Bovie Movie

Tod Hackett, fresh out of Yale, wants to make it as an art director in late 1930’s Hollywood - but he finds himself increasingly distracted by his new neighbor Faye, a would-be starlet with possible designs of her own on a lonely, morose accountant. As Tod is drawn deeper into the lurid private lives of studio bosses and film industry workers, he gradually becomes desperate to know if Faye - or anyone - is capable of real love.

Fame hungry Roxie Hart dreams of a life on the Vaudville stage, and spends her nights jazzing it up in the bright lights of Chicago, continually hoping that she’ll find her lucky break, and be shot into 1920’s stardom, so able to flee her boring husband Amos. In awe of seductive club singer Velma Kelly (who is subsequantly arrested for the murder of her husband and sister - after discovering their affair), Roxie meets Fred Cassely a man who convinces her he can ‘make her showbiz career take off’. However after Roxie has undergone the ‘casting couch’ treatment, and Fred has had his wicked way with her, he reveals that he has no more connections in showbusiness than she does. This is the final straw for Roxie, and her constant anger at rejection explodes. She shoots Fred Cassely and kills him. Upon discovering her infidelity, Roxie’s husband Amos refuses to take the blame for the murder and Roxie is sent to jail, pending hanging. In jail she finally meets tabloid darling Velma Kelly, currently receiving huge media attention for the double murder she committed earlier in the tale. Sharing the clink with Velma, are a collection of other sly females, all awaiting trial for the murders of their own partners. Velma is aloof to Roxie, however the prison Warden Mrs Morton offers Roxie the opportunity of representation by slick Chicago lawyer Billy Flynn. Billy is more a showbiz P. R agent than a legal lawyer and minipulates the tabloids into thinking Roxie is no more than an innocent ‘good time girl’ who took the wrong path, than a scheming murderess. The tabloids go crazy for the new girl on the cell block, and Roxie finally becomes a star. However due to Roxie’s new found fame, Velma is forgotten about. She is forced to approach Roxie with an offer of a part in her Vaudville act (filling the gap left by her murdered sister), but Roxie turns down her offer flat, thinking she needs no support in topping the bill. However, just as Velma’s star fell, so does Roxie’s, when Go-to-hell Kitty arrives at the jail on a multiple murder charge, the press forget Roxie and now she and Velma are in the same boat. With one more trick up her sleave Roxie manages to bring the media attention back onto her, and her day in court arrives. Billy is now ready to play the ultimate showman!

The story begins with a regular Joe who tries desperately to seek employment, but embarks on a violent rampage when he teams up with cult leader Uncle Dave. Their first act is to heist an amusement park, only to learn that the Taliban are planning the same heist as well. Chaos ensues, and now the Postal Dude must not only take on terrorists but political figures as well.

Anthony Minghella wrote and directed this award-winning adaptation of Michael Ondaatje’s novel about a doomed and tragic romance set against the backdrop of World War II. In a field hospital in Italy, Hana (Juliette Binoche), a nurse from Canada, is caring for a pilot who was horribly burned in a plane wreck; he has no identification and cannot remember his name, so he’s known simply as “the English Patient,” thanks to his accent. When the hospital is forced to evacuate, Hana determines en route that the patient shouldn’t be moved far due to his fragile condition, so the two are left in a monastery to be picked up later. In time, Hana begins to piece together the patient’s story from the shards of his memories; he’s actually Count Laszlo Almasy (Ralph Fiennes), of Hungarian nobility and an explorer working with a group mapping uncharted territory in North Africa. An Englishman, Geoffrey Clifton (Colin Firth), soon joins Almasy’s team; travelling with him is his lovely and spirited wife, Katherine (Kristin Scott Thomas). Katherine and Laszlo soon fall in love, which leads Laszlo to betray his friend, his country and all that is dear to him. Meanwhile, Hana and the Patient are joined by Kip (Naveen Andrews), a Sikh with a gift for defusing mines, and Caravaggio (Willem Dafoe), an intelligence agent who knows some of Laszlo’s most shameful secrets. The English Patient won nine Academy Awards, including Best Picture, Best Director and Best Supporting Actress (Juliette Binoche).

Screenwriter John Hamburg directs his second film (since his 1998 debut Safe Men) with the romantic comedy Along Came Polly. Ben Stiller plays Reuben Feffer, a professional risk assessor who never takes chances in any aspect of his life. When his new bride Lisa (Debra Messing) leaves him for a European scuba instructor named Claude (Hank Azaria), he finally decides to a risk of his own. At a party, he meets free-spirited Polly Prince (Jennifer Aniston), whom he remembers from his seventh-grade Model U.N. Unlike the control-freak Reuben, she’s spent her life living on the edge. They reluctantly begin a romance and Polly introduces him to a new world of spicy food and suggestive dances. Along Came Polly also stars Philip Seymour Hoffman as Reuben’s washed-up best friend Sandy Lyle and Alec Baldwin as the obnoxious insurance company boss Stan Indursky.

Everyone’s born with one special thing, and Eddie Adams uses his humongous “asset” to take the world of film pornography by storm. Things get ugly though when success leads to drugs and ruin. Will Dirk clean up and get back on top? Will Amber see her son? Will Rollergirl ever take off her skates?!

Joel and Ethan Coen take on the classic battle-of-the-sexes screwball comedy with Intolerable Cruelty. George Clooney plays Miles Massey, a high-powered Los Angeles divorce lawyer nearing a midlife crisis . While representing wealthy client Rex Rexroth (Edward Herrmann), Miles meets his match in Rex’s gold-digging wife, Marilyn Rexroth (Catherine Zeta-Jones). He’s impressed by her similarly heartless ways of using marriage to fuel an expensive lifestyle, but he still defeats her in court. With Marilyn looking to get her revenge and Miles finding himself attracted to her, the two engage in a ruthless romantic pursuit to out-swindle each other. Billy Bob Thornton shows up in a small role as Texas oil tycoon Howard Doyle.

Lust, jealousy, and revenge come cloaked in the guise of friendship in this psychological drama. Barbara Covett (Judi Dench) is a history teacher at a high school in London; while elderly Barbara is very bright, she’s also severe and domineering, with a strong personality that tends to put people off. Barbara also takes a voyeuristic delight in recording the actions of those around her in her diary in the most minute detail. When Sheba Hart (Cate Blanchett), a bright and attractive woman in her mid-thirties, is hired as the school’s new art teacher, Barbara believes she may have found someone worthy of her friendship, though she’s soon disappointed to discover that Sheba has a husband and two children, a lifestyle that she finds offensively bourgeois. However, Barbara’s obsessive interest in Sheba is rewarded when the younger teacher confesses that one of her students, Steven (Andrew Simpson), has developed an obviously sexual interest in her. However, in fact, Steven’s crush on Sheba is hardly one-sided, and in time Barbara discover that the two have been making love on a regular basis for months. When circumstances turn Barbara against Sheba, she uses what she knows about the affair to destroy the life of her “friend.” Based on the novel by Zoe Heller, Notes on a Scandal also stars Bill Nighy.

Based on the 1997 National Book Award-nominated novel of the same name by Diane Johnson (co-writer of the script for Stanley Kubrick’s The Shining), Le Divorce is a romantic comedy from director James Ivory. Revisiting the “Americans in France” theme that Ivory explored in 1998’s A Soldier’s Daughter Never Cries, the film stars Kate Hudson as Isabel Walker. When she receives word that her pregnant poetess sister Roxy (Naomi Watts) has been left by her philandering French husband, artist Charles-Henri de Persand (Melvil Poupaud), Isabel offers her help and moral support. As the depressive Roxy struggles with the separation proceedings — which include the rights to ownership of a work of art that’s a family heirloom — Isabel takes a job with author Olivia Pace and has a fling with the bohemian Yves (Romain Duris). But things get complicated when the younger, more impudent sister decides instead to pursue Charles’ uncle, the snooty, married diplomat Edgar (Thierry Lhermitte), and when a mysterious man (Matthew Modine) starts stalking Roxy. Eventually, the rest of the plucky Walker clan has to come to the aid of the siblings. Stockard Channing and Sam Waterston co-star.

War and Peace is a commendable attempt to boil down Tolstoy’s long, difficult novel into 208 minutes’ screen time. In recreating the the social and personal upheavals attending Napoleon’s 1812 invasion of Russia, $6 million was shelled out by coproducers Carlo Ponti, Dino de Laurentiis and Paramount Pictures. Some of the panoramic battle sequences are so expertly handled by second-unit director Mario Soldati that they appear to be Technicolor-and-Vistavision newsreel footage of the actual events. Still, the film falters dramatically, principally because of a lumpy script and King Vidor’s surprisingly lustreless direction. In addition, the casting is wildly consistent: for example, while Audrey Hepburn is flawless as Natasha, Henry Fonda is far too “Yankeefied” as the introspective Pierre. Proving too long and unwieldy for most audiences, War and Peace died at the box office; far more successful was the epic, scrupulously faithful 1968 version, filmed in the Soviet Union.