Bovie Movie

David Lynch wades through dark waters in his adaptation of Frank Herbert’s cult science fiction novel. In condensing Herbert’s rambling and complex book by eliminating characters and compacting events, Lynch succeeds in rendering the story incomprehensible to those unfamiliar with the novel and making the film look like a sketchy greatest hits collection of the book for Herbert fans. The story takes place in the year 10,191. The universe is governed through a system of feudal rule, presided over by Padishah Emperor Shaddam IV (Jos? Ferrer), who appears to take his marching orders from something that resembles a talking vagina. In the kingdom are two rival houses — the House of Atreides and the House of Harkonnen. Each house is trying to gain dominion over the universe, but that dominion can only be gained by the house that controls the Spice, a special substance that permits the folding of time. The Spice is only available on the desert world of Arrakis, or Dune. Shaddam, tired of the feuding between the two houses, permits the Atreides to take over the Spice production on Dune, while secretly working with the Harkonnens to launch a sneak attack on the Atreides and destroy them. The leader of the Atreides is Duke Leto (J?rgen Prochnow), who rules with the help of his concubine Jessica (Francesca Annis) and son Paul (Kyle MacLachlan). The rival Harkonnens are headed by the pus-oozing degenerate Baron Vladimir Harkonnen (Kenneth McMillan, in a thoroughly through-the-roof performance) and his two unsavory nephews, Rabban (Paul L. Smith) and Feyd (Sting). When his father is murdered by the Harkonnens, Paul escapes to Dune, where he is greeted by the Fremen (the desert dwellers on Dune who prepare the Spice) as the messiah foretold in Fremen legend. Paul assumes the mantle of messiah and leads the Fremen in a revolt that topples the balance of power in the universe.

The Creeper is back, and he’s brought his appetite with him in director Victor Salva’s sequel to his popular 2001 sleeper. Stranded on the dreaded East 9 Highway while returning home from winning the championship game, a group of basketball players, cheerleaders, and coaches quickly realize that there’s more to fear than a broken down bus when The Creeper descends mercilessly upon them. As his 23-day feeding frenzy draws to a close, The Creeper needs the sort of nourishment only a vital group of young athletes can provide, and to survive the night, the terrified teens will have to fight to their dying breaths.

Directed by Mike Newell, the fourth installment to the Harry Potter series finds Harry (Daniel Radcliffe) wondering why his legendary scar — the famous result of a death curse gone wrong — is aching in pain, and perhaps even causing mysterious visions. Before he can think too much about it, however, Harry boards the train to Hogwarts School of Witchcraft and Wizardry, where he will attend his fourth year of magical education. Shortly after his reunion with his best friends, Ron (Rupert Grint) and Hermione (Emma Watson), Harry is introduced to yet another Defense Against the Dark Arts teacher: the grizzled Mad-Eye Moody (Brendan Gleeson), a former dark wizard catcher who agreed to take on the infamous “DADA” professorship as a personal favor to Headmaster Dumbledore (Michael Gambon). Of course, Harry’s wishes for an uneventful school year are almost immediately shattered when he is unexpectedly chosen, along with fellow student Cedric Diggory (Robert Pattinson), as Hogwarts’ representative in the Tri-Wizard Tournament, which awards whoever completes three magical tasks the most skillfully with a thousand-galleon purse and the admiration of the international wizard community. As difficult as it is to deal with his schoolwork, friendships, and the tournament at the same time (not to mention his feelings toward the ever unfathomable Professor Snape (Alan Rickman), Harry doesn’t realize that the most feared wizard in the world, Lord Voldemort, is anticipating the tournament, as well.

What if virtual reality wasn’t just for fun, but was being used to imprison you? That’s the dilemma that faces mild-mannered computer jockey Thomas Anderson (Keanu Reeves) in The Matrix. It’s the year 1999, and Anderson (hacker alias: Neo) works in a cubicle, manning a computer and doing a little hacking on the side. It’s through this latter activity that Thomas makes the acquaintance of Morpheus (Laurence Fishburne), who has some interesting news for Mr. Anderson — none of what’s going on around him is real. The year is actually closer to 2199, and it seems Thomas, like most people, is a victim of The Matrix, a massive artificial intelligence system that has tapped into people’s minds and created the illusion of a real world, while using their brains and bodies for energy, tossing them away like spent batteries when they’re through. Morpheus, however, is convinced Neo is “The One” who can crack open The Matrix and bring his people to both physical and psychological freedom. The Matrix is the second feature film from the sibling writer/director team of Andy Wachowski and Larry Wachowski, who made an impressive debut with the stylish erotic crime thriller Bound.

Filmmaker Larry Clark reunites with Kids screenwriter Harmony Korine, with some additional directorial assistance from cinematographer Ed Lachman, for this look at a group of troubled teens and their guardians living in Southern California. Ken Park takes its name from the skate park where an ancillary character takes his own life in the film’s opening moments, and then proceeds to chronicle the somewhat-interrelated lives of his classmates. The audience is introduced to Tate (James Ransome), a young man living in relative misery with his board-game-playing grandparents. Also tormented by his living situation is Claude (Stephen Jasso), a quiet, shy teen constantly henpecked by his brutish father (Wade Andrew Williams). Meanwhile, the vapid Shawn (James Bullard) occasionally trades verbal spars with his mother, in between leaving the house for sex sessions with his girlfriend’s mom. Finally there is Peaches (Tiffany Limos), living alone with her devoutly religious father as she covertly experiments with her boyfriend (Mike Apaletegui). Though Ken Park played at such festivals as Toronto and Telluride in the fall of 2002, it would languish on the shelf for months and months afterward, as its explicit content made finding a U.S. distributor near-impossible.

In this action-horror flick from director Robert Rodriguez and screenwriter Quentin Tarantino, Tarantino stars with George Clooney as a pair of bad-to-the-bone brothers named Seth and Richie Gecko. After a string of robberies that left a river of blood in the Geckos’ wake, the sadistic siblings head to Mexico to live the good life. To get over the border, they kidnap Jacob Fuller, a widowed preacher played by Harvey Keitel, and his two children, Kate (Juliette Lewis) and Scott (Ernest Liu). Once south of the border, the quintet park their RV at a rough-and-tumble trucker bar called The Titty Twister, where Seth and Richie are supposed to meet a local thug. After a couple of drinks, they realize that they’re not in a typical bar, as the entire place begins to teem with vicious, blood-sucking vampires. With the odds stacked greatly against them, the Fullers and Geckos team together in hopes of defeating the creatures of the night. Makeup artist Tom Savini and blaxploitation star Fred Williamson appear as allies against the vampires, and Cheech Marin fills three different roles.

Based on a metaphysical 1978 novel by science fiction and horror author Richard Matheson, this romantic fantasy-drama won an Oscar for its expensive and impressive visual vistas depicting an imaginative afterlife. Robin Williams stars as Chris Nielsen, a doctor who has suffered with his artist wife Annie (Annabella Sciorra) through the devastating loss of their children, Marie and Ian, who were killed in a car accident. Although Annie’s all-consuming depression nearly destroyed their marriage, the couple rebuilt their relationship and are now living out a comfortable middle age. Stopping one night to help a motorist in a wreck, Chris is struck by a car and killed. At first confused about where he is, Chris meets Albert (Cuba Gooding Jr.), a spiritual guide who helps him to realize he’s passed away and that he must move on to the next world. After trying with only limited success to communicate with the devastated Annie, Chris moves on and discovers an afterlife that can become whatever one envisions, where even his pet dog awaits him. What Chris envisions as paradise are the paintings of his wife, and he happily takes up residence there, awaiting the far-off day when Annie will eventually join him. He also meets his children, although they have chosen different appearances than the ones they had in life. Then tragedy strikes when Annie, inconsolable, commits suicide and goes to Hell. Although it is rarely done, Chris insists on traveling there, risking his eternal soul to save the woman he loves. Accompanied part of the way by Albert and a wizened guide called The Tracker (Max von Sydow), Chris finally reaches Annie in Hell, and must convince her of the truth in order to release her from her dark prison.

When a pair of bright-but sociopathic teens conspires to commit the perfect murder, a troubled cop teams with her eager new partner to solve the case that left the community in fear and the police without a clue. High school ladies’ man Richard Haywood (Ryan Gosling) and outcast Justin Pendleton (Michael Pitt) have no motive to commit murder, but they soon conspire to choose a random victim and pin the crime on local pot dealer Ray (Chris Penn), under the guise that the police will never suspect them of such a brutal act. Determined Det. Cassie Merriweather (Sandra Bullock) is assigned to the case, and quickly becomes suspicious of the elusive teens despite the doubts expressed by her superiors and her lack of solid evidence. Soon entering into a dangerous test of wills with the increasingly desperate and dangerous teens, her investigation leads her down a disturbing path that will test her skills as a detective and her will to survive.

The Rock has his first starring role in this prequel to The Mummy films, which was developed while The Mummy Returns was still in production. The film takes place in ancient times, when a mighty swordsman, Memnon (Steven Brand, making his film debut) ruled over nearly all the known world. Memnon, a brutal tyrant, defeats his enemies in battle with the help of a beautiful sorceress, Cassandra (Kelly Hu), who can predict the future. The last of the “free tribes” form a fragile alliance to fight Memnon, and hire a trio of Akkadian assassins, led by Mathayus (pro wrestler The Rock, who made his big-screen debut as this character in The Mummy Returns), to kill the sorceress and thus remove Memnon’s advantage. Balthazar (Michael Clarke Duncan of The Green Mile), the powerful leader of the Nubians, objects to hiring mercenaries, but the plan goes forward. The assassins are betrayed by Takmet (Peter Facinelli), the son of one of the tribal leaders, and Mathayus finds himself unable to kill Cassandra. Thanks to the unlikely machinations of Cassandra, and the aid of a horse thief, Arpid (Grant Heslov of True Lies), Mathayus escapes to the desert. He eventually abducts Cassandra, who explains that Memnon was holding her against her will. Mathayus thwarts Memnon’s efforts to re-capture Cassandra, then uses his newfound sense of justice to convince the surviving tribal leaders to join forces again to defeat Memnon. The Scorpion King was directed by Chuck Russell. Jonathan Hales (Star Wars: Episode II - Attack of the Clones) was credited with the story, and WWF owner Vince McMahon has an executive producer credit. The film, which was shot in the U.S. (very unusual for a big action film), reportedly underwent extensive re-shoots when the first cut came in with a running time of 70 minutes.

Only three of the original five “young guns” — Billy the Kid (Emilio Estevez), Jose Chavez y Chavez (Lou Diamond Phillips), and Doc Scurlock (Kiefer Sutherland) — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett (William Petersen). Along the way, Billy’s crew gains three new recruits: Arkansas Dave Rudabaugh (Christian Slater), Tom O’Folliard (Balthazar Getty), and Hendry French (Alan Ruck). Though the film suffers from an uneven script, many performances — particularly Slater’s — are surprisingly strong, and the movie looks great. The theme song, “Blaze of Glory”, is performed by Jon Bon Jovi in his first solo appearance; the rocker also has a cameo in the film.