Bovie Movie

The Eisner Award-winning comic series Sin City comes to life in this live-action feature adaptation from director Robert Rodriguez and creator Frank Miller. Interweaving multiple storylines from the series’ history, this violent crime noir paints the picture of the ultimate town without pity through the eyes of its roughest characters. There’s the street thug Marv (Mickey Rourke), whose desperate quest to find the killer of a prostitute named Goldie (Jaime King) will lead him to the foulest edges of town. Inhabiting many of those areas is Dwight (Clive Owen), a photographer in league with the sordid ladies of Sin City, headed by Gail (Rosario Dawson), who opens up a mess of trouble after tangling with a corrupt cop by the name of Jackie Boy (Benicio Del Toro). Finally, there’s Hartigan (Bruce Willis), an ex-cop with a heart problem who’s hell-bent on protecting a stripper named Nancy (Jessica Alba). Featuring a who’s who supporting cast that includes Elijah Wood, Brittany Murphy, Devon Aoki, and Nick Stahl, Sin City promises to be one of the most direct translations from page to screen of a comic series, with shots and dialogue adapted straight from the original comic’s panels. Rodriguez quit the Director’s Guild when they refused to let Frank Miller co-direct the film, a deal hashed out after the two collaborators developed and shot the opening scene utilizing a green-screen process to harness the stark, black-and-white look of the books as a litmus test for the rest of the production. Quentin Tarantino was brought in and reportedly paid one dollar to direct an extended scene between Del Toro and Owen that amounts to one issue of The Big Fat Kill miniseries.

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone’s extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo’s eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson’s hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film’s extreme violence — numerous edits were required to win an R rating — became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape.

Tom Ludlow is a veteran LAPD cop who finds life difficult to navigate after the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he’s been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.

A cop’s personal code of justice begins to change after a number of incidents lead his city to a tragic wave of violence in this police drama. Eldon Perry (Kurt Russell) is a veteran cop with the LAPD’s Special Investigations unit, a man who isn’t above bending the law if it means putting people behind bars who deserve the treatment. As Los Angeles waits on the verdict in the Rodney King police beating trial, Perry is presenting testimony to Assistant Chief of Police Arthur Holland (Ving Rhames), who is well aware of the corruption in the SIS unit and wants to stop it. Perry, however, twists some facts as he speaks in the defense of his new partner, Bobby Keough (Scott Speedman), who is being investigated for inappropriate use of deadly force. For lack of honest testimony, Keough is let off the hook, and soon he and Perry have a new case to investigate — a robbery at a liquor store than turned into a quadruple homicide. Perry and Keough quickly track down two likely suspects, Orchard (Kurupt) and Sidwell (Dash Mihok), but Perry is surprised when the head of SIS, Van Meter (Brendan Gleeson), tells him to let Orchard and Sidwell go, and instead points the finger at two ex-cons who should be taken off the street, even though they’re innocent of this crime. Perry follows Van Meter’s orders, despite Keough’s misgivings, but in the wake of the L.A. riots, Perry has a change of heart, and decides to start working with Holland against Van Meter’s corrupt methods. In the midst of it all, Perry is trying to hold together his troubled marriage to Sally (Lolita Davidovich), while Keough finds himself romancing a fellow officer, Beth (Michael Michele). Dark Blue was adapted from an original screenplay by noted crime novelist James Ellroy; originally set against the backdrop of the 1965 Watts riots, the story was later updated to 1992.

Cops, secretaries, and prisoners stuck in a soon-to-be-shuttered L.A. police station fight off a horde of murderous gang members in director John Carpenter’s homage to Howard Hawks. When police officer Bishop (Austin Stoker) is left in charge of Precinct 13 on the last day it’s open, he isn’t prepared for the onslaught of a murderous street gang who have come into the possession of an enormous arsenal of guns. Finding himself trapped in the precinct with a pair of secretaries (Laurie Zimmer and Nancy Loomis), a few civilians and a handful of prisoners, Bishop is unable to call for help because the phones have already been disconnected and the precinct is in a run-down, out-of-the-way neighborhood. Holding out for a rescue, he and his fellow prisoners band together to barricade themselves in and hold the bandits at bay. But as the casualties mount and the supplies run low, they must choose between a daring escape attempt, a fiery offensive, or certain death. The sophomore feature from auteur-in-the-making John Carpenter, Assault on Precinct 13 reunited the director with Douglas H. Knapp, his cinematographer on 1974’s Dark Star.

Dirty Rotten Scoundrels is a remake of the 1964 film farce Bedtime Story. Steve Martin and Michael Caine take over the roles originally played by Marlon Brando and David Niven: two international con artists, plying their trade on gullible wealthy women up and down the Riviera. Martin and Caine vie over the honor of fleecing ingenuous heiress Glenne Headly (in a role originated by Shirley Jones).

This action thriller co-written by filmmaker Luc Besson stars Jet Li as Liu Jian, a Chinese intelligence officer in Paris on an assignment that finds him in the midst of an international conspiracy. When Liu’s investigation gets too close to uncovering the truth, his life is seriously jeopardized and he’s forced to creatively employ his martial arts skills, which includes using a pool ball and the French flag as defensive props. In the meantime, romantic sparks fly between Liu and a sexy witness (Bridget Fonda), while the agent discovers that a trusted French peer (longtime Besson featured player Tcheky Karyo) is actually the double-crossing criminal mastermind he’s seeking.

Greed turns an idyllic vacation into a nightmare in this action drama. Jared Cole (Paul Walker) makes his living salvaging wreckage from ships off the coast of the Bahamas. He shares a rattle-trap trailer home with his girlfriend, Samantha “Sam” Nicholson (Jessica Alba), a shark expert who works at a nearby resort. While both are happy with their lives in the islands, Jared dreams of finding a major score and living the high life. One day, Jared and Sam are paid a visit by Bryce Dunn (Scott Caan), a childhood friend of Sam’s who is now doing very well as a lawyer. Bryce and his girlfriend, Amanda (Ashley Scott), have come to the Bahamas for a few days of diving and fun, and Sam and Jared show them the waters while making use of his yacht. While diving with Sam, Bryce, and Amanda, Jared discovers the wreckage of a plane used to smuggle drugs, and thinks he may have found the big score he’s always dreamed of. While Sam persuades Jared that the cargo is too risky to move, Bryce and Amanda think there’s a fast buck to be made, and team up with Primo (Tyson Beckford), a local underground entrepreneur, to fence the contents of the plane. However, Bryce and Amanda have underestimated just how dangerous Primo and his henchmen can be, and now Sam and Jared must come to their rescue. Into the Blue was directed by John Stockwell, who previously took filmgoers to the seashore with the surfing drama Blue Crush.

The Fast and the Furious (2001) screenwriter David Ayer follows up that fast-paced action hit with this gritty cop drama from director Antoine Fuqua. Ethan Hawke stars as Jake Hoyt, a fresh-faced Los Angeles Police Department rookie anxious to join the elite narcotics squad headed up by 13-year veteran Detective Sergeant Alonzo Harris (Denzel Washington). Harris has agreed to give Hoyt a shot at joining his team with a one-day ride-along during which Hoyt must prove his mettle. As the day wears on, however, it becomes increasingly clear to the greenhorn that his experienced mentor has blurred the line between right and wrong to an alarming degree, enforcing his own morally compromised code of ethics and street justice. As he struggles with his conscience, an increasingly alarmed Hoyt begins to suspect that he’s not really being given an audition at all; he’s being set up as the fall guy in an elaborate scheme. Training Day co-stars Tom Berenger, Scott Glenn, and recording artists Snoop Dogg, Dr. Dre, and Macy Gray.

Cabin Fever director Eli Roth skips the humor of his freshman feature and goes straight for the jugular in this unrelenting scare-fest about a pair of libidinous American backpackers seeking cheap thrills in the European countryside. Their carefree college days close behind and the responsibility of the real world looming ever closer on the horizon, Josh (Derek Richardson) and Paxton (Jay Hernandez) strap on their backpacks and prepare for a stratospheric last hurrah of booze, babes, drugs, and debauchery halfway across the globe. It’s during a visit to Amsterdam that the pair meets up with raucous Icelandic backpacker Oli (Eythor Gudjonsson), and after the three globe-trotting thrill seekers catch wind of a Slovakian city whose male population has dwindled as a result of civil strife — leaving the ladies ready and willing to accept any male companionship that might turn up at the local hostel — the trio quickly beats a hasty retreat to the out-of-the-way oasis. Upon check-in, the trio is greeted by a bevy of beautiful locals and is quickly convinced that the hedonistic hideaway is indeed the real deal. Hazily awakening the following morning to find no trace of backpacking buddy Oli, Paxton chalks his former traveling companion’s disappearance up to capriciousness and prepares for another day of debauchery, despite Josh’s rapidly elevating sense of unease. Now trapped defenselessly in a foreign land without any means of escape and no way of anticipating the unimaginable hell that lies ahead, the pair is plunged into a torturous netherworld where the screams of the damned fill the air with dread and the warm rays of the sun are little more than a fading memory.