Bovie Movie

Directed by Michael Mayer and based on The Hours author Michael Cunningham’s novel of the same name, A Home at the End of the World chronicles the 1980s reunion of childhood best friends Bobby (Colin Farrell) and Jonathan (Dallas Roberts). Where they were once best pals — and teenage lovers — in the suburbs of Cleveland, Bobby has become a charismatic but go-nowhere heterosexual slacker, and Jonathan is now living as an openly gay man in New York City, hoping to serve as father to his eccentric roommate Clare’s (Robin Wright Penn) child. When Bobby impulsively moves to the city to be closer to his former friend, their bonds are tested sooner than anyone would have thought. Bobby falls for Clare, and in doing so, effectively eliminates what would have been Jonathan’s position in the baby’s life. Jonathan temporarily takes off; when his father dies, and he attends the Arizona funeral, Bobby and Clare unexpectedly turn up with the news that she’s expecting. Despite the still-existent tensions, the trio becomes a family unit among themselves, ultimately buying a house in Woodstock, Upstate New York, where they all move together, challenging traditional notions of family, commitment, love, and devotion.

The Eisner Award-winning comic series Sin City comes to life in this live-action feature adaptation from director Robert Rodriguez and creator Frank Miller. Interweaving multiple storylines from the series’ history, this violent crime noir paints the picture of the ultimate town without pity through the eyes of its roughest characters. There’s the street thug Marv (Mickey Rourke), whose desperate quest to find the killer of a prostitute named Goldie (Jaime King) will lead him to the foulest edges of town. Inhabiting many of those areas is Dwight (Clive Owen), a photographer in league with the sordid ladies of Sin City, headed by Gail (Rosario Dawson), who opens up a mess of trouble after tangling with a corrupt cop by the name of Jackie Boy (Benicio Del Toro). Finally, there’s Hartigan (Bruce Willis), an ex-cop with a heart problem who’s hell-bent on protecting a stripper named Nancy (Jessica Alba). Featuring a who’s who supporting cast that includes Elijah Wood, Brittany Murphy, Devon Aoki, and Nick Stahl, Sin City promises to be one of the most direct translations from page to screen of a comic series, with shots and dialogue adapted straight from the original comic’s panels. Rodriguez quit the Director’s Guild when they refused to let Frank Miller co-direct the film, a deal hashed out after the two collaborators developed and shot the opening scene utilizing a green-screen process to harness the stark, black-and-white look of the books as a litmus test for the rest of the production. Quentin Tarantino was brought in and reportedly paid one dollar to direct an extended scene between Del Toro and Owen that amounts to one issue of The Big Fat Kill miniseries.

New Yorkers get a crash course in the more dangerous aspects of moving to the country and buying a “handyman’s special” in this thriller from award-winning director Mike Figgis. Cooper and Leah Tilson (Dennis Quaid and Sharon Stone) are a wealthy couple who have grown tired of the high stress of life in New York City and are looking to move to someplace with more breathing room. Upstate, they find a mansion in the village of Cold Creek which has fallen into disrepair after it was repossessed. Convinced the house has great possibilities, The Tilsons buy it, and with a little hard work Cooper, Leah, and their two children are soon living in their dream home. Unknown to The Tilsons, the house used to belong to a lifelong Cold Creek resident named Dale Massie (Stephen Dorff), a ne’er-do-well who ended up behind bars. After he’s released from prison, Massie makes it clear to the new owners that he wants his home back, and before long Cooper and Leah begin learning the disturbing truth about the history of the mansion — and that many Cold Creek residents don’t take kindly to new arrivals. Cold Creek Manor also stars Juliette Lewis and Christopher Plummer.

One of Marvel Comics’ most popular characters comes to the screen for the first time in this sci-fi action-thriller. Matthew Murdock (Ben Affleck) is a lawyer whose father, a prizefighter, was killed by gangsters when Murdock was just a boy. Since then, Murdock has devoted his life to bringing wrongdoers to justice and is willing to help others by taking on cases no other attorney will touch. Murdock is also blind, after being struck down by a truck while trying to save a man from being hit. What no one knows is that Murdock was also doused with an unusual radioactive isotope which had a strange effect on him — while Murdock’s sight may be gone, his other senses have been raised to such a keen pitch that they act like radar, allowing him to tell where he’s going and what happens around him, both near and far away. Murdock puts his gifts to use at night as the costumed crime-fighter Daredevil, whose pursuit of justice has earned him the wrath of underworld leader Kingpin (Michael Clarke Duncan). Kingpin wants Daredevil out of his way once and for all, and hires Bullseye (Colin Farrell), a super-assassin with an uncanny ability to throw blades, to do the job. Daredevil also makes the acquaintance of Elektra Natchios (Jennifer Garner), a woman with super-heroic talents who is also on Kingpin’s bad side, though it remains to be seen if she has aligned herself with the forces of good as Daredevil has done. Jon Favreau, Joe Pantoliano, and David Keith highlight Daredevil’s supporting cast.

The second chapter in the “Bourne Trilogy,” based on Robert Ludlum’s best-selling espionage novels, reaches the screen in this sequel to the 2002 thriller The Bourne Identity. Jason Bourne (Matt Damon) has abandoned his life as a CIA assassin and has been traveling beneath the agency’s radar, eventually reconnecting with Marie Kreutz (Franka Potente), the woman he loves. But Bourne is haunted by vivid dreams and troubling memories of his days as a killer, and he’s not certain how much really happened and how much is a product of his imagination. When Bourne is led out of hiding by circumstances beyond his control, he must reconcile his past and present as he struggles to keep Marie out of harm’s way and foil an international incident with dangerous consequences. The Bourne Supremacy also features Joan Allen as one of Bourne’s superiors, while Julia Stiles and Brian Cox reprise their roles as intelligence agents from the first film.

After the blockbuster success of Pirates of the Caribbean, another Disney theme park ride is adapted for the big screen in this family-friendly mix of comedy and chills. Jim Evers (Eddie Murphy) is a real estate agent whose latest project is to find a buyer for a huge but dilapidated old house in New Orleans. However, when Evers visits the property with his family, he discovers it’s already inhabited by 999 ghosts, none of whom are interested in sharing the space. As the spirits make their displeasure known, Evers and his family try to shoo them away with the help of an eccentric medium named Madame Leota (Jennifer Tilly). The Haunted Mansion also stars Terence Stamp, Don Knotts, and Wallace Shawn.

Edward Zwick returned to the director’s chair for the first time since 1998’s The Siege with this sweeping period drama set in 19th-century Japan. After centuries of relying on hired samurai for national defense, the Japanese monarchy has decided to do away with the warriors in favor of a more contemporary military. Tom Cruise stars as Nathan Algren, a veteran of the U.S. Civil War who is hired by the Emperor Meiji to train an army capable of wiping out the samurai. But when Algren is captured by the samurai and taught about their history and way of life, he finds himself conflicted over who he should be fighting alongside. Billy Connelly, Tony Goldwyn, and Ken Watanabe co-star.

Following up the 2002 horror flick Wes Craven Presents: They, director Robert Harmon took on this cat-and-mouse thriller written by Craig Mitchell and Hans Bauer, the writing team behind 1999’s Komodo. Jim Caviezel stars as Rennie, a man who suddenly finds his life destroyed by tragedy when his wife is murdered by a mysterious serial killer (Colm Feore). The culprit, it seems, is a psychopath with a penchant for hunting down and killing random women, using his green 1972 Cadillac El Dorado as his weapon. With revenge on his mind, Rennie sets out on the road in search of the elusive car and its homicidal driver. Along the way, Rennie meets a singer named Molly (Rhona Mitra) who suddenly finds herself embroiled in his unending quest for retribution. Frankie Faison also stars.

M. Night Shyamalan, the creative mind behind The Sixth Sense and Signs, wrote and directed this characteristically atmospheric thriller. The rustic village of Covington is a small town in rural Pennsylvania that is home to 60 souls. The citizens of Covington lead a quiet and peaceful life, but not without an unusual caveat — terrible creatures lurk just outside the borders of the village, and the people of Covington have reached an agreement of sorts with the beasts, in which they are allowed to go about their business as long as they never cross the village’s boundaries. However, this precarious balance is upset when a headstrong young man, Lucius Hunt (Joaquin Phoenix), decides to find out what lies outside Covington, and unwittingly invites the wrath of the creatures upon the town. The Village also stars Sigourney Weaver, William Hurt, Adrien Brody, Judy Greer, and Bryce Dallas Howard; both Kirsten Dunst and Ashton Kutcher were at one time attached to the project, but both left the cast before filming began.

“I am….Drac-u-la. I bid you velcome.” Thus does Bela Lugosi declare his presence in the 1931 screen version of Bram Stoker’s Dracula. Director Tod Browning invests most of his mood and atmosphere in the first two reels, which were based on the original Stoker novel; the rest of the film is a more stagebound translation of the popular stage play by John Balderston and Hamilton Deane. Even so, the electric tension between the elegant Dracula and the vampire hunter Professor Van Helsing (Edward Van Sloan) works as well on the screen as it did on the stage. And it’s hard to forget such moments as the lustful gleam in the eyes of Mina Harker (Helen Chandler) as she succumbs to the will of Dracula, or the omnipresent insane giggle of the fly-eating Renfield (Dwight Frye). Despite the static nature of the final scenes, Dracula is a classic among horror films, with Bela Lugosi giving the performance of a lifetime as the erudite Count (both Lugosi and co-star Frye would forever after be typecast as a result of this film, which had unfortunate consequences for both men’s careers). Compare this Dracula to the simultaneously filmed Spanish-language version, which makes up for the absence of Lugosi with a stronger sense of visual dynamics in the lengthy dialogue sequences. In 1999, a special rerelease of Dracula was prepared featuring a new musical score written by Philip Glass and performed by The Kronos Quartet.