Bovie Movie

London, 1903: four lads, three women, and J.M. Barrie in the year he writes “Peter Pan.” After one of his plays flops, Barrie meets four boys and their widowed mother in the park. During the next months, the child-like Barrie plays with the boys daily, and their imaginative games give him ideas for a play. Simultaneously, a friendship deepens with Sylvia, the lads’ mother, to the chagrin of his wife Mary, with whom he spends little time (separate bedrooms), the widow’s mother, and high society, which gossips about his attraction to the widow and to her sons. As Sylvia’s health worsens, Barrie’s ties to the boys strengthen and he must find a way to take his muse to Neverland.

A writer of BAD detective novels is in full writers’ block. He pretends to be the alibi of a beautiful woman who was arrested for murder at first thinking her innocent, but as she shows more and more interesting abilities (such as knife throwing) he begins to doubt his first assessment. He is still falling for her, but more and more nervous as time passes, and there are more close calls with death on his part.

Directed by Michael Mayer and based on The Hours author Michael Cunningham’s novel of the same name, A Home at the End of the World chronicles the 1980s reunion of childhood best friends Bobby (Colin Farrell) and Jonathan (Dallas Roberts). Where they were once best pals — and teenage lovers — in the suburbs of Cleveland, Bobby has become a charismatic but go-nowhere heterosexual slacker, and Jonathan is now living as an openly gay man in New York City, hoping to serve as father to his eccentric roommate Clare’s (Robin Wright Penn) child. When Bobby impulsively moves to the city to be closer to his former friend, their bonds are tested sooner than anyone would have thought. Bobby falls for Clare, and in doing so, effectively eliminates what would have been Jonathan’s position in the baby’s life. Jonathan temporarily takes off; when his father dies, and he attends the Arizona funeral, Bobby and Clare unexpectedly turn up with the news that she’s expecting. Despite the still-existent tensions, the trio becomes a family unit among themselves, ultimately buying a house in Woodstock, Upstate New York, where they all move together, challenging traditional notions of family, commitment, love, and devotion.

Maverick American filmmaker Robert Altman takes a witty and absorbing look at the foibles of the British class system in this intelligent murder mystery set in the early ’30s. Sir William McCordle (Michael Gambon) and his wife Lady Sylvia (Kristin Scott Thomas) are a pair of wealthy British socialites who have invited a variety of friends, relatives, and acquaintances to their mansion in the country for a weekend of hunting and relaxation. Among the honored guests are Constance (Maggie Smith), Lady Sylvia’s matronly aunt; Ivor Novello (Jeremy Northam), William’s cousin who is also a well-known actor and songwriter; and Morris Weissman (Bob Balaban), an American film producer who is friendly with Ivor and researching an upcoming project. Observing the proceedings are the domestic staff of the mansion, including imperious butler Jennings (Alan Bates); footmen George (Richard E. Grant) and Arthur (Jeremy Swift); Probert (Derek Jacobi), a valet to Sir William; housekeeper Mrs. Wilson (Helen Mirren); Mrs. Croft (Eileen Atkins), who oversees the kitchen; and Elsie (Emily Watson), a maid. Also on hand are the guests’ personal servants, including Mary (Kelly Macdonald), Constance’s maid; Henry (Ryan Phillippe), Weissman’s valet; and Parks (Clive Owens), a butler. While the servants are required to display a high level of decorum, they are expected to be passive observers who do not comment on what they see, though the gossip among them travels thick and fast once they retire to the servants’ quarters downstairs. And it turns out that there’s plenty worth gossiping about, especially after Sir William turns up dead, and everyone is ordered to stay at the mansion while the police investigate the killing. Gosford Park also features Charles Dance, Tom Hollander, Natasha Wightman, and Ron Webster; the screenplay was written by Julian Fellowes, based on a story by Altman and co-star Bob Balaban.

In this exploration of our violent society and how depictions of violence reflect and shape our culture, a middle-class housewife Anna tells the story of how she and her husband George and their 10-year-old son Georgie submitted both physically and mentally to the torture, violence, and death foisted upon them by two young, unexpected, white-gloved visitors at their weekend vacation retreat near a lake.

The restless sales representative of a transport company Joanna Mills (Sarah Michelle Gellar) travels from Saint Louis to Texas in a business trip. She is haunted by violent visions and after meeting her client, she visits her lonely father. On the next morning, she decides to visit La Salle, a small town where she has never been before, but she had recollections of many locations. She lodges in a hotel and later she meets and is befriended by the local widower Terry Stahl, who helps her from an aggression. Her daydreams and nightmares increase and she becomes obsessed for disclosing the truth about her visions of a brutal murder of a woman in a barn. Along her investigation, Joanna gets close to the killer and feels that her life is in danger.