Bovie Movie

In 1950, most Americans had only a passing familiarity with the game of soccer, even though it was the world’s most popular sport, and few athletes in the United States played the game with any particular degree of expertise. However, when an invitation was extended to the United States to participate in the World Cup tournament in Brazil — the international soccer championship held every four years — Bill Jeffrey was determined that America participate. In less than two weeks, Jeffrey assembled a team comprised mostly of players from St. Louis (where soccer had developed a small but loyal following) and the East Coast (where the game gained a foothold on college campuses), with immigrants from Haiti, Portugal, and Scotland filling out the ranks. Against all odds, the Americans not only made it to the World Cup games, but defeated the British team (favored by many to win the championship) in the greatest upset of the 1950 games. The Game of Their Lives is a sports drama based on the remarkable true story of the 1950 United States team, featuring John Rhys-Davies as Bill Jeffrey, Wes Bentley as team leader Walter Bahr, Gerard Butler as goalie Frank Borghi, Jimmy Jean-Louis as Joe Gaetiens, a dishwasher born in Haiti who found his way onto the team, and Patrick Stewart as a journalist covering the games. David Anspaugh, who made the acclaimed basketball drama Hoosiers, directed.

Two people discover just how true the old adage “lucky in life, unlucky in love” can be in this romantic comedy. Ashley (Lindsay Lohan) has always been the sort of girl fortune smiles upon — she’s pretty, she has a great job, she had good friends, guys fall over themselves to ask her out, and she never has trouble getting a cab. Jake (Chris Pine), on the other hand, is not nearly so lucky — he’s clumsy and accident prone, things never seem to go his way, and he’s just lost his job at a bowling alley. However, these two opposites meet one night at a ritzy masquerade ball, and Ashley and Jake exchange an impulsive kiss as two shooting stars cross in the sky. Suddenly, they both find their luck taking a one hundred and eighty degree turn; Jake is befriended by a wealthy musician and suddenly finds himself successful and flush with cash, while Ashley loses her job and her apartment after a major misunderstanding with the police. While Jake’s luck with women has also taken a turn for the better, he’s become deeply infatuated with Ashley, and tries to help her turn her life back around as he struggles to win her heart. Just My Luck also stars Samaire Armstrong, Faizon Love, and Tovah Feldshuh.

Famed producer Dino De Laurentiis tries to steal the thunder from Jaws, then the top-grossing film of all-time, in this big budget remake of King Kong. (De Laurentiis related his tactics to Tom Snyder: “When Jaws dies, nobody cries. When Kong dies, they all cry.”) Updated to the 1970s, the original Robert Armstrong character is now Fred Wilson (Charles Grodin), a big-shot oil magnate from Petrox Oil, looking for new petroleum deposits on a recently discovered Pacific island. Jack Prescott (Jeff Bridges) is a counter-culture paleontologist, stowing away on Wilson’s ship, who warns that they are headed for “Skull Island,” where prehistoric monsters still live and roam free. Also along for the ride is Dwan (Jessica Lange, in her film debut), a down-on-her-luck starlet, shipwrecked in the ocean after the sinking of a yacht. She really becomes down-on-her-luck when the group lands on the island and a giant ape, Kong, takes a shine to her. Kong kidnaps her and Dwan takes umbrage when the ape tries to remove her clothes by shouting, “You male chauvinist ape!” But Prescott comes to her aid and rescues her from the gorilla’s big mits. Wilson, seeing money to be made on Kong, locks him in the cargo hold of his ship and transports him to New York City. Once there, Kong manages to escape and wreak havoc upon the beleaguered town, before being compelled to climb up the World Trade Center for sanctuary.

An aspiring ballerina from a wealthy family learns some lessons about both dancing and life from a roughneck with soul in this teen drama. Tyler Gage (Channing Tatum) grew up on the wrong side of the tracks in a rough section of Baltimore, and has been in and out of trouble with the law most of his life. Finding himself before the judge yet again, Tyler is sentenced to 200 hours of community service, and he ends up mopping floors at the Maryland School of the Arts. Tyler catches the eye of Nora (Jenna Dewan), a gifted ballet student who is trying to incorporate hip-hop moves into her classical routines. None of Nora’s fellow students seem to be on the same page as her, but Tyler is a talented street dancer with strength, moves, and enthusiasm. Despite the misgivings of the school’s administrators, Nora persuades Tyler to team up with her for a major class project. Tyler gains a new self-respect as he gives in to the discipline of the dance academy, but he wonders if this new opportunity means turning his back on who he really is. Matters become all the more complicated when Tyler and Nora realize they’re falling in love. Step Up was the first directorial credit for choreographer Anne Fletcher, who designed dance routines for the films Bring It On, She’s All That, and Boogie Nights.

The final film of stars Clark Gable and Marilyn Monroe is an elegy for the death of the Old West from writer Arthur Miller and director John Huston. Gable stars as Gay Langland, an aging hand traveling the byways and working at rodeos with his two comrades, Guido (Eli Wallach) and young Perce Howland (Montgomery Clift). The three men come up with a plan to corral some misfit mustangs and sell them for dog food, but Gay’s new girlfriend Roslyn Taber (Marilyn Monroe), a high-minded ex-stripper who has just divorced her husband Ray (Kevin McCarthy) in Reno, is appalled by the plan. Although both Guido and Perce are also in love with Roslyn, she stands by Gay, sure that in the end he will do the right thing, even as he and his pals begin their planned roundup.

Though it’s an English-language film, the fantasy action comedy The Medallion is one of the highest-budgeted movies to come out of Hong Kong. Cop Eddie Yang (Jackie Chan) and his partner, Interpol agent Arthur Watson (Lee Evans), are in pursuit of international human-smuggling crimelord Snakehead (Julian Sands). The partners get seriously wounded and a mysterious ancient medallion transforms them into superpowered warriors called Highbinders. The two halves of the medallion are supposed to grant eternal life when joined together by a powerful young boy who was born during a specific time in the Year of the Snake. The villainous Snakehead wants to gets his hands on both the child and the medallion, and the heros try to stop him. Aided by special effects and action choreography by Sammo Hung, Chan fights his way toward a violent conclusion with Snakehead that takes place in mid-air.. Claire Forlani plays Jackie Chan’s love interest, the Interpol agent Nicole. Also starring John Rhys-Davies as Commander Hammerstock-Smythe.

Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the “career” of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale….In short, all of Munchausen’s fabulous lies are here presented as “truth,” played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli’s Venus and an extended unbilled cameo by Robin Williams — that is, by the head of Robin Williams — as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette.

Anthony Minghella wrote and directed this award-winning adaptation of Michael Ondaatje’s novel about a doomed and tragic romance set against the backdrop of World War II. In a field hospital in Italy, Hana (Juliette Binoche), a nurse from Canada, is caring for a pilot who was horribly burned in a plane wreck; he has no identification and cannot remember his name, so he’s known simply as “the English Patient,” thanks to his accent. When the hospital is forced to evacuate, Hana determines en route that the patient shouldn’t be moved far due to his fragile condition, so the two are left in a monastery to be picked up later. In time, Hana begins to piece together the patient’s story from the shards of his memories; he’s actually Count Laszlo Almasy (Ralph Fiennes), of Hungarian nobility and an explorer working with a group mapping uncharted territory in North Africa. An Englishman, Geoffrey Clifton (Colin Firth), soon joins Almasy’s team; travelling with him is his lovely and spirited wife, Katherine (Kristin Scott Thomas). Katherine and Laszlo soon fall in love, which leads Laszlo to betray his friend, his country and all that is dear to him. Meanwhile, Hana and the Patient are joined by Kip (Naveen Andrews), a Sikh with a gift for defusing mines, and Caravaggio (Willem Dafoe), an intelligence agent who knows some of Laszlo’s most shameful secrets. The English Patient won nine Academy Awards, including Best Picture, Best Director and Best Supporting Actress (Juliette Binoche).

Well-to-do Chicagoan, Larry Darrell, breaks off his engagement to Isabel and travels the world seeking enlightenment, eventually finding his guru India. Isabel marries Gray, and following the crash of 1929, is invited to live in Paris with her rich, social climbing, Uncle Elliot. During a sojurn there, Larry, having attained his goal, is reunited with Isabel. While slumming one night Larry, Isabel and company are shocked to discover Sophie, a friend from Chicago. Having lost her husband and child in a tragic accident, Sophie is living the low-life with the help of drugs an abusive brute. Larry tries to rehabilitate her, but his efforts are sabotaged by Isabel who has tried in vain to reignite Larry’s interest in her.

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone’s extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo’s eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson’s hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film’s extreme violence — numerous edits were required to win an R rating — became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape.