Bovie Movie

Writer/director Nicole Kassell makes her feature film debut with the drama The Woodsman. Co-written by Steven Fechter, the original script won first place at the Slamdance Screenplay Competition in 2001. Kevin Bacon plays Walter, a child molester who gets out of prison after serving a 12-year sentence. He returns to his old town and tries to start over by working at a woodyard. Fortunately, his brother-in-law (Benjamin Bratt) helps him get a place to live. He even strikes up a relationship with local gal Vickie (Bacon’s real-life wife, Kyra Sedgwick). However, Walter still struggles with his past and the suspicions of co-worker Mary-Kay (Eve) and Detective Lucas (Mos Def). The Woodsman premiered at the Sundance Film Festival in 2004 as part of the dramatic competition.

In an adaptation of Choderlos de Laclos’ novel, Les Liaisons Dangereuses, Kathryn Merteuil (Sarah Michelle Gellar) and Sebastian Valmont (Ryan Phillippe) are step-brother and step-sister living in Manhattan. With their absent parents travelling in Europe, the wealthy pair have the family penthouse to themselves as they while away their summer break before beginning senior year at a private high school. Sebastian, bad-boy lothario, has apparently slept with all the girls in town and appears numb to it all. Kathryn, who appears to be the good girl class president, is actually far more amoral and malicious than Sebastian, but maintains appearances to the contrary. When she is dumped by her boyfriend, Court Reynolds (Charlie O’Connell), for the innocent Cecile Caldwell (Selma Blair), she schemes revenge by destroying Cecile’s reputation. She challenges Sebastian to deflower Cecile and transform her into a tramp to humiliate Court. Sebastian isn’t as interested as Cecile — she’s spent her whole life in a Catholic girl’s school and presents no challenge. The girl who has caught his attention is Annette Hargrove (Reese Witherspoon), the new headmaster’s daughter. Annette had written an article for Seventeen Magazine on her plans to stay a virgin until she finds her one true love. Kathryn makes a wager. If Sebastian fails to lure Annette into bed before the summer is over, Kathryn gets his car. If he succeeds, Sebastian gets Kathryn, whom he wants anyway. Sebastian accepts the bet, but Annette turns out to be more than either of them bargained for.

Many married couples have secrets, but one pair of lovebirds discover they’ve both been living dangerous secret lives in this action thriller laced with comedy. Angelina Jolie and Brad Pitt and play Jane Smith and John Smith, a suburban couple whose marriage has started to go a bit stale after five or six years. Both wish for more excitement in their relationship, but as it happens, each of them is finding plenty of thrills elsewhere. Both Jane and John are world-class assassins who will take on perilous missions for the right price, but neither is aware of the other’s secret life - Jane thinks her husband runs a successful construction company, and John believes his wife works on Wall Street. However, when John and Jane are both assigned to take out the same target, one Benjamin Danz (Adam Brody), they become aware of each other’s secret lives, and suddenly both their careers and their marriage go through some dramatic and potentially deadly changes. Mr. and Mrs. Smith also stars Vince Vaughn as an assassin with John’s company who still lives with his mother and Kerry Washington as one of Jane’s associates.

In this sci-fi/horror scarefest, Dr. William Weir (Sam Neill) is a scientist who has designed a spacecraft called Event Horizon which will explore the outer reaches of space past the planet Neptune; the ship employs a special transport mechanism that, in effect, creates a black hole that the ship can pass through, allowing it to travel tremendous distances in a few seconds. The Event Horizon mysteriously disappears in the midst of a mission with no trace of either the ship or its crew, but it reappears in Neptune’s orbit after a seven year absence and it’s sending out a distress signal. The spaceship Lewis and Clark, and Dr. Weir, are sent to investigate; the crew — Captain Miller (Laurence Fishburne), pilot Smith (Sean Pertwee), engineer Justin (Jack Noseworthy), navigator Starck (Joely Richardson), physician D.J. (Jason Isaacs), and emergency technicians Peters (Kathleen Quinlan) and Cooper (Richard T. Jones) — are already tired and unenthusiastic about this assignment, and somewhat confused by Weir’s reports. The crew of the Lewis and Clark are convinced that Weir is not telling them something, and when they discover the Event Horizon, they find that things are not what they seem, and an evil presence has taken over the ship. Incidentally, the term “event horizon” describes the outer boundaries of a black hole.

“I am….Drac-u-la. I bid you velcome.” Thus does Bela Lugosi declare his presence in the 1931 screen version of Bram Stoker’s Dracula. Director Tod Browning invests most of his mood and atmosphere in the first two reels, which were based on the original Stoker novel; the rest of the film is a more stagebound translation of the popular stage play by John Balderston and Hamilton Deane. Even so, the electric tension between the elegant Dracula and the vampire hunter Professor Van Helsing (Edward Van Sloan) works as well on the screen as it did on the stage. And it’s hard to forget such moments as the lustful gleam in the eyes of Mina Harker (Helen Chandler) as she succumbs to the will of Dracula, or the omnipresent insane giggle of the fly-eating Renfield (Dwight Frye). Despite the static nature of the final scenes, Dracula is a classic among horror films, with Bela Lugosi giving the performance of a lifetime as the erudite Count (both Lugosi and co-star Frye would forever after be typecast as a result of this film, which had unfortunate consequences for both men’s careers). Compare this Dracula to the simultaneously filmed Spanish-language version, which makes up for the absence of Lugosi with a stronger sense of visual dynamics in the lengthy dialogue sequences. In 1999, a special rerelease of Dracula was prepared featuring a new musical score written by Philip Glass and performed by The Kronos Quartet.

Lust, jealousy, and revenge come cloaked in the guise of friendship in this psychological drama. Barbara Covett (Judi Dench) is a history teacher at a high school in London; while elderly Barbara is very bright, she’s also severe and domineering, with a strong personality that tends to put people off. Barbara also takes a voyeuristic delight in recording the actions of those around her in her diary in the most minute detail. When Sheba Hart (Cate Blanchett), a bright and attractive woman in her mid-thirties, is hired as the school’s new art teacher, Barbara believes she may have found someone worthy of her friendship, though she’s soon disappointed to discover that Sheba has a husband and two children, a lifestyle that she finds offensively bourgeois. However, Barbara’s obsessive interest in Sheba is rewarded when the younger teacher confesses that one of her students, Steven (Andrew Simpson), has developed an obviously sexual interest in her. However, in fact, Steven’s crush on Sheba is hardly one-sided, and in time Barbara discover that the two have been making love on a regular basis for months. When circumstances turn Barbara against Sheba, she uses what she knows about the affair to destroy the life of her “friend.” Based on the novel by Zoe Heller, Notes on a Scandal also stars Bill Nighy.

Based on Helen Fielding’s hugely popular novel, this romantic comedy follows Bridget (Renee Zellweger), a post-feminist, thirty-something British woman who has a penchant for alcoholic binges, smoking, and an inability to control her weight. While trying to keep these things in check and also deal with her job in publishing, she visits her parents for a Christmas party. They try to set her up with Mark (Colin Firth), the visiting son of one of their neighbors. Snubbed by Mark, she instead falls for her boss Daniel Hugh Grant), a dashing lothario who begins to send her suggestive e-mails that soon lead to a dinner date proposition. Daniel reveals that he and Mark attended college together, during which time Mark had an affair with his fianc?e. When Bridget finds Daniel cavorting with an American colleague, she decides to change her life with a new job as a TV presenter. At a dinner party, she bumps into Mark again, who expresses his affection for her; when Daniel claims he wants Bridget back, the two fight over who deserves her affections the most. Popular British performers Gemma Jones, Jim Broadbent, and Shirley Henderson appear in the supporting cast.

The second and third novels in author Anne Rice’s popular book series The Vampire Chronicles provide the inspiration for this horror sequel starring ill-fated actress and recording artist Aaliyah, who was killed in an airplane crash before the film’s release. Stuart Townsend is the vampire Lestat, who has awakened from a century-long slumber and turned his considerable energy to rock music. His vampirism identity mistaken for a gothic hard rock publicity stunt along the lines of Kiss or Marilyn Manson, he quickly becomes a pop music sensation. Lestat’s powerful music reaches the ear of the slumbering Akasha (Aaliyah), the millennia-old “queen of the vampires” who was the first immortal bloodsucker. Akasha is soon free and embarking on a quest to seize control of the world with Lestat at her side. In the meantime, Lestat becomes an object of fascination for Jesse Reeves (Marguerite Moreau), member of a secret order studying the supernatural called the Talamasca, and a band of ancient vampires come together in an effort to stop Akasha, even though her destruction could potentially cause their own deaths. Queen of the Damned co-stars Lena Olin and Vincent Perez.

A woman who has come to a strange land is torn between the life she knows and the new life around her in this epic-scale historical drama. In 1854, New Zealand’s indigenous Maori tribes were engaged in an ongoing battle to drive away European settlers eager to establish colonies in the nation’s wilderness, which the Maori saw as a threat to their way of life. However, some outsiders had made a home in New Zealand with the cooperation of the Maori, and an Irish settlement had been established, with Francis (Stephen Rea), the colony’s doctor, bringing his daughter Sarah (Samantha Morton) with him to this new land. Sarah becomes acquainted with the son of one of the Maori leaders, and in time their friendship grows into something deeper. When Sarah discovers she’s pregnant with the chief’s son’s child, the father has been called off to fight against the Europeans, and by the time her son is born, his father is dead. Sarah raises her child, whom she simply calls “Boy,” but when Boy reaches the age of six, he’s abducted by his father’s family, who believes he should grow up among the Maori. Fearing further reprisals, Francis returns to Ireland, but Sarah stays behind to care for the sick and look for her son. Years later, while in search of Boy, Sarah encounters Wiremu (Cliff Curtis), a Maori warrior whose father Te Kai Po (Temuera Morrison) is ill. When Wiremu learns that Sarah is well versed in medicine, he makes an offer — if she will treat Te Kai Po and return him to health, he will find Boy. Sarah is able to cure Te Kai Po’s ailment, and Wiremu returns the now-teenaged Boy (David Rawiri Pene) to his mother. Boy is not eager to leave behind the Maori people who have become his family, and he and Sarah stay with Te Kai Po’s tribe for a while, but in time she is drawn back to the Irish colony, where she finds herself torn between Doyle (Kiefer Sutherland), the soldier who loves her and wishes to protect her, and Wiremu, who she has grown to love.

A group of teens discover that the next generation of survival horror games are more realistic than they thought when they begin dying in the same manner as their pixilated counterparts in director William Brent Bell’s bloody tale of video games gone bad. In the days following the mysterious death of an old friend, a young group of gaming enthusiasts comes into possession of a chillingly realistic game based on the exploits of a 17th century noblewoman who earned the name “The Blood Countess” for her murderous exploits. Their curiosity piqued by the fact that they were obviously not supposed to come into possession of the grisly game, the teens soon give in to temptation and begin doing battle for high score. When the chilling events of the game begin to bleed over into the real world and the real-life deaths of the players begin to mirror the deaths of their in-game characters, the race is on to defeat the murderous Blood Countess and ensure that other curious gamers don’t fall into the same deadly trap that they did.