Bovie Movie

Midnight Express is a harrowing tale of a na?ve American caught in a nightmare of his own making thousands of miles from his home. Billy Hayes (Brad Davis) is an American tourist visiting Turkey with his girlfriend Susan (Irene Miracle) when he’s caught by customs officials trying to smuggle a large amount of hashish out of the country. The crime would normally carry a sentence of four years, but officials decide to make an example of Billy, and he draws a 30-year sentence despite the promises of his Turkish legal counsel. While Susan and Billy’s father (Mike Kellin) pledge to do everything they can to speed Billy’s release, in fact there’s little than can be done. Billy quickly finds himself in a hellish prison that’s a nightmare of filth, violence, rape, inedible food, and unspeakable health conditions. However, Billy gains a few confidantes behind bars: Jimmy (Randy Quaid), an American in a constant state of emotional overdrive; Max (John Hurt), an intelligent, drug-addicted Englishman; and Erich (Norbert Weisser), a gay Scandinavian who is attracted to Billy but accepts his gentle refusals of sex. Before long, Billy is convinced that he can take no more, and he makes plans to take the “midnight express” — jailhouse slang for escape. While his friends are willing to help, they also make clear that almost no one who has tried to escape has lived to tell the tale. Based on a true story, Midnight Express was a box-office hit which won wide acclaim for the performances of Brad Davis and John Hurt; and the screenplay, by Oliver Stone, won an Academy Award.

Two cops in Los Angeles try to track down the vicious criminal Eric Masters. Then, one of them is killed by Masters and the other one swears revenge no matter what the cost. After that, the hunt becomes an ob- session and the law he once swore to uphold becomes meaningless to him.

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a “godfather” or “don,” the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family “business.” A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones’ political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael’s life. Sonny is also butchered, having been betrayed by Connie’s husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family’s power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.

Director Martin Brest, of Going in Style and Beverly Hills Cop fame, was in charge of Midnight Run. Robert De Niro stars as Jack Walsh, a hard-bitten bounty hunter offered $100,000 to bring in embezzler Jonathan Mardukas (Charles Grodin). Handcuffed to the wimpy Mardukas, Walsh assumes that the extradition trip from New York to Los Angeles will be an uneventful one. But the prisoner hasn’t told Walsh the whole story: the embezzler owes $15 million to a mobster (Dennis Farina), and he’s been targeted for assassination. It’s a toss-up as to what is the most entertaining aspect of Midnight Run: the slam-bang action and chase sequences or the verbal byplay between DeNiro and Grodin.

A taxi driver is unexpectedly taken on the ride of his life in this stylish thriller from acclaimed director Michael Mann. Max (Jamie Foxx) is a cab driver who hopes to some day open his own limo company; one night behind the wheel begins promisingly when he picks up Annie (Jada Pinkett Smith), an attorney working with the federal government who is attractive, friendly, and gives him her business card after paying her fare. Max thinks his luck is getting even better when his next fare, Vincent (Tom Cruise), offers him several hundred dollars in cash if he’ll be willing to drop him off, wait, and pick him up at five different spots over the course of the evening. Max agrees, but he soon realizes Vincent isn’t just another guy with errands to run — Vincent is an assassin who has been paid to murder five people who could put the leaders of a powerful drug trafficking ring behind bars in an upcoming trial. As circumstances force Max to do Vincent’s bidding, the cabbie has to find a way to prevent Vincent from killing again and save his own skin, a task that becomes especially crucial when he discovers Annie is one of the names on Vincent’s hit list. Collateral also stars Mark Ruffalo, Peter Berg, and Bruce McGill as police detectives hot on Vincent’s trail.