Bovie Movie

Filmmaker Roman Polanski, who as a boy growing up in Poland watched while the Nazis devastated his country during World War II, directed this downbeat drama based on the true story of a privileged musician who spent five years struggling against the Nazi occupation of Warsaw. Wladyslaw Szpilman (Adrien Brody) is a gifted classical pianist born to a wealthy Jewish family in Poland. The Szpilmans have a large and comfortable flat in Warsaw which Wladyslaw shares with his mother and father (Maureen Lipman and Frank Finlay), his sisters Halina and Regina (Jessica Kate Meyer and Julia Rayner), and his brother, Henryk (Ed Stoppard). While Wladyslaw and his family are aware of the looming presence of German forces and Hitler’s designs on Poland, they’re convinced that the Nazis are a menace which will pass, and that England and France will step forward to aid Poland in the event of a real crisis. Wladyslaw’s na?vet? is shattered when a German bomb rips through a radio studio while he performs a recital for broadcast. During the early stages of the Nazi occupation, as a respected artist, he still imagines himself above the danger, using his pull to obtain employment papers for his father and landing a supposedly safe job playing piano in a restaurant. But as the German grip tightens upon Poland, Wladyslaw and his family are selected for deportation to a Nazi concentration camp. Refusing to face a certain death, Wladyslaw goes into hiding in a comfortable apartment provided by a friend. However, when his benefactor goes missing, Wladyslaw is left to fend for himself and he spends the next several years dashing from one abandoned home to another, desperate to avoid capture by German occupation troops. The Pianist was based on the memoir of the same name by the real-life Wladyslaw Szpilman; the book was first published in 1946 as Death of a City, but was banned by Polish Communist officials and went out of print until 1998, when a new edition was issued as The Pianist.

Leftist filmmaker Ken Loach directs this grim drama about the plight of seemingly invisible office cleaners in contemporary L.A. who often earn as little as $6 a day without benefits. The film opens as Maya (Pilar Padilla), a young Mexican lass, is reuniting with her older sister Rosa (Elpidia Carrilio) in L.A. after a harrowing cross-border journey. Rosa sets her sister up first with a job as a barmaid, which Maya soon quits after getting repeatedly groped — and then as a janitor. When her boss demands one month’s salary as “commission,” Maya happens upon Sam Shapiro (Adrien Brody), a muckraking lawyer and union agitator. This film, which was screened in competition at the 2000 Cannes Film Festival, is remarkable for its prescience — it was shown a month after a massive janitor’s strike ground L.A.’s business community to a halt.

The tragic aftermath of human carelessness travels around the world in this multi-narrative drama from filmmaker Alejandro Gonz?lez I??rritu. Richard (Brad Pitt) and Susan (Cate Blanchett) are a couple from the United States who have traveled to Morocco in Northern Africa on a vacation after the death of one of their children has sent Susan into a deep depression. Richard and Susan’s other two children have been left in the care of Amelia (Adriana Barraza), their housekeeper. Amelia is originally from Mexico, and her oldest son is getting married in Tijuana. Unable to find someone who can watch the kids, or to obtain permission to take the day off, Amelia takes the children with her as she travels across the border for the celebration. Around the same time, in Morocco a poor farmer buys a hunting rifle, and he gives it to his sons to scare off the predatory animals that have been thinning out their goat herd. The boys decide to test the weapon’s range by shooting at a bus far away; the shot hits Susan in the shoulder, and soon she’s bleeding severely, while police are convinced the attack is the work of terrorists. In Japan, Chieko (Rinko Kikuchi) is a teenage deaf-mute whose mother recently committed suicide. This despairing, confused girl experiences such rage and frustration that she causes her volleyball team to lose a match, and later yanks her underwear off and begins exposing herself to boys in a crowded restaurant. Chieko’s father then struggles to reach past the emotional distance which separates him and his daughter. Babel earned Alejandro Gonz?lez I??rritu the prize for Best Director at the 2006 Cannes Film Festival.

Based on the true story of Henri Charriere, also known as Papillon, which is French for ‘butterfly’ (the character even sports a large tattoo of a butterfly. A petty criminal, Papillon is wrongly convicted of murder and sentenced to life in a French penal colony in ‘Guiane’ (French Guiana, South America). Papillon is determined to escape but attempt after attempt meets with difficulty, resulting in eventual recapture. He continues his attempts to escape despite incarcerations in solitary confinement as punishment.

In this entry in the long-running “Bowery Boys” series Sach sells his soul to the Devil so he can atone for spending a charity fund at the track. The bargain enables the young man to successfully predict winning horses at the track. Soon Sach finds himself pursued by greedy mobsters who want him to work with them. Sach demurs and then ends up riding a horse in the big race. Despite his efforts to force the steed to slow down and lose, it wins. Fortunately, the horse is disqualified because Sach was an illegal rider. This has the added benefit of proving the Devil wrong and nullifying their contract. To pay for his crimes, Sach must work in a diner.