Bovie Movie

Master of disguise Sacha Baron Cohen hits the road to explore America as the crude Kazakstani reporter Borat in a feature mockumentary that brings one of the Da Ali G Show star’s most popular characters to life on the big screen. Sent by the Kazakh Ministry of Information to gain a better understanding of American culture and bring his findings back home, Borat and faithful producer Azamat (Ken Davitian) set their sights in New York City. When the citizens and interview subjects of the Big Apple seem less than receptive to Borat’s distinctively unrestrained approach and the curious Kazakh television personality stumbles across an episode of Baywatch while channel-surfing in his hotel room, he becomes instantly smitten with screen siren Pamela Anderson. Now confident that the only way to discover the true essence of America is to travel to California and make the bikini-clad beauty his bride, Borat purchases a ramshackle ice-cream truck in which he and Azamat will make their way across the Great Plains and on to the sunny West Coast — all the while coming into contact with a wide variety of “typical” Americans. Within this loose, scripted framework, Borat engages in his usual misbehavior with unsuspecting strangers, from accidentally releasing a chicken from his suitcase on a New York subway ride to a formal interview with Alan Keyes.

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch’s Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman’s lover (Gabriel Byrne), also Dickinson’s son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake’s guide in his protracted passage into the spirit world.

A couple coming to terms with living in a new culture discover their troubles are compounded by their son in this drama from filmmaker Mira Nair. Ashoke (Irfan Khan) and Ashima (Tabu) are a young couple who are brought together in an arranged marriage and soon leave Calcutta to seek their fortune in America. As the couple becomes accustomed to one another, they learn to deal with the coolness and superficiality of life in New York, even as they revel in the opportunities the city offers them. Before long, Ashima gives birth to a baby boy, and pressed to choose a name, they dub the infant Nikhil, though he soon picks up the nickname Gogol, after Ashoke’s favorite author. By the time the child is old enough to attend school, he insists upon being called Gogol at all times, and he displays little interest in his Indian heritage. Several years on, Gogol has decided he wants to be called Nick (and is now played by Kal Penn) and has become a thoroughly Americanized teenager, openly rebelling against his parents, smoking marijuana in his room, and dating Maxine (Jacinda Barrett), a preppy blonde from a wealthy family. Ashoke and Ashima are uncertain about how to deal with their son’s attempts to cut himself off from their culture, but Nick begins expressing some uncertainty himself when he meets Moushumi (Zuleikha Robinson), a beautiful girl who also comes from a family of Indian expatriates. The Namesake was adapted from the bestselling novel by Jhumpa Lahiri.

Three stars team up for this unusual look at America’s role in the war against Iraq. In 1991, as the Gulf War winds to a close, three American servicemen find themselves happy to have achieved victory but wondering about the ultimate importance of what they’ve done (especially since Saddam Hussein is still in power). Major Archie Gates (George Clooney) is a decorated Vietnam veteran and special forces officer with two weeks to go before he retires; Sgt. Troy Barlow (Mark Wahlberg) has a new baby at home; and Chief Elgin (Ice Cube) is probably just going to end up back in Detroit. So when one of them comes across a map that seems to point out where Saddam’s forces have stashed a large cache of gold they stole from Kuwait, they decide to follow the trail and take some of the war booty for themselves. However, the deeper they journey into Iraq, the more they see of the consequences of America’s policies in the Middle East. Although President George Bush and the American military urged Iraqi citizens to rise up against Saddam Hussein, and pledged their support to a people’s movement against the leader, Iraqis found that when they took to the streets against Saddam, the United States did not back them up, and the loss of Iraqi lives was fearsome. When Gates, Barlow and Elgin become aware of what’s happening, they’re torn between their desire to grab the fortune they came for and the demands of their conscience to help the people they came to liberate. Three Kings was directed by David O. Russell and marked a significant change of direction after his dark-humored relationship comedies, Spanking the Monkey and Flirting with Disaster.

After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours at his hotel, where he meets Charlotte (Scarlett Johansson) at the bar. Twentysomething Charlotte is married to John (Giovanni Ribisi), a successful photographer who is in Tokyo on an assignment, leaving her to while away her time while he works. Beyond their shared bemusement and confusion with the sights and sounds of contemporary Tokyo, Bob and Charlotte share a similar dissatisfaction with their lives; the spark has gone out of Bob’s marriage, and he’s become disillusioned with his career. Meanwhile, Charlotte is puzzled with how much John has changed in their two years of marriage, while she’s been unable to launch a creative career of her own. Bob and Charlotte become fast friends, and as they explore Tokyo, they begin to wonder if their sudden friendship might be growing into something more.

An independent-minded young woman discovers the joys of football, much to her family’s chagrin, in this upbeat British comedy drama. Jess Bhamra (Parminder Nagra) is an 18-year-old growing up in West London, where her family has taken every effort to stay in touch with its Indian heritage. Jess’ father and mother (Anupam Kher and Shaheen Khan) are after their daughter to go to law school, learn to cook a traditional Indian dinner, and settle down with a nice Indian boy — the latter of which is high on the agenda of her older sister Pinky (Archie Panjabi), who is soon to wed her longtime beau Teetu (Kulvinder Ghir). However, her family is unaware that Jess has a secret passion — football (or soccer, as it’s known in North America). While Jess’ enthusiasm for football star David Beckham is obvious, given the fact his photos cover the walls of her room, her parents don’t know that in her spare time she likes to play a friendly game in the park with some of the boys in the neighborhood. One day, while Jess and her pals kick the ball around, she meets Jules (Keira Knightley), who is quite impressed with Jess’ skills. Jules plays with a local semi-pro women’s football team, the Hounslow Harriers, and she thinks Jess has what it takes to make the team. Jess knows that her parents would never approve of their daughter playing football, so she doesn’t tell them, and starts spinning an increasingly complex series of lies as she tries to keep up a double life as a student and a footballer. Jess soon discovers a number of her new friends have their own problems to overcome; Jules dreams of playing pro ball in America, but has to deal with her stubborn and disapproving mother (Juliet Stevenson), while Joe (Jonathan Rhys Meyers), Hounslow’s Irish coach, still struggles with the disappointment of a career as a professional athlete which was dashed by a knee injury. Bend It Like Beckham was a significant box-office success in Great Britain and Europe, but didn’t reach American theaters until nearly a year after it debuted in the U.K.

Based on the novel of the same name by Maori writer Witi Ihimaera, Whale Rider is a unique family drama directed Niki Caro. On the eastern coast of New Zealand, the Whangara people believe their ancestor Paikea was saved from drowning by riding home on the back of a whale. The tribal group has since granted leadership positions to the first-born males, believing them to be descendants of Paikea. This tradition is challenged when a young mother dies in childbirth along with her newborn male son. His twin sister manages to survive and the father (Cliff Curtis) runs off, overwhelmed with grief. The little girl, Pai (Keisha Castle-Hughes), is brought up by stubborn grandfather Koro (Rawiri Paratene) and gentle grandmother Nanny (Vicky Haughton). Koro, the chief of their tribe, is disappointed because Pai’s twin brother was supposed to be the next leader. Trying to find the proper successor, he attempts to organize a leadership group amongst the local boys while Pai enlists the help of her has-been uncle Rawiri (Grant Roa) to teach herself the art of chiefdom. She appears to possess a natural leadership ability and adventurous spirit that draws her to the proliferation of her faltering tribe. Whale Rider premiered at the 2002 Toronto International Film Festival and won the World Cinema Audience Award.

Based on J.G. Ballard’s autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes.

In 1962, Calvin Webber (Christopher Walken) was a brilliant but somewhat paranoid scientist living with his Donna Reed-esque wife, Helen (Sissy Spacek), in Los Angeles. In the midst of the Cuban Missile Crisis, a plane crashed into the Webber’s yard. Mistaking the blast for “the big one,” the Webbers moved into their elaborate bomb shelter to wait out the half-life of radioactive fallout. In the shelter, now a sort of time capsule, Calvin and Helen conceived and raised their son Adam (played as an adult by Brendan Fraser). For 35 years, Adam was raised on Jackie Gleason, Perry Como, and stories about life on the surface. Calvin taught his son about science, baseball, and communists while Mom taught Adam about dancing, good manners, and charming young ladies. Just in time, too, as Adam is sent to the surface to gather supplies and find a wife, preferably a nice, non-mutant girl from Pasadena with which to repopulate the world. Once this “fish out of water” story is set up, the fish, Adam, is set adrift in a sea of supermarkets and adult bookstores, but is soon caught by Eve Rustikov (Alicia Silverstone). Completely lost above ground, Adam enlists Eve’s help to navigate his new world and find the supplies on his list. The literally sheltered Adam falls for this bitter, cynical, street-smart woman who grew up in a bleak Los Angeles with little use for love. Living with her gay roommate, Troy (Dave Foley), Eve has had her hopes chipped away by a long line of dead-end jobs and loser boyfriends. When the throwback Adam enters her life with his sunny disposition, seersucker jacket, and joy at seeing the sky, she can’t help but fall in love.

The title refers to the radioactive fallout which descended upon ruined city of Hiroshima after the dropping of the first atomic bomb. Young bride-to-be Yoshiko Tanaka has the misfortune to be visiting Hiroshima on the day of the explosion. Incredibly, she is unhurt; she returns to her own village, across the bay from Hiroshima. Unfortunately, her townsmen have been profoundly affected by the “black rain”; over the next five years, the poison in their systems slowly but surely erodes their souls. In a tragic state of denial, Yoshiko’s former friends insist that they can’t be sick-it must be the girl who is bringing sickness to them. Now a pariah, Yoshiko’s life is shattered as surely as if the bomb had disintegrated her upon impact. Director Shohei Imamaura, a onetime assistant to the great Ozu and the director of such Japanese classics as The Insect Woman and The Ballad of Narayama, never sensationalizes his material; the story is effective told in a muted, subdued fashion, allowing the horror to arise from the inner torment of the characters rather than being artificially imposed by camera trickery or “shock” cutting. Based on a novel by Masuji Ibuse, the black-and-white Black Rain won the Japanese equivalent of the Academy Award, along with several other honors.