Bovie Movie

Big-budget special effects, swiftly paced action, and a distinct feminist subtext from writer/director James Cameron turned what should have been a by-the-numbers sci-fi sequel into both a blockbuster and a seven-time Oscar nominee. Sigourney Weaver returns as Ellen Ripley, the last surviving crew member of a corporate spaceship destroyed after an attack by a vicious, virtually unbeatable alien life form. Adrift in space for half a century, Ripley grapples with depression until she’s informed by her company’s representative, Carter Burke (Paul Reiser) that the planet where her crew discovered the alien has since been settled by colonists. Contact with the colony has suddenly been lost, and a detachment of colonial marines is being sent to investigate. Invited along as an advisor, Ripley predicts disaster, and sure enough, the aliens have infested the colony, leaving a sole survivor, the young girl Newt (Carrie Henn). With the soldiers picked off one by one, a final all-female showdown brews between the alien queen and Ripley, who’s become a surrogate mother to Newt. Several future stars made early career appearances in Aliens (1986), including Lance Henriksen, Bill Paxton, and Reiser.

In the year 2001, Dave Bowman was taken by the Jupiter monolith and transformed into a powerful being. Now, in the year 2010, Dr. Heywood Floyd, the man held responsible for Discovery’s failure, is going to Jupiter. He and his crewmates must reactivate the psychotic HAL-9000 computer, so they may learn what happened, and they must find out the meaning of Dave Bowman’s last transmission… “My God, it’s full of stars…”

2001 is a story of evolution. Sometime in the distant past someone or something nudged evolution by placing a monolith here on earth (presumably elsewhere throughout the universe as well) Evolution then enabled man to reach the moon’s surface where he finds yet another monolith, one which signals the monolith-placers that we have evolved that far. Now a race begins between computers (HAL) and man (Bowman) to reach the monolith-placers, the winner will achieve the next step in evolution, whatever that may be.

Acclaimed director David Fincher’s promising career was lucky to survive this astonishingly wrong-headed, almost universally despised second sequel to Alien (1979). The film careens into oblivion virtually from the beginning, as Lt. Ellen Ripley (Sigourney Weaver) is the only survivor of a crash-landing on a hellish, God-forsaken prison planet. Not only does the crash kill little Newt, completely obviating the entire point of the superior Aliens (1986), but Fincher then compounds his betrayal of that film’s fans by having Ripley attend the girl’s gruesome autopsy and barely bat an eye as the child’s chest is bloodily ripped open with a steel bonesaw. Things just go downhill from there, as the rather unthreatening rapists and murderers harass Ripley and curse a great deal before being torn apart by large fans, having their heads crushed by the unconvincing CGI alien, and finally volunteering to be murdered by the beast rather than letting the evil Company get hold of it. Fincher does the best he can with a terrible script, and there are some nice supporting turns by Charles S. Dutton, Charles Dance, and Brian Glover, but nothing could redeem the film’s first 15 minutes. By the time Ripley takes a suicidal swan-dive into a vat of molten lead, cradling a baby alien as it explodes from her chest, many viewers will not know whether to reach for the remote control or a warm bath and a razorblade. A loathsome experience by any standard, Alien 3 still made enough money for Weaver to return as a Ripley clone in Alien Resurrection (1997).

“In space, no one can hear you scream.” A close encounter of the third kind becomes a Jaws-style nightmare when an alien invades a spacecraft in Ridley Scott’s sci-fi horror classic. On the way home from a mission for the Company, the Nostromo’s crew is woken up from hibernation by the ship’s Mother computer to answer a distress signal from a nearby planet. Capt. Dallas’ (Tom Skerritt) rescue team discovers a bizarre pod field, but things get even stranger when a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt). Over the objections of Ripley (Sigourney Weaver), science officer Ash (Ian Holm) lets Kane back on the ship. The acid-blooded incubus detaches itself from an apparently recovered Kane, but an alien erupts from Kane’s stomach and escapes. The alien starts stalking the humans, pitting Dallas and his crew (and cat) against a malevolent killing machine that also has a protector in the nefarious Company.

In this sci-fi/horror scarefest, Dr. William Weir (Sam Neill) is a scientist who has designed a spacecraft called Event Horizon which will explore the outer reaches of space past the planet Neptune; the ship employs a special transport mechanism that, in effect, creates a black hole that the ship can pass through, allowing it to travel tremendous distances in a few seconds. The Event Horizon mysteriously disappears in the midst of a mission with no trace of either the ship or its crew, but it reappears in Neptune’s orbit after a seven year absence and it’s sending out a distress signal. The spaceship Lewis and Clark, and Dr. Weir, are sent to investigate; the crew — Captain Miller (Laurence Fishburne), pilot Smith (Sean Pertwee), engineer Justin (Jack Noseworthy), navigator Starck (Joely Richardson), physician D.J. (Jason Isaacs), and emergency technicians Peters (Kathleen Quinlan) and Cooper (Richard T. Jones) — are already tired and unenthusiastic about this assignment, and somewhat confused by Weir’s reports. The crew of the Lewis and Clark are convinced that Weir is not telling them something, and when they discover the Event Horizon, they find that things are not what they seem, and an evil presence has taken over the ship. Incidentally, the term “event horizon” describes the outer boundaries of a black hole.

Austin Powers is a 60’s spy who is cryonically frozen and released in the 1990’s. The world is a very different place for Powers. Unfortunately for Austin, everyone is no longer sex-mad. Although he may be in a different decade, his mission is still the same. He has teamed up with Vanessa Kensington to stop the evil Dr. Evil, who was also frozen in the past. Dr. Evil stole a nuclear weapon and is demanding a payment of (when he realises its the 90’s) 100 billion dollars. Can Austin Powers stop this madman? or will he caught up with Evil’s henchman, with names like Alotta Fagina and Random Task? Only time will tell!

The plot of this action film begins in 1996, with Los Angeles in a violence-crazed conflagration. One of the LAPD’s most notorious cops, John Spartan (Sylvester Stallone), known as “the demolition man,” is in hot pursuit of blonde-haired psychopath Simon Phoenix (Wesley Snipes), who is so nasty he even kills sometimes just because he feels cranky. John captures Simon, but not before Simon kills innocent hostages. John is blamed for the deaths of the hostages, and both he and Simon are cryogenically frozen to remove their brand of ultra-violence from a society that is simply just too violent. The film shifts to the future world of 2032, where Los Angeles has become a megalopolis called San Angeles. There is no poverty, Arnold Schwarzenegger was (at one time) president of the United States, and Taco Bell is the sole survivor of the Franchise Wars. Into this peaceful and bland society, Simon is summarily defrosted by reigning benevolent dictator Dr. Cocteau (Nigel Hawthorne) to have Simon murder Edgar Friendly (Denis Leary), the leader of a group of underground rebels. But Cocteau bites off more than he can chew when the melted-down Simon proceeds to go on a murder-and-looting spree. Reluctantly, Cocteau defrosts John to hunt down his old adversary. As John adjusts to self-driving cars and having sex wearing helmets, he pairs up with Lenina Huxley (Sandra Bullock), a bored cop with a nostalgic fascination for 20th-century culture.

Austin Powers — fashion photographer, denizen of Swingin’ London, international espionage agent, and bane of dental hygienists everywhere — returns in his second screen adventure. Powers (once again played by Mike Myers), a 1960s superspy stranded in the 1990s, discovers that his nemesis, criminal genius Dr. Evil (also Mike Myers), has somehow stolen his “mojo” (the secret to his otherwise inexplicable sex appeal) and traveled back in time to the 1960s as part of his latest fiendish scheme. Powers must also travel back in time to retrieve it, but if Austin doesn’t quite fit into 1998, he’s been there just long enough not to fit in in 1968 anymore, either. Powers also discovers that Dr. Evil has new allies this time: Mini-Me (Verne Troyer), a clone of Dr. Evil one-eighth his size but just as nasty; Fat Bastard (Myers yet again), whose name describes him just fine; and vixenish assassin Robin Swallows (Gia Carides). Powers’ lack of mojo also proves troublesome when he’s paired with his new partner, saucy CIA operative Felicity Shagwell (Heather Graham). Other characters returning from the first film include Elizabeth Hurley as Vanessa Kensington, Robert Wagner as Number Two, Michael York as Basil Exposition, Seth Green as Scott Evil, and Mindy Sterling as Frau Farbissina. Austin Powers: The Spy Who Shagged Me also includes cameo appearances from Tim Robbins, Jerry Springer, Woody Harrelson, and Burt Bacharach with his current songwriting partner, Elvis Costello.