Bovie Movie

As visually stylish as it is graphically violent, this thriller directed by Luc Besson concerns Mathilda (Natalie Portman), a 12-year-old girl living in New York City who has been exposed to the sordid side of life from an early age: her family lives in a slum and her abusive father works for drug dealers, cutting and storing dope. Mathilda doesn’t much care for her parents, but she has a close bond with her four-year-old brother. One day, she returns from running an errand to discover that most of her family, including her brother, have been killed in a raid by corrupt DEA agents, led by the psychotic Stansfield (Gary Oldman). Mathilda takes refuge in the apartment of her secretive neighbor, Leon (Jean Reno), who takes her in with a certain reluctance. She discovers that Leon is a professional assassin, working for Tony (Danny Aiello), a mob kingpin based in Little Italy. Wanting to avenge the death of her brother, Mathilda makes a deal with Leon to become his protégée in exchange for work as a domestic servant, hoping to learn the hitman’s trade and take out the men who took her brother’s life. However, an affection develops between Leon and Mathilda that changes his outlook on his life and career. Besson’s first American film boasted a strong performance from Jean Reno, a striking debut by Natalie Portman, and a love-it-or-hate-it, over-the-top turn by Gary Oldman. Léon was originally released in the U.S. in 1994 as The Professional, with 26 minutes cut in response to audience preview tests. Those 26 minutes were restored in the director’s preferred cut, released in 1996 in France as Léon: Version Intégrale and in the U.S. on DVD as Léon: The Professional in 2000.

This independent production find New York cab driver Glenn Atkins (Fred Dennis) finding a valuable piece of paper in his vehicle at the end of the day. The paper is a map that leads to $400,000 of stolen money hidden near the Hudson River. Glenn makes love to his wife, a fellow employee and the wife of the man who planned the robbery of the Florida bank. The longer he holds on to the map, the more danger he encounters in this drama of a man who risks his life for the hidden money.

F. Gary Gray directed this suspenseful action thriller based on a real case experienced by police in St. Louis. The James DeMonaco/Kevin Fox screenplay follows an accused man who is forced to commit crimes in order to prove himself innocent of murder. After Chicago police hostage negotiator Danny Roman (Samuel L. Jackson) succeeds in rescuing a little girl menaced by her gun-wielding dad, he’s praised by both the police department and the media, and he returns to his usual cop routines with his longtime partner, promising his new wife Karen (Regina Taylor) he’ll make it home for dinner every night. Then his partner, who had evidence of embezzlement within the police department, is killed. Since Danny arrives at the crime scene only seconds later, he’s the main suspect, and Chief Al Travis (John Spencer) asks him to turn in his gun and badge. Danny invades the Chicago Internal Affairs Division headquarters and tries to get the truth from Inspector Terence Niebaum (J.T. Walsh) while holding two assistants and Commander Frost (Ron Rifkin) as hostages. He then calls for an outsider from another precinct, hostage negotiator Chris Sabian (Kevin Spacey). When Sabian arrives, the two compete for control, while Danny attempts to prove to him that he’s been falsely accused. The film is dedicated to J.T. Walsh, who died not long after the production wrapped.

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a “godfather” or “don,” the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family “business.” A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones’ political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael’s life. Sonny is also butchered, having been betrayed by Connie’s husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family’s power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.

Action star Steven Seagal crosses Rip Van Winkle with Clint Eastwood in this belabored revenge odyssey. Seagal plays L.A. Detective Mason Storm and, over the opening credits, Storm is seen busily eavesdropping on crooked politician Vernon Trent (William Sadler). Once he has the goods on Trent, Storm phones his partner Kevin O’Malley (Frederick Coffin) to report on his progress. Unfortunately, crooked cops in the same room pick up the extension phone and listen in, thereby dooming Storm. Soon killers show up at Storm’s home and blow away Storm’s wife Felicia (Bonnie Burroughs) and their young son. Storm himself is also assumed dead, but when he is taken to the hospital, he lapses into a coma. O’Malley spirits him away, and everyone else, for all intents and purposes, thinks Storm has died. Seven years later, under the tutelage of incredibly beautiful nurse Andy Stewart (Kelly LeBrock), Storm rises from his coma and plots his revenge. With the able assistance of Andy, Storm heads off on a killing spree, becoming (as one character describes him), “the most unstoppable sonuvabitch I ever met.”

Richard Roundtree cuts a startlingly new and powerful heroic figure as John Shaft, “the cat who won’t cop out, when there’s danger all about” in Gordon Parks’ seminal action film, Shaft. John Shaft is a black private eye with a small office near Times Square. On his way there one day, he gets pumped for information by Lt. Victor Androzzi (Charles Cioffi), a friend of his on the police force, about something big going down in Harlem involving black crime kingpin Bumpy Jonas (Moses Gunn). Shaft can’t help him and leaves, only to just miss being waylaid by two of Bumpy’s strong-arm men at his office, one of whom ends up dead on the pavement eight floors or so below. Squeezed by the cops, who are holding a potential manslaughter arrest over his head, Shaft contacts Bumpy, who reveals that his teenage daughter, whom he’s always kept away from his business, has been kidnapped. There’s been no ransom demand and no clue as to who did it, and he wants Shaft to find the culprits, insisting that he start with a group of Harlem-based black militants led by Shaft’s onetime friend Ben Buford (Christopher St. John). No sooner does he find Buford, holed up in a decaying part of Harlem, however, than his friend’s comrades are mowed down by submachine gun fire, and Shaft and Buford barely escape. With Shaft angry and out for blood, everyone is forced to come clean — Bumpy knows that it’s the Mafia that kidnapped his daughter, as they want in on the Harlem drug trade that he controls; they’re holding her somewhere else outside of Harlem, where his men are no good to him, which is why he wanted Shaft to hook up with Buford. Androzzi tells Shaft that a dozen Mob trigger men from out of town have been spotted in Greenwich Village. He doesn’t know why they’re there, but he does know that if fighting breaks out between Bumpy’s men and the Mafia, it’s going to look like a race war, and the whole city could erupt. Shaft doesn’t like the way he’s been manipulated, but he sees Androzzi’s point — he links the trigger men to the kidnapping and finds the girl, but loses her again, getting shot in the process. Even though he’s wounded, Shaft heads for a final confrontation with the kidnappers, supported by Ben’s friends in an armed assault on the building where they’re holed up.

Four men come together to find out how and why the woman who raised them was killed in this hard-edged urban drama from director John Singleton. Short-tempered Bobby (Mark Wahlberg), struggling musician Jack (Garrett Hedlund), streetwise Angel (Tyrese Gibson), and hard-working Jeremiah (Andre Benjamin) are four guys who don’t appear to have much in common, in terms of either race or temperament. However, these men have one very important bond — all four were adopted and raised by the same woman (Fionnula Flanagan), and they all love her as a mother, and respect one another as brothers. When their mother is killed during a robbery at a grocery store, the four brothers come together for the funeral, but when they don’t get straight answers about what happened to her, they begin looking into the crime themselves. The deeper they dig into the case, the more the brothers begin to suspect that the shooting wasn’t an accident, and that powerful and unexpected forces were involved. Four Brothers marked one of the first starring roles for Andre Benjamin, better known as Andre 3000 of the top selling hip-hop group OutKast.

In this better-than-average kick-boxer foray, Brandon Lee (son of famed martial-arts film star, Bruce Lee) stars as a young art student who happens to witness a drug murder and is placed in protective custody by federal agents. It’s not too long before he realizes that the only real protection he can count on is his own martial-arts training. This film is rated R for violence, sex and profanity.