and even publishes his own journal of forbidden information, with a subscription list that now totals five people. In short, Jerry seems like just another New York City lunatic, and while he spends a fair amount of his spare time following Alice Sutton (Julia Roberts), a government attorney, Alice regards him as harmless; he once intervened while she was being mugged, and he’s been acting like her benign if whacked-out protector ever since. However, one day Jerry is kidnapped and worked over by CIA operatives; he is convinced that one of the theories he uncovered must be for real — but he has no idea which one. He tries to get Alice to help him, and before long both are drawn into a dangerous web that leads to a startling revelation of just how Jerry got this way. Mel Gibson gives a fine comic performance, and those with a taste for alternative media will have fun dissecting which of the theories Jerry spouts are “real” (or at least appeared before this film was made) and which were the invention of the screenwriters.

The time is 1979. Jimmy Bones (Snoop Dog) is respected and loved as the neighborhood protector. When he is betrayed and brutally murdered by a corrupt cop (Michael T. Weiss), Bones’ elegant brownstone becomes his tomb, Twenty-two years later, the neighborhood has become a ghetto, and his home has turned into a gothic ruin. Four teens renovate it as an after hours nightclub, unkowingly releasing Jimmy’s tortured spirit. Its thrills and chills when blood spills when Jimmy’s ghost sets about its frighful revenge, his killers unaware of the gruesome fate that awaits them. With each new victim, the terror mounts, and Bones’ vengeance spins out of control, threatening everyone in his path, including his former lover, Pearl (Pam Grier). Get ready for Bones!!!

A group of security analysts are offered a job by the CIA and when they are reluctant, pressure is brought to bear by the threat to disclose the identity of their leader, a 60s radical with outstanding warrants. A chip exists that will allow any computer to be cracked, and organized crime will soon control it, though sudden changes in their police records suggest that it is already operational.

The action producing-directing team of Jerry Bruckheimer and Tony Scott is back with another thrill-a-minute ride called Enemy of the State. Taking its “innocent man accidentally caught up in political corruption” story from such films as Francis Ford Coppola’s The Conversation, Alfred Hitchcock’s The Man Who Knew Too Much, and Sydney Pollack’s Three Days of the Condor, they turn up the high-tech volume in an attempt to create the ultimate action film. Robert Clayton Dean, played by Will Smith, is a devoted father, husband, and attorney shopping for a sexy gift for his wife. What he doesn’t know is that he was given a videotape from a friend (Jason Lee) regarding the recent murder of a U.S. senator led by corrupt National Security Agency official Thomas Reynolds (Jon Voight). Now Reynolds is after Dean to cover his tracks or, as the audience soon finds out, frame Dean for Rachel’s murder. Since Dean isn’t up on his high-tech gadgetry, he needs the aid of ex-intelligence operative Brill (Gene Hackman). Between the explosions and chases is the subtext of George Orwell’s 1984 mantra “beware of big brother,” as Dean realizes that in the modern world, there is no such thing as total privacy.