Bovie Movie

Viewers familiar with the 1996 Mel Gibson blockbuster Ransom may be disappointed that there are no smirking villains, car chases, or bloody fistfights in the original 1956 version of the same story. Even so, the earlier Ransom! has much to offer on a purely dramatic level. Based on the Richard Maibaum-Cyril Hume TV play Fearful Decision, the film stars Glenn Ford as self-made industrialist David Stannard. When his son is kidnapped and held for 500,000 dollars ransom, Stannard at first sets about to cooperate with the abductors and to raise the necessary funds. Somewhere along the line, however, Stannard’s outrage erupts and boils over. Buying air time on a local TV station, he pulls out the half-million dollars, then informs the kidnappers that they’ll never get their hands on a single penny. He further threatens to use the money as a reward for the kidnappers’ capture, dead or alive, should any harm befall his son. Despite the protests of his wife, Edith (Donna Reed), and the admonishments of his friends, family, business associates and even the police, Stannard sticks fast to his decision…but will he live to regret it? The boy’s abductors are never seen in Ransom!; instead, the film concentrates on the multitude of ramifications (including a few political ones) stemming from David Stannard’s bold stance. As such, the 1956 Ransom! is in its own way as tense and exciting as the more elaborate 1996 remake.

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone’s extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo’s eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson’s hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film’s extreme violence — numerous edits were required to win an R rating — became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape.

Nick Chen (Chow Yun-Fat) was the first Chinese-born immigrant in the NYPD, and is now one of the force’s most decorated officers. As such, he’s been named leader of the city’s Asian Gang Unit, who are the primary peacekeepers in Chinatown. Trouble has just arrived for the Triads, the long-entrenched Chinese gangsters who are the real power behind Chinatown. After years of posing as honest businessmen, the Triad’s powers are threatened by the newly arrived Fukienese Dragons. With a gang war on the horizon, the city sends a new recruit, Danny Wallace (Mark Wahlberg), to join Chen’s unit. Danny finds Chen and the AGU in a very comfortable (perhaps too comfortable) relationship with the Triads. When the mobsters attempt to corrupt Danny, Chen must reassess his relationship with the Triads, and Danny must also learn that certain concessions must be made to ensure the peace in this world set apart from the rest of New York.

Further cementing 2003 as the year of Ron Shelton cop movies, the director continued his vacation from the sports genre with Hollywood Homicide, a police comedy that comes right on the heels of Shelton’s Dark Blue, a decidedly grittier cop thriller. The film stars Harrison Ford and Josh Hartnett as LAPD homicide detectives Joe Gavilan and K.C. Calden, two cops with bigger dreams. Gavilan moonlights as a real estate agent, while Calden teaches yoga and yearns for a career on the big screen. When an entire hip-hop group is murdered on-stage, Gavilan and Calden are called in to handle the case. As their investigation progresses, they begin to suspect that the rappers were offed for attempting to get out of their recording contract with label head Sartain (Isaiah Washington). Along with Bruce Greenwood and Keith David, the supporting cast boasts a plethora of real-life musicians, including Dr. Dre, Gladys Knight, Dwight Yoakam, Master P, and Ronald DeVoe of New Edition and Bell Biv DeVoe.

In this belated prequel to director Brian De Palma’s 1993 crime drama, gangster Carlito Brigante (Jay Hernandez) rises through the ranks of the New York underworld to establish himself as Spanish Harlem’s most powerful kingpin. As the intoxication of ultimate power tightens its firm grip on the rising heroin czar, he soon learns that greed and deception are the unspoken laws of the street. With no one to trust except for his two brothers in crime, Carlito begins building an empire founded on supplying the city’s addicts with the one product that is always in demand. His dreams of ruling the city finally becoming a reality, Carlito soon learns that the only way to sustain his power is through loyalty and respect. Adapted from author Edwin Torres’ acclaimed novel, Carlito’s Way: Rise to Power also stars Mario Van Peebles, Luis Guzm?n, and Sean Combs.

Five men desperately try to recover their memories and piece together the traumatic events of the past several days in this independent thriller. In an abandoned warehouse, a handful of men slowly regain consciousness, but they’ve been stricken with amnesia and have no idea who they are, where they are, or what has happened to them. All five seem to have been in some sort of serious scuffle; one is tied up (Joe Pantoliano), another has been handcuffed (Jeremy Sisto), a third has a broken nose (Greg Kinnear), and the other two have their share of scrapes and bruises (Jim Caviezel and Barry Pepper). As the men compare the tiny shards of memory they can pull from their minds, one finds a newspaper from two days before which features a front-page story about the kidnapping of a wealthy and well-known businessman. The men begin to suspect that they were involved with the kidnapping, but no one is sure if they’re on the right or wrong side of the law – or if one of them might happen to be the victim. The first feature film from veteran music video director Simon Brand, Unknown also stars Peter Stormare, Bridget Moynahan and Clayne Crawford.

Vin Diesel opted to not appear in the sequel to the film the shot him to stardom in the first place, The Fast and the Furious. With the character of Dominic Toretto out of the picture, 2 Fast 2 Furious concentrates exclusively on the latest exploits of undercover agent Brian O’Connor, played by Paul Walker. In addition, with director Rob Cohen passing, producers have added a dash of credibility to the sequel by hiring John Singleton to helm. What does completely remain from the first film is the presence of fast-living underground street-racing gangs. Moving from Los Angeles to Miami, O’Connor is looking to redeem himself after the events of the first movie, so he again goes undercover to infiltrate another group of thuggish car enthusiasts. This time around he’s enlisted the help of ex-con Roman Pierce (Tyrese) and fellow agent Monica Celemente (Eva Mendes) to bring down Carter Verone (Cole Hauser), an importer/exporter who heads up a massive drug trafficking operation. Heading up the supporting cast are hip-hop stars Ludacris and Fabolous.

Two self-styled criminal masterminds find themselves in a turf battle neither much cares about in this underworld story that balances comedy against drama. Alec Baldwin plays Mackin, a career thief who picks his jobs shrewdly and carefully, and prefers to spend his downtime with his collection of rare jazz LP’s and looking after his dog. Pointy (Michael Jai White) is a young upstart gangster trying to develop a taste for refinement and the good life. When Pointy sets up Mackin, Mackin is forced to retaliate, and before long both men and their associates are in the middle of a war neither is especially interested in winning, which begins to escalate in comic fashion. The skirmish eventually attracts the attention of a female cop (Rebecca De Mornay) who’s become interested in Mackin’s method of operation. Thick As Thieves received its world premiere at the 1999 Sundance Film Festival.

Jigsaw, the diabolical criminal who captured the imagination of horror fans in the 2004 hit Saw, returns in this equally bloody sequel. Eric Matthews (Donnie Wahlberg) is a police detective who, after discovering the aftermath of a particularly gruesome murder, is convinced that Jigsaw (Tobin Bell) is up to his ugly tricks again. Matthews’s hunch turns out to be correct, but the master criminal proves to be disconcertingly easy to capture. As it happens, Jigsaw is eager to be put behind bars in order to throw the authorities off his trail as he once again punishes people who in his eyes have transgressed the boundaries of acceptable moral behavior. But instead of trapping two people in a filthy dungeon where they must engage in a terrible contest in order to win their freedom, eight people have been locked away by Jigsaw, and they must torture their bodies and minds to achieve the terrible justice Jigsaw seeks. Saw II was written by Leigh Whannell, who also scripted the first film.

Skip Woods made his directorial debut with this film, caught in a crossfire between thriller and comedy. After violence is unleashed in the opening sequence, the story settles on former L.A. drug dealer Casey Wells (Thomas Jane), now a Houston architect living with his attractive wife Christine (Paula Marshall). When past partner Nick (Aaron Eckhart) arrives out of the blue on a Thursday, asking for a place to stay for a few days, Casey invites him in but later gets curious about Nick’s briefcase. After he opens it to find a huge helping of heroin, panic sets in, and he flushes it all away — setting the stage for a variety of hoods and hitmen to turn up on Casey’s suburban doorstep. Shown at the 1998 Toronto World Festival.