Bovie Movie

As an inmate at Leavenworth prison, Robert Stroud has a series of confrontations with the guards and with the other convicts. When Stroud kills a guard, he is sentenced to be executed, and only his mother’s impassioned intervention gets his sentence commuted to life imprisonment, which he must serve in solitary confinement. As he serves out his sentence in boredom and despair, one day he finds a helpless baby sparrow in the exercise yard. Stroud soon takes a deep interest in caring for birds, which gives him a new purpose in life, but which also brings new conflicts with prison authorities.

When three star General Irwin is transferred to a maximum security military prison, its warden, Colonel Winter, can’t hide his admiration towards the highly decorated and experienced soldier. Irwin has been stripped of his rank for disobedience in a mission, but not of fame. Colonel Winter, who runs the prison with an iron fist, deeply admires the General, but works with completely different methods in order to keep up discipline. After a short while, Irwin can feel Winter’s unjust treatment of the inmates. He decides to teach Winter a lesson by taking over command of the facility and thus depriving him of his smug attitude. When Winter decides to participate in what he still thinks of as a game, it may already be too late to win.

After a violent combat against the bugs in their planet, with many casualties of humans under the command of a coward officer, a group of troopers looks for shelter in an abandoned military post. The psychic Pvt. Lei Sahara (Colleen Porch) finds and releases Capt. V.J. Dax (Richard Burgi), who was left behind locked in a cell by his troop, after killing a general. Dax and two privates, in a daring mission, save Gen. J. G. Shepherd (Ed Lauter) and some soldiers from an attack of the bugs, and Shepherd gives him a command position. While waiting for rescue, some troopers are invaded through their mouths by small bugs that took control of their brains. When Gen. Shepherd is possessed by one creature, Dax and Sahara try to prevent him getting back to the Federation.

Three brothers who would argue that crime does pay have a hard time getting their fair share of the proceeds in this witty action thriller from Australia. Dale Twentyman (Guy Pearce) and his brothers, Mal (Damien Richardson) and Shane (Joel Edgerton), are serving time together in prison for robbery. Dale is the brains and the cool head of the group, Mal is the eager-to-please nice guy, and Shane is something of a loose cannon. Dale and his siblings are eager to get out of jail, and their lawyer, Frank Malone (Robert Taylor), has pulled a deal that could pare some time off their sentences, though the arrangement is strictly off the books. Mick Kelly (Vince Colosimo) and Jack O’Riordan (Paul Sonkkila) are a pair of crooked police detectives who have arranged with Malone to give the Twentyman brothers day passes from jail in order to pull bank robberies, with the siblings’ share held in escrow until they’re released. Dale thinks something a bit off in this operation, and his suspicions are confirmed when Malone tells the brothers after they’re granted their early release that they won’t get their money until they pull one last job — an ambitious robbery at a Melbourne race track on the day of the nation’s biggest horse race. Dale is convinced he smells a rat — especially since he has good reason to suspect that Malone is having an affair with his wife, Carol (Rachel Griffiths). The Hard Word marked the directorial debut for writer/director Scott Roberts.

A couple of escaped convicts on the run find refuge with the Church when they are mistaken for two priests. The two are keen to flee but are unable to do so without the help of Molly.

With an insane asylum standing in for everyday society, Milos Forman’s 1975 film adaptation of Ken Kesey’s novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama’s boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other’s worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy’s message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions.

Cops, secretaries, and prisoners stuck in a soon-to-be-shuttered L.A. police station fight off a horde of murderous gang members in director John Carpenter’s homage to Howard Hawks. When police officer Bishop (Austin Stoker) is left in charge of Precinct 13 on the last day it’s open, he isn’t prepared for the onslaught of a murderous street gang who have come into the possession of an enormous arsenal of guns. Finding himself trapped in the precinct with a pair of secretaries (Laurie Zimmer and Nancy Loomis), a few civilians and a handful of prisoners, Bishop is unable to call for help because the phones have already been disconnected and the precinct is in a run-down, out-of-the-way neighborhood. Holding out for a rescue, he and his fellow prisoners band together to barricade themselves in and hold the bandits at bay. But as the casualties mount and the supplies run low, they must choose between a daring escape attempt, a fiery offensive, or certain death. The sophomore feature from auteur-in-the-making John Carpenter, Assault on Precinct 13 reunited the director with Douglas H. Knapp, his cinematographer on 1974’s Dark Star.

A hard-drinking, hard-living cop assigned the task of transporting a small-time criminal to the nearby courthouse finds that a simple, 16-block drive can be the longest ride of his life in director Richard Donner’s urban action thriller. Hung-over, has-been cop Jack Mosley (Bruce Willis) has seen better days, and all that the force expects out of him these days is to stay out of trouble while he’s on the clock. Eddie Bunker (Mos Def) is set to testify before a grand jury at 10:00 a.m., and it’s up to Mosely to make sure that Bunker makes it to the courthouse in one piece — a job that Mosely estimates will take a maximum of 15 minutes. A black van has been trailing the pair unnoticed, though, and after stopping off at a nearby liquor store to pick up some breakfast, Mosely emerges from the store just in time to save Eddie from the lethal bullet of a determined assassin. When backup arrives in the form of Detective Frank Nugent (David Morse), Mosely quickly realizes that the detective on Nugent’s team is the same cop that Bunker is set to testify against. Now faced with the tough task of dodging bullets and eluding a massive onslaught of corrupt cops, Mosely must keep Bunker alive long enough to get him before the judge and ensure that justice is served.

A variation on the “buddy-cop” hybridized genre, 48 HRS. greatly bolstered the career of Nick Nolte and made comedian Eddie Murphy a bonafide box-office sensation. When a pair of reckless cop-killers break out of prison, grizzled detective Jack Cates (Nolte) is left no alternative but to spring fast-talking hustler Reggie Hammond (Murphy) from the penitentiary in order to find the criminals. The catch: the pair only have 48 hours to complete their assignment before Hammond must return to prison. Naturally, the two despise each other and even engage in fisticuffs, but eventually the danger facing them proves a strong enough common bond for them to play on the same team, and even achieve a little mutual admiration.

One of the toughest and best-remembered sports movies of the 1970s gets a humorous makeover in this comedy. Paul “Wrecking” Crewe (Adam Sandler) was once a famous professional football player, but after several years out of the limelight and an alcohol problem have taken their toll, Crewe is arrested for a serious traffic accident aggravated by the fact he was drunk. Crewe is sentenced to Allenville Penitentiary, where Warden Hazen (James Cromwell) is something of a football fan. Hazen had organized his guards into an impressive football team, and clears a healthy profit by taking bets on their games. Looking to make the competition more interesting, Hazen suggests that Crewe put together a team from the inmate population to play his guards. With the help of fellow prisoner Caretaker (Chris Rock), Crewe recruits the heaviest hitters from the cell block for the team, but the guys don’t play like a unit until Crewe and Caretaker get some help from Nate Scarborough (Burt Reynolds), a former college and NFL coach doing hard time. Adapted from Robert Aldrich’s 1974 box-office smash of the same name, The Longest Yard also features rap star Nelly and Nicholas Turturro; the film has previously been loosely remade in 2001 as Mean Machine, with the action moved to England and the game changed to soccer.