Bovie Movie

A man with no memory struggles to make sense of the troubling details that are still stuck in his mind in this psychological thriller. Frank (Val Kilmer) wakes up in a small town in the New Mexico desert with a severe head wound and most of his memory wiped away. However, Frank is somehow convinced that someone is planning to assassinate the President of the United States, and that Chloe (Neve Campbell), the woman who is claiming to be his girlfriend, is some sort of imposter. When Frank learns that the president is indeed passing through town that day, he tries to warn Sheriff Kolb (Sam Shepard) that something sinister if afoot; as it happens, Kolb believes him, though he’s more than a bit busy dealing with a hard-fought election campaign against former Deputy Cash (Noble Willingham). Blind Horizon was screened at the 2004 South by Southwest Film Festival.

A family is touched by the shadows of hatred and violence in this Australian drama adapted from a short story by Raymond Carver. Stewart (Gabriel Byrne) and Claire (Laura Linney) are a married couple in their early 40’s; Stewart runs a gas station while Claire looks after their son Tom (Sean Rees-Wemyss). Tom has been grounded for the weekend after killing a small animal with his friend Caylin (Eva Lazzaro), and Claire keeps an eye on him while Stewart goes off on a fishing trip with his pals Carl (John Howard), Rocco (Stelios Yiakmis) and Billy (Simon Stone). After arriving at their favorite fishing spot, Stewart finds the naked body of a woman floating down the river; unknown to him, Gregory (Chris Haywood), an elderly man riddled with race hatred, killed Susan (Tatea Reilly), a young woman of Aboriginal heritage, and dumped her body in the water. Believing they wouldn’t be able to drive to town to report finding the body and get back to make camp before nightfall, Stewart decides to wait until morning to contact the police, and ties a line to the corpse so it won’t float away. The next morning, Stewart and his friends decide not to spoil their trip and spend the day fishing; they don’t contact the police until after they return home on Monday. Stewart’s callous actions cast an ugly light on himself, his friends and his family, and Claire finds herself implicated in the crime through Stewart’s poor judgment. Named for an Aborigine word for a valley, Jindabyne received its world premiere at the 2006 Cannes Film Festival.

A stranger pulled into a deadly scheme races against time to save his daughter in this thriller. Gene Watson (Johnny Depp) is an accountant who comes to L.A. with his ten-year-old daughter Lynn (Courtney Chase) to attend a funeral. On the street, Gene and Lynn are pulled aside by Mr. Smith (Christopher Walken) and Ms. Jones (Roma Maffia), who flash what look like police badges and usher them into a van. Gene soon discovers that he’s been kidnapped, and his captors have an unusual demand — if Gene does not murder Gov. Eleanor Grant (Marsha Mason) within 75 minutes, his daughter will be killed. Gene now has just an hour and a quarter to tip off the authorities, spare Gov. Grant, and find out what Smith and Jones are trying to do, along with saving his daughter’s life. He finds a much-needed ally in one-legged shoe-shine man Huey (Charles S. Dutton). Most of the action in Nick of Time occurs in “real time,” meaning that the passage of time on screen matches that of real life, as the frequent shots of clocks and watches will attest.

After exploring the worlds of toys and bugs in the two Toy Story films and A Bug’s Life, the award-winning computer animation company Pixar delves into the realm of monsters with its fourth feature. Hulking, blue-furred behemoth James P. “Sully” Sullivan (John Goodman) and his one-eyed assistant Mike Wazowski (Billy Crystal) are employed by Monsters, Inc., a scream processing factory. It seems that the denizens of their realm thrive on the screams of kids spooked by monsters lurking under their beds and in their closets. It’s the job of Sully, Mike, and their co-workers, including sarcastic Randall Boggs (Steve Buscemi), crab-like CEO Henry J. Waternoose (James Coburn), and lovely snake-headed receptionist Celia (Jennifer Tilly) to keep the frights flowing. When Sully and Mike are followed back into the monster world by a very unafraid little human girl named Boo (Mary Gibbs), they are exiled to her universe, where they discover that such a modern-day mythological specimen as the Abominable Snowman is a fellow refugee.

One of the only survivors of a man-made plague joins forces with a team of private warriors in a bid to save what’s left of the Earth in this sequel to Resident Evil, the big-screen adaptation of the popular video game. Picking up where the first film left off, Resident Evil: Apocalypse finds Alice (Milla Jovovich) still battling the living dead who are overtaking Raccoon City, inoculated with an anti-virus by the nefarious and all-powerful Umbrella Corporation (in addition to the virus itself). Alice encounters Jill Valentine (Sienna Guillory), a former member of Umbrella’s internal defense team. Forming an alliance with mercenary-for-hire Carlos Olivera (Oded Fehr) and his cohorts, this tiny band of survivors seeks out Dr. Charles Ashford (Jared Harris), Umbrella’s top scientist and one of the only men with the know-how to find a solution to the zombie menace; however, they discover that Ashford’s cooperation comes with a price — the scientist’s daughter Angie (Sophie Vavasseur) is missing, and he’ll help Alice and her partners only if Angie is returned to him safe and sound. Resident Evil: Apocalypse was the first solo directorial credit for Alexander Witt, who previously distinguished himself as a cinematographer and second-unit director.

This 60-million-dollar science fiction suspense drama (marketed with an additional 25 million dollars), was adapted from the popular TV series The X-Files — arriving in theaters while the Emmy-winning series was still being aired, continuing plot threads familiar to many of the series’ 25 million viewers, and featuring several familiar recurring characters introduced during the previous five TV seasons. In 15,000 B.C., a strange creature attacks a caveman. Cut to present day, when a boy at the same North Texas spot falls into a pit and is contaminated by a black substance. When a bomb threatens the Dallas Federal Building, special FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) locate the device but are unable to prevent the explosion. The agency blames Mulder and Scully for the disaster, subjecting them to lengthy interrogations while trying to sever their partnership. In a bar, conspiracy theorist Kurtzweil (Martin Landau), a friend of Mulder’s father, tells Mulder about the group behind the explosion, the cover-up of the boy’s death, the bodies of four infected rescue workers removed from the Federal Building, the secret government, and the forthcoming plague. Mulder and Scully set out to find answers, and their investigation becomes a foray into the fantastic.

Dan Brown’s controversial best-selling novel about a powerful secret that’s been kept under wraps for thousands of years comes to the screen in this suspense thriller from director Ron Howard. The stately silence of Paris’ Louvre museum is broken when one of the gallery’s leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim’s granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbologist from the United States. As Sophie and Robert dig deeper into the case, they discover the victim’s involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy Grail, while members of the priory and an underground Catholic society known as Opus Dei give chase, determined to prevent them from sharing their greatest secrets with the world. Also starring Ian McKellen, Jean Reno, and Alfred Molina, The Da Vinci Code was shot on location in France and the United Kingdom; the Louvre allowed the producers to film at the famous museum, but scenes taking place at Westminster Abbey had to filmed elsewhere when church officials declined permission.

Defense attorney Claire Kubik (Ashley Judd) seems to have the perfect life. She has a high profile job at a big firm, a beautiful home outside San Francisco, and a husband, Tom (James Caviezel of The Thin Red Line), who loves her. Claire’s biggest problem appears to be that she wants to have a baby, and she’s having trouble getting pregnant. But when the police investigate a routine break-in at her home, they uncover the truth about her husband’s identity, and her life is thrown into turmoil. Claire finds out that her husband’s name is actually Ron Chapman, and that he’s an ex-marine accused of murdering seven innocent civilians in El Salvador during a raid in the late ’80s. He admits that he was there, and that he changed his identity to escape prosecution for the crimes, but he insists that he’s innocent, and that the massacre was committed by another soldier under the orders of a powerful general (Bruce Davison), who is using Ron as a patsy to cover it up. Claire is eventually convinced that Ron’s telling the truth. Faced with defending her husband in an unfamiliar military courtroom, Claire enlists the aid of Charles Grimes (Morgan Freeman), an ex-Army judge advocate with an axe to grind. Stonewalled by the military bureaucracy at every turn, they uncover a web of deception and disappearing witnesses, and they soon find their own lives in danger. High Crimes was adapted from Joseph Finder’s novel by the husband and wife screenwriting team of Yuri Zeltser and Cary Bickley. The film was directed by Carl Franklin (One False Move), and co-stars Amanda Peet and Adam Scott.

David Mamet writes and directs the political thriller Spartan. Respected Secret Service agent Robert Scott (Val Kilmer) is assigned to the kidnapping case of Laura Newton (Kristen Bell), the missing daughter of a high-ranking political figure. Scott is teamed up with rookie Curtis (Derek Luke). Aided by the FBI and the CIA, the team discovers a human trafficking operation that may lead to Laura’s kidnappers. Meanwhile, political operative Stoddard (William H. Macy) refuses to cooperate with the rescue mission. Scott and Curtis are forced to quit the investigation when the media reports Laura’s death. Believing her to be alive, Curtis is motivated to start up a dangerous unofficial investigation of his own. Spartan premiered at the Bangkok International Film Festival in 2004.

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a “sunburn” from its bright lights to prove it. Neary’s wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a “logical” explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the “truth” about UFOs. Neary’s obsession eventually puts him in contact with others who’ve had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker Fran?ois Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe’s theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil’s Tower, Wyoming. In 1980, a “Special Edition” was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act.