Bovie Movie

Robot Chicken’s finest half hour is more savvy than Spaceballs, more inside than Family Guy: Blue Harvest, and funnier, even, than The Star Wars Holiday Special. This Very Special Episode of Comedy Central’s stop-motion animated series parodies and goofs on all things Star Wars, from a disgruntled Empire janitor to an ad for Admiral Ackbar Cereal (”Your tongues can’t repel flavor of that magnitude”). Twenty three minutes goes by like the jump to hyperspace with such priceless bits as the collect phone call to Emperor Palpatine from Darth Vadar to inform him of the Death Star’s destruction, awkward morning-after pillow talk between Luke and Leia (”That was so wrong”), and George Bush’s newfound Jedi powers. Co-creators Seth Green and Matthew Senreich and company immerse viewers in the Robot Chicken universe with generous bonus features, including storyboarded deleted scenes (with self-deprecating commentary), behind the scenes footage of animation meetings, and alternate audio takes. Good sport George Lucas, who gave his blessing to this episode, boldly goes where William Shatner went before by voicing himself in a Star Wars convention sketch that concludes with a Lucas-worshiping geek telling his son that meeting his idol was the best day of his life. What about his son’s birth? “Not even close,” dad replies. But you don’t have to have that kind of devotion to Star Wars to be amused by this weather forecast for Cloud City: “Cloudy, followed by clouds.”

In this first sequel to 1989’s Batman, the Caped Crusader (Michael Keaton) is up against the Penguin (Danny DeVito), the hideously deformed scion of a wealthy Gotham City family. The Penguin plots with evil businessman Max Schreck (Christopher Walken) to become mayor and then turn Gotham into a cathedral of crime. Upon overhearing these plans, Schreck’s mousy secretary Selena Kyle (Michelle Pfeiffer) is tossed from a high-rise window by her boss. Rescued by a covey of kittens, Selena transforms into the leather-clad Catwoman. In this guise, she teams with the Penguin and Schreck to divvy up their ill-gotten gains and help discredit Batman-but she also has her own scores to settle. Paul “Pee-Wee Herman” Reubens, Vincent Schiavelli and Jan Hooks play significant bits, while Pat Hingle and Michael Gough make returns as, respectively, Commissioner Gordon and Alfred the Butler.

Over Thanksgiving weekend, all but five students in an old Manhattan building that’s now a college dormitory leave for home: staying on one floor are roommates Lauren, Melina, and Alison, plus her boyfriend Diego and Grant, a loner in a room down the hall. Lauren’s been seeing things in her bathroom: a silent child of about six. Diego has written a paper on parapsychology, so he holds a séance with the disbelieving co-eds. Something goes awry, because bad things start to happen and the students’ only defender is an aging campus cop named Syd. What’s the silent ghostly girl’s secret, and can Alison discover what’s going on before it’s too late?

It’s Christmas time in L.A., and there’s an employee party in progress on the 30th floor of the Nakatomi Corporation building. The revelry comes to a violent end when the partygoers are taken hostage by a group of terrorists headed by Hans Gruber (Alan Rickman), who plan to steal the 600 million dollars locked in Nakatomi’s high-tech safe. In truth, Gruber and his henchmen are only pretending to be politically motivated to throw the authorities off track; also in truth, Gruber has no intention of allowing anyone to get out of the building alive. Meanwhile, New York cop John McClane (Bruce Willis) has come to L.A. to visit his estranged wife, Holly (Bonnie Bedelia), who happens to be one of the hostages. Disregarding the orders of the authorities surrounding the building, McClane, who fears nothing (except heights), takes on the villains, armed with one handgun and plenty of chutzpah. Until Die Hard came along, Bruce Willis was merely that wisecracking guy on Moonlighting. After the film’s profits started rolling in, Willis found himself one of the highest-paid and most sought-after leading men in Hollywood.