Bovie Movie

While Andy is away at summer camp Woody has been toynapped by Al McWiggin, a greedy collector and proprietor of “Al’s Toy Barn”! In this all-out rescue mission, Buzz and his friends Mr. Potato Head, Slinky Dog, Rex and Hamm springs into action to rescue Woody from winding up as a museum piece. They must find a way to save him before he gets sold in Japan forever and they’ll never see him again!

Dusty Chandler (Strait) is a super star in the country music world, but his shows have the style of a ’70s rock concert. One day he takes a walk - out of his overdone concerts to find his real country roots. He’s helped and hindered by friends and staff, but pushes on in his search for a real music style as well as a real romance.

In an era when Americans were in great need of heroic figures to help them forget their troubles, SEABISCUIT comes to the rescue. The picture relates a moving story of friendship and devotion in rehabilitating the main characters’fractured lives, as it interweaves the interactions between horse, jockey, trainer and owner and their adoring fans. The film accurately portrays the real people and events of those troubled times and how Seabiscuit “fixed us, every one of us.”

Joan Wilder is a mousey writer of romance novels. She finds a package from her sister mailed from Colombia in her mailbox. A call from her sister tells her that she has been kidnapped and that bringing the package to Colombia is necessary for her safety and release. Being fairly clueless, she leaves for Colombia to rescue her sister. She is lost within hours of her arrival. She is nearly murdered by one of the men searching for the package when Jack Colton, a fairly low life American rescues her. They begin a journey through the jungle with bullets flying nearby. Is Joan up to all of this? What a way to find out.

Tobe is about 16, living with her dad and younger brother in LA’s San Fernando Valley. She invites a gas station attendant named Harlan to come to the beach with her and her friends. He’s from South Dakota, wears a cowboy hat, talks country, and has been a ranch hand. They have a great time, his simple expressions seem like wisdom, he’s attentive and polite, and even though he’s more than twice her age, she wants to spend time with him. When her father objects, she rebels. Harlan, meanwhile, thinks she’s his soul mate, and he starts making plans to get her away from her father. Worlds are set to collide, but which ones?

Frank Hopkins was a rider for the Army, who was at the Wounded Knee Massacre, which would haunt him for life and he copes by turning to the bottle. He joins Buffalo Bill’s Wild West Show, and is billed as the greatest horseman and his horse, Hidalgo is billed as the greatest horse in the world because of the countless races he has won. But an Arab questions that claim because they have not competed in a race like the Oceans of Fire which is very grueling. Hopkins decides to join it. So he travels to the Middle East to enter and has several rivals and there are those who don’t want him to win. And Frank gets to face some of the demons that plague him.

Veteran screen star Tommy Lee Jones makes his directorial debut with the fractured tale of murder and injustice on the U.S.-Mexico border scripted by Amores perros and 21 Grams screenwriter Guillermo Arriaga. Mike Norton (Barry Pepper) is a fresh-faced Border Patrol officer in Cibolo County, Texas whose dedication to his new job leaves his lonely wife Lou Ann (January Jones) with little to do but spend her days at the local diner, where she strikes up a friendship with waitress Rachel (Melissa Leo). Despite her own status as a married woman, Rachel is unfulfilled in her marriage and is intimately involved with both rugged rancher Pete Perkins (Tommy Lee Jones) and local Sherrif Belmont (Dwight Yoakam). Soon after Pete hires Mexican illegal Melquiades Estrada (Julio Cesar Cedillo) as a ranch hand, the growing bond between the pair is suddenly shattered when, in a moment of panic on a routine patrol, Mike hastily guns down the innocent Melquaides. When an enraged Pete learns that Mike had unceremoniously buried the illegal immigrant in an unmarked desert grave and local authorities opt to overlook the case, he kidnaps the crooked lawman and sets out to ensure that justice is served with or without the involvement of the local police force.

Based on the popular children’s book by Lynne Reid Banks, this fantasy concerns a young boy who discovers that his toys are developing lives of their own — which presents him with unexpected responsibilities. Omri (Hal Scardino), a young boy growing up in Brooklyn, receives an odd variety of presents for his birthday: a wooden cabinet from his older brother, a set of antique keys from his mother Jane (Linsday Crouse), and a tiny plastic model of an Indian from his best friend Patrick (Rishi Bhat). Putting them all together, Omri locks the Indian inside the cabinet, only to be awoken by a strange sound in the middle of the night. Omri opens the cabinet to discover that the tiny Indian has come to life; it seems that he’s called Little Bear (Litefoot), and he claims to have learned English from settlers in 1761. Omri hides this remarkable discovery from his mother but shares it with Patrick; as an experiment, Patrick locks a toy cowboy into the cupboard, and soon Little Bear has a companion, Boone (David Keith), though predictably, the cowboy and the Indian don’t get along well at first. Omri comes to the realizations that his living and breathing playthings are also people with lives of their own, and he begins to wonder how much control he should really have over their lives. The Indian in the Cupboard was directed by Frank Oz, best known as one of the original puppeteers for The Muppets and the voice of Miss Piggy.

The new night watchman at New York’s Museum of Natural History finds that the job comes with more responsibility than he ever dreamed in this wild fantasy comedy directed by Shawn Levy and starring Ben Stiller, Robin Williams, Mickey Rooney, and Dick Van Dyke. Larry Daley (Stiller) is a kind-hearted dreamer who always knew that he was destined for greatness, he just never quite knew how. None of his ideas or inventions has panned out, so with a heavy heart, he takes a regular job as a lowly graveyard-shift security guard at the Museum of Natural History in order to provide a more stable life for himself and his ten-year-old son. His first night on the job, however, he finds that guardianship of the museum is far from stable — at nightfall, an Egyptian spell brings the artifacts and wax figures to life! With Attila the Hun charging to war through the hallways, the diorama miniatures embroiled in a deadly feud, and a two-ton Tyrannosaurus Rex nagging to play fetch, Larry has half a mind to turn tail and run. On top of cleaning up after two million years of historical chaos every night, he also has to make sure that not a single museum piece leaves the building — from the bratty Capuchin monkey in the African exhibit, to the life-sized Neanderthal in the prehistoric display — because if morning light falls on an escaped artifact, it will turn to dust. Larry turns to a wax replica of President Roosevelt (Williams) for a little advice on keeping things in tact, but Teddy seems to think that a man of Larry’s greatness needs little help. Larry isn’t sure if the former commander in chief is right; this is hardly what he signed up for, but he can’t pass up the chance to care for a museum where history really does come to life.

A high-energy action adventure based on legend rather than historical fact finds Wyatt Earp (Kurt Russell) desiring to retire from law enforcement. With brothers Virgil (Sam Elliot) and Morgan (Bill Paxton), he arrives in Tombstone, Arizona intending to build his fortune. He discovers that long-time friend Doc Holliday (Val Kilmer) is there and that the town is run by a group of brutal outlaws called the Cowboys. Earp, frustrated with his laudanum-addicted wife, begins a romance with traveling stage actress Josephine Marcus (Dana Delany). Meanwhile, the Cowboys terrorize the citizens of Tombstone unchecked.

When the town marshal is killed by a Cowboy, Earp steps in to prevent a lynching by an angry mob. He also refuses to hand the killer over to his fellows, beginning the enmity between the Cowboys and the Earp brothers. Virgil, overcome with guilt at doing nothing to help the Tombstone citizens, accepts the position of town marshal. With Wyatt and Morgan as his deputies, and the help of Doc, Virgil attempts to arrest several Cowboys, resulting in the famous OK Corral shoot-out. The Cowboys take revenge by ambushing two of the brothers and injuring Virgil and killing Morgan. The Earps leave town, apparently cowed. Wyatt returns, wearing the badge of a U.S. marshal, vowing to destroy every last Cowboy. He hunts them mercilessly, until the leader, Johnny Ringo (Michael Biehn) challenges Wyatt to a duel. While not regarded as an artistic masterpiece, “Tombstone” is considered the best of director George P. Cosmatos’ prolific films. The all-star cast (including Thomas Haden Church and Billy Bob Thornton in small roles) delivers solid performances. Both William A. Fraker’s cinematography and Bruce Broughton’s stirring musical score are expertly designed for dramatic effect. Blood is shown liberally in several key scenes, but seems intended to show that there is nothing glorious in Wyatt Earp’s actions, only necessity. He and his deputies take on the symbolism of the horsemen of the apocalypse — dispensing judgement, and the Biblical references form a symmetry at the beginning and end of the film.