Bovie Movie

Point of Origin, produced by HBO, marks the feature directorial debut of accomplished cinematographer Newton Thomas Sigel (Three Kings, X-Men). The film is based on an actual serial arson investigation that took place in Glendale, CA, in the late ’80s and early ’90s. Ray Liotta stars in the film as John Orr, a skilled arson investigator with a sixth sense for finding the “point of origin,” the place where a fire was started. Orr also has a knack for locating the devices used to start the fires. Keith Lang (John Leguizamo), his ambitious young prot?g?, calls Orr “Professor.” Orr is stumped by a series of big fires, some fatal, which seem to have been set by the same arsonist. A commission is appointed to investigate the case, headed up by ATF agent Mike Matasso (Colm Feore) and fireman Mike Camello (Cliff Curtis). Orr uses his influence to get Lang appointed to the panel. But Matasso and Orr are immediately at odds with each other, as the ATF man seems to resent Orr’s efforts to maintain control of the investigation. Orr is also dealing with his troubled marriage to Wanda (Bai Ling) and is having an affair with the volatile Kate (Illeana Douglas). As he gets deeper into the case, trying to get inside the head of the criminal, Orr begins to worry that the arsonist has some kind of personal involvement with him. Then the commission uncovers a link to an earlier string of fires, and uncovers evidence that the arsonist may actually be a fireman. The actual investigators, Matasso and Camello, have cameos in the film, and Camello also served as one of the film’s technical advisors. These events were also the basis for Joseph Wambaugh’s book Fire Lover: A True Story.

A descent into Hell is triggered when “Ex-Lord” Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help.

Vietnam vet Travis Bickle is 26, a loner in the mean streets of New York City, slipping slowly into isolation and violent misanthropy. In solving his insomnia by driving a yellow cab on the night shift, he grows increasingly disgusted by the low-lifes that hang out at night: “Someday a real rain will come and wash all the scum off the streets.” His touching attempts to woo Betsy, a Senator’s campaign worker, turn sour when he takes her to a porn movie on their first date. He even fails in his attempt to persuade child prostitute Iris to desert her pimp and return to her parents and school. Driven to the edge by powerlessness, he buys four handguns and sets out to assassinate the Senator, heading for the infamy of a ‘lone crazed gunman’…

Billy Madison is a non-working, non-educated slacker who lives entirely off his dad. He spends his day drinking beer, reading girly magazines, and hanging out by the pool. When his father realizes that Billy is unfit to run the family business, Billy decides that he must go back to school and earn a real education. He figures it will be no problem going back to high school and learning over again, until he learns that his father bought Billy’s passing grades all the way back in elementary school. Thus, Billy must return to elementary school and pass each grade one at a time in a short time, or else he loses his place as heir to the company. In addition, Billy tries to win the hand of Veronica, a sexy school teacher who thinks her students are more mature than Billy.

Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg’s stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider’s recollections of the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival.