Bovie Movie

Based on a metaphysical 1978 novel by science fiction and horror author Richard Matheson, this romantic fantasy-drama won an Oscar for its expensive and impressive visual vistas depicting an imaginative afterlife. Robin Williams stars as Chris Nielsen, a doctor who has suffered with his artist wife Annie (Annabella Sciorra) through the devastating loss of their children, Marie and Ian, who were killed in a car accident. Although Annie’s all-consuming depression nearly destroyed their marriage, the couple rebuilt their relationship and are now living out a comfortable middle age. Stopping one night to help a motorist in a wreck, Chris is struck by a car and killed. At first confused about where he is, Chris meets Albert (Cuba Gooding Jr.), a spiritual guide who helps him to realize he’s passed away and that he must move on to the next world. After trying with only limited success to communicate with the devastated Annie, Chris moves on and discovers an afterlife that can become whatever one envisions, where even his pet dog awaits him. What Chris envisions as paradise are the paintings of his wife, and he happily takes up residence there, awaiting the far-off day when Annie will eventually join him. He also meets his children, although they have chosen different appearances than the ones they had in life. Then tragedy strikes when Annie, inconsolable, commits suicide and goes to Hell. Although it is rarely done, Chris insists on traveling there, risking his eternal soul to save the woman he loves. Accompanied part of the way by Albert and a wizened guide called The Tracker (Max von Sydow), Chris finally reaches Annie in Hell, and must convince her of the truth in order to release her from her dark prison.

It is a couple of years in the future… The highways of Australia are ruled by violent gangs who have turned the highways into a battleground as they loot gasoline and terrorize the innocent. Max Rockatansky is a policeman who had everything… Until, a murderous motorcycle gang led by the evil Toecutter burns his partner Jim Goose to death and murders his wife and son, after Max killed their leader “The Knight Rider”. Loosing his rocker, Max decides to take the law into his own hands as he sets out to get his revenge on the motorcycle gang and become the road warrior known as “Mad Max”.

Sometimes a family title, among the nobility of England, goes to the “collateral” heirs — people not in the direct line of decent, like cousins, great-nephews and the like. On rare occasions, these people are not even aware that they are about to be elevated to the House of Lords, and they have been living more-or-less ordinary lives. In this comedy, the family which lacks direct heirs is the Royal Family of England — as all of the likely heirs have died one after the other in swift succession. In this comedy, the “collateral heir” is an exuberant, fence-busting All-American slob (and pretty good rock n’ roll musician) by the name of Ralph (John Goodman). Unknown to him, his grandmother had an affair with a royal prince. Ralph’s a good guy, and eager to please. He recognizes the importance of the royal hoopla to England and works very hard to fit in as its new designated king. He is assisted by the ever-unctuous, very serious family factotum Willingham (Peter O’Toole). The trouble is, he doesn’t have instincts for politics English-style, and he is constantly “putting a foot wrong,” as they might say. The most difficult situation for him is when he develops a new love interest, and she’s not “acceptable” to the upper crust. In addition to being hounded by the tabloids, he finds that “the good of the state” requires that he drop his new girlfriend. Things really come to a head just before Ralph’s coronation as king. Reviewers generally loathed this feel-good comedy, but audiences seem to have enjoyed it tremendously, and it has done well in video and TV airings.

Josey Wales is a peaceful farmer in the days near the end of the Civil War. After his home is burned and his family murdered, he hardens into a human bullet - dedicated to destroying the renegades who took his “life.” He joins a band of unreconstructed rebel guerilla fighters who continue to fight the Union - even after the official surrender of the Confederacy - an action which makes them, legally, outlaws. Josey is driven by vengeance, but after a while, that’s not enough. Back before his own personal Holocaust, he had been a builder - of home, family, farm, and life. And no matter how much ice he’s wrapped himself in, down inside there’s still the soul of a living man. While Wales exists, he’s pulled by this hidden yearning to Live. Each day offers him chances to remember, to assuage his yearning, to begin again. And the movie shows us how Josey Wales - a mere seeker of vengeance - learns to live again, rededicated to the values he chose so long ago.

Oil drives greed in Oscar-winning Traffic screenwriter Stephen Gaghan’s labyrinthine sophomore directorial effort that traces the corruption of the global oil industry from the backrooms of Washington, D.C., to the petroleum-rich fields of the Middle East. Based in part on the writings of former CIA case officer Robert Baer, Syriana combines multiple storylines to explore the complexities that befall a proposed merger between two U.S. oil giants. Reform-minded Gulf country prince Nasir (Alexander Siddig) is in favor of making his nation more self-sufficient rather than U.S.-reliant, and his money-minded Western connections couldn’t be less pleased. Before settling into a cushy desk job for the remainder of his career, CIA agent Bob Barnes (George Clooney) is sent on one last assignment — to assassinate Prince Nasir and reinstate U.S. ties in the oil-rich region. Though his loyalty dictates that Barnes carry out his current mission despite lingering doubts of a previous blunder, his mission goes horribly awry when his field contact goes turncoat and Barnes becomes a CIA scapegoat. Meanwhile, up-and-coming Washington attorney Bennett Holiday (Jeffrey Wright) attempts to walk a fine line in overseeing a tenuous merger between two oil giants that’s plagued with shady business dealings. Hotshot energy analyst Bryan Woodman (Matt Damon) is in talks to form a lucrative partnership with Prince Nasir, though the death of his son during a party at the prince’s estate makes him question his loyalty to business over family. Back in Washington, D.C., Bennet’s boss Dean Whiting attempts to undermine Prince Nasir’s attempts to make his country less reliant on the U.S. dollar by planting the seeds of dissonance between the progressive prince and his money-minded younger brother Prince Meshal (Akbar Kurtha).

This action-adventure, that features a terrorist plot from The Fugitive (1993), saw its October 2001 release date moved back four months as a result of real-life terrorist attacks on the United States. Arnold Schwarzenegger stars as Gordon Brewer, a Los Angeles firefighter who witnesses the deaths of his wife and child, innocent victims of a terrorist attack on a motorcade carrying Colombian dignitaries. Responsibility for the deadly explosion belongs to Claudio “The Wolf” Perrini (Cliff Curtis), a terrorist and rebel in Colombia’s decade-long civil war. When times passes with no suspect being brought to justice, Brewer rejects the advice of FBI agent Peter Brandt (Elias Koteas) and travels to the jungles of Colombia to find and take revenge upon his family’s murderer himself. Encountering a complex web of death squads, right-wing military officials, guerrillas, terrorists and drug-lords, Brewer is aided in his dangerous quest by an unlikely ally, the beautiful Selena Perrini (Francesca Neri), his quarry’s wife. Collateral Damage (2002) co-stars John Leguizamo and John Turturro.